Inicio Facture: Conservation, Science, Art History: Volume 5: Modern and Contemporary Art de Daphne S. Barbour (Editor); Suzanne Quillen Lomax (Editor) (ISBN: 9780300261035)

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Facture: Conservation, Science, Art History: Volume 5: Modern and Contemporary Art Tapa blanda -

Name: Facture: Conservation, Science, Art History: Volume 5: Modern and Contemporary Art
Price: 24.95 GBP
Availability: InStock
Author: Daphne S. Barbour
ISBN: 9780300261035

de Daphne S. Barbour (Editor); Suzanne Quillen Lomax (Editor)

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Detalles

Título Facture: Conservation, Science, Art History: Volume 5: Modern and Contemporary Art
Autor Daphne S. Barbour (Editor); Suzanne Quillen Lomax (Editor)
Encuadernación Tapa blanda
Páginas 220
Volúmenes 1
Idioma ENG
Editorial National Gallery Washington
ISBN 9780300261035 / 0300261039
Peso 2.2 libras (1.00 kg)
Dimensiones 11.1 x 8 x 0.7 pulgadas (28.19 x 20.32 x 1.78 cm)
Temas
- Aspects (Academic): Art Aspects
- Chronological Period: Medieval (500-1453) Studies
Dewey Decimal Code 702.88

Acerca del autor

Daphne Barbour is senior object conservator, and Suzanne Quillen Lomax is senior conservation scientist, both at the National Gallery of Art, Washington, DC.

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Facture: Conservation, Science, Art History: Volume 5: Modern and Contemporary Art

de Daphne S. Barbour

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Nuevo

ISBN 10 / ISBN 13

9780300261035 / 0300261039

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The Saint Bookstore

Southport, Merseyside, United Kingdom

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EUR 29.85

EUR 11.91 enviando a USA

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Descripción:

New. Volume 5 of the National Gallery of Art's biennial conservation research journal Facture explores issues associated with the conservation and technical analysis of modern and contemporary art. Focusing on works in a variety of media by celebrated artists such as Edward Steichen (1879-1973), Mark Rothko (1903-1970), Jules Olitski (1922-2007), and Jasper Johns (b. 1930), among others, this publication's seven essays offer expertise from conservators, scientists, and art historians, yielding into exceptional insights into extraordinary works of art. As in all issues of Facture, the peer-reviewed essays, enlivened with spectacularly detailed photography, navigate interdisciplinary boundaries to examine artworks from technical, scientific, and art-historical perspectives. In this issue, the dialogue is further expanded to include contributions from artists, their families, and their foundations.