Making Strange: The Modernist Photobook in France Tapa dura -

Yale University Press. New. Brand New.

Yale University Press, 2020. Hardcover. New. New oversized case-wrapped hardcover. 4to. (8.75 x 1 x 11.3 inches) Clean text free of marks or underlining. B&W and color photos and illustrations printed on heavy paper throughout the book. Includes photo credits, bibliography and an index. 224 pp. Fast shipping in a secure book box mailer with tracking. A richly illustrated look at some of the most important photobooks of the 20th century France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created… Leer más

Yale University Press. Used - Very Good. 2020. Hardcover. Very Good.

Yale University Press. New. 2020. Hardcover. In publisher's shrinkwrap. New.

Yale University Press, March 2020. Hardcover. New.

New Haven , Conn.: Yale University Press, 2020. Book. New. Hardcover. 1st Edition.. 1 st. Edition 2020 , Illustrated hardcover boards , 224 page book with images in black & white . Condition : NEW Size: 4to - over 9¾ - 12" tall.

Hardcover. New.

New Haven, CT: Yale University Press, 2020. Pictorial boards, ix, 221 pages, illustrations (some colour); 29 cm. Firm binding, clean inside copy. "France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassai , Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, Making Strange… Leer más

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

UsedVeryGood. Minor shelf wear