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The Cat's Table
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The Cat's Table Tapa blanda - 2012

de Michael Ondaatje


Información de la editorial

MICHAEL ONDAATJE is the author of five previous novels, a memoir, a nonfiction book on film, and several books of poetry. The English Patient won the Booker Prize; Anil's Ghost won the Irish Times International Fiction Prize, the Giller Prize, and the Prix Médicis. Born in Sri Lanka, Ondaatje now lives in Toronto.

Detalles

  • Título The Cat's Table
  • Autor Michael Ondaatje
  • Encuadernación Tapa blanda
  • Edición First printing o
  • Páginas 288
  • Volúmenes 1
  • Idioma ENG
  • Editorial Vintage Books Canada, Toronto
  • Fecha de publicación 2012-06-12
  • ISBN 9780307401427 / 0307401421
  • Dewey Decimal Code FIC

Extracto

He wasn’t talking . He was looking from the window of the car all the way. Two adults in the front seat spoke quietly under their breath. He could have listened if he wanted to, but he didn’t. For a while, at the section of the road where the river sometimes flooded, he could hear the spray of water at the wheels. They entered the Fort and the car slipped silently past the post office building and the clock tower. At this hour of the night there was barely any traffic in Colombo. They drove out along Reclamation Road, passed St. Anthony’s Church, and after that he saw the last of the food stalls, each lit with a single bulb. Then they entered a vast open space that was the harbour, with only a string of lights in the distance along the pier. He got out and stood by the warmth of the car.
 
He could hear the stray dogs that lived on the quays barking out of the darkness. Nearly everything around him was invisible, save for what could be seen under the spray of a few sulphur lanterns—watersiders pulling a procession of baggage wagons, some families huddled together. They were all beginning to walk towards the ship.
 
He was eleven years old that night when, green as he could be about the world, he climbed aboard the first and only ship of his life. It felt as if a city had been added to the coast, better lit than any town or village. He went up the gangplank, watching only the path of his feet—nothing ahead of him existed—and continued till he faced the dark harbour and sea. There were outlines of other ships farther out, beginning to turn on lights. He stood alone, smelling everything, then came back through the noise and the crowd to the side that faced land. A yellow glow over the city. Already it felt there was a wall between him and what took place there. Stewards began handing out food and cordials.
 
He ate several sandwiches, and after that he made his way down to his cabin, undressed, and slipped into the narrow bunk. He’d never slept under a blanket before, save once in Nuwara Eliya. He was wide awake. The cabin was below the level of the waves, so there was no porthole. He found a switch beside the bed and when he pressed it his head and pillow were suddenly lit by a cone of light.
 
He did not go back up on deck for a last look, or to wave at his relatives who had brought him to the harbour. He could hear singing and imagined the slow and then eager parting of families taking place in the thrilling night air. I do not know, even now, why he chose this solitude. Had whoever brought him onto the Oronsay already left? In films people tear themselves away from one another weeping, and the ship separates from land while the departed hold on to those disappearing faces until all distinction is lost.
 
I try to imagine who the boy on the ship was. Perhaps a sense of self is not even there in his nervous stillness in the narrow bunk, in this green grasshopper or little cricket, as if he has been smuggled away accidentally, with no knowledge of the act, into the future.
 
He woke up, hearing passengers running along the corridor. So he got back into his clothes and left the cabin. Something was happening. Drunken yells filled the night, shouted down by officials. In the middle of B Deck, sailors were attempting to grab hold of the harbour pilot. Having guided the ship meticulously out of the harbour (there were many routes to be avoided because of submerged wrecks and an earlier breakwater), he had gone on to have too many drinks to celebrate his achievement. Now, apparently, he simply did not wish to leave. Not just yet. Perhaps another hour or two with the ship. But the Oronsay was eager to depart on the stroke of midnight and the pilot’s tug waited at the waterline. The crew had been struggling to force him down the rope ladder, however as there was a danger of his falling to his death, they were now capturing him fishlike in a net, and in this way they lowered him down safely. It seemed to be in no way an embarrassment to the man, but the episode clearly was to the officials of the Orient Line who were on the bridge, furious in their white uniforms. The passengers cheered as the tug broke away. Then there was the sound of the two-stroke and the pilot’s weary singing as the tug disappeared into the night.
 
Departure
What had there been before such a ship in my life? A dugout canoe on a river journey? A launch in Trincomalee harbour? There were always fishing boats on our horizon. But I could never have imagined the grandeur of this castle that was to cross the sea. The longest journeys I had made were car rides to Nuwara Eliya and Horton Plains, or the train to Jaffna, which we boarded at seven a.m. and disembarked from in the late afternoon. We made that journey with our egg sandwiches, some thalagulies, a pack of cards, and a small Boy’s Own adventure.
 
But now it had been arranged I would be travelling to England by ship, and that I would be making the journey alone. No mention was made that this might be an unusual experience or that it could be exciting or dangerous, so I did not approach it with any joy or fear. I was not forewarned that the ship would have seven levels, hold more than six hundred people including a captain, nine cooks, engineers, a veterinarian, and that it would contain a small jail and chlorinated pools that would actually sail with us over two oceans. The departure date was marked casually on the calendar by my aunt, who had notified the school that I would be leaving at the end of the term. The fact of my being at sea for twenty-one days was spoken of as having not much significance, so I was surprised my relatives were even bothering to accompany me to the harbour. I had assumed I would be taking a bus by myself and then change onto another at Borella Junction.
 
There had been just one attempt to introduce me to the situation of the journey. A lady named Flavia Prins, whose husband knew my uncle, turned out to be making the same journey and was invited to tea one afternoon to meet with me. She would be travelling in First Class but promised to keep an eye on me. I shook her hand carefully, as it was covered with rings and bangles, and she then turned away to continue the conversation I had interrupted. I spent most of the hour listening to a few uncles and counting how many of the trimmed sandwiches they ate. On my last day, I found an empty school examination booklet, a pencil, a pencil sharpener, a traced map of the world, and put them into my small suitcase. I went outside and said good-bye to the generator, and dug up the pieces of the radio I had once taken apart and, being unable to put them back together, had buried under the lawn. I said good-bye to Narayan, and good-bye to Gunepala.
 
As I got into the car, it was explained to me that after I’d crossed the Indian Ocean and the Arabian Sea and the Red Sea, and gone through the Suez Canal into the Mediterranean, I would arrive one morning on a small pier in England and my mother would meet me there. It was not the magic or the scale of the journey that was of concern to me, but that detail of how my mother could know when exactly I would arrive in that other country.
 
And if she would be there.
 
I heard a note being slipped under my door. It assigned me to Table 76 for all my meals. The other bunk had not been slept in. I dressed and went out. I was not used to stairs and climbed them warily.
 
In the dining room there were nine people at Table 76, and that included two other boys roughly my age.
 
“We seem to be at the cat’s table,” the woman called Miss Lasqueti said. “We’re in the least privileged place.”
 
It was clear we were located far from the Captain’s Table, which was at the opposite end of the dining room. One of the two boys at our table was named Ramadhin, and the other was called Cassius. The first was quiet, the other looked scornful, and we ignored one another, although I recognized Cassius. I had gone to the same school, where, even though he was a year older than I was, I knew much about him. He had been notorious and was even expelled for a term. I was sure it was going to take a long time before we spoke. But what was good about our table was that there seemed to be several interesting adults. We had a botanist, and a tailor who owned a shop up in Kandy. Most exciting of all, we had a pianist who cheerfully claimed to have “hit the skids.”
 
This was Mr. Mazappa. In the evening he played with the ship’s orchestra, and during the afternoons he gave piano lessons. As a result, he had a discount on his passage. After that first meal he entertained Ramadhin and Cassius and me with tales of his life. It was by being in Mr. Mazappa’s company, as he regaled us with confusing and often obscene lyrics from songs he knew, that we three came to accept one another. For we were shy and awkward. Not one of us had made even a gesture of greeting to the other two until Mazappa took us under his wing and advised us to keep our eyes and ears open, that this voyage would be a great education. So by the end of our first day, we discovered we could become curious together.
 
Another person of interest at the Cat’s Table was Mr. Nevil, a retired ship dismantler, who was returning to England after a patch of time in the East. We sought out this large and gentle man often, for he had detailed knowledge about the structure of ships. He had dismantled many famous vessels. Unlike Mr. Mazappa, Mr. Nevil was modest and would speak of these episodes in his past only if you knew how to nudge an incident out of him. If he had not been so modest in the way he responded to our barrage of questions, we would not have believed him, or been so enthralled.
 
He also had a complete run of the ship, for he was doing safety research for the Orient Line. He introduced us to his cohorts in the engine and furnace rooms, and we watched the activities that took place down there. Compared to First Class, the engine room—at Hades level—churned with unbearable noise and heat. A two-hour walk around the Oronsay with Mr. Nevil clarified all the dangerous and not-so- dangerous possibilities. He told us the lifeboats swaying in mid-air only seemed dangerous, and so, Cassius and Ramadhin and I often climbed into them to have a vantage point for spying on passengers. It had been Miss Lasqueti’s remark about our being “in the least privileged place,” with no social importance, that persuaded us into an accurate belief that we were invisible to officials such as the Purser and the Head Steward, and the Captain.


From the Hardcover edition.

Reseñas en medios

"A completely original orchestration of a coming-of-age story, memoir, maritime adventure as powerful as Conrad or Stevenson.... Astonishing."
—Howard Norman, The Globe and Mail

"Ondaatje's most accessible, most compelling novel to date."
—Robert J Wiersema, The Vancouver Sun

"Michael Ondaatje is the greatest living writer in the English language.... All that is great in his other books is fully present in The Cat's Table."
—Aleksander Hemon, The Wall Street Journal (Favourite Book of 2011)

"The most beautiful, haunting and ageless book I've read this year."
—Pico Iyer, The Hindu

Acerca del autor

MICHAEL ONDAATJE is the author of many novels, a memoir, a nonfiction book on film, and several books of poetry. The English Patient won the Booker Prize in 1992 and the Golden Man Booker in 2018; Anil's Ghost won the Irish Times International Fiction Prize, the Scotiabank Giller Prize, and the Prix Mdicis. In 2016, he was appointed Companion of the Order of Canada. Born in Sri Lanka, he now lives in Toronto.
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The Cat's Table
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The Cat's Table

de Michael Ondaatje

  • Usado
  • Tapa blanda
Estado
Used - Very Good
Encuadernación
Paperback
ISBN 10 / ISBN 13
9780307401427 / 0307401421
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Vintage Canada, June 2012. Paperback. Used - Very Good.
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The Cat's Table
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The Cat's Table

de Ondaatje, Michael

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  • Tapa blanda
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Edición
First Edition
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ISBN 10 / ISBN 13
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Vintage Canada, 2012-06-12. First Edition. Paperback. Near Fine. 5x0x8. We're happy to combine shipping to save you some money. We're also always buying collectible book collections. Contact us for details. We're happy to provide pictures of any and all books for you, please just ask! Canadian SOFT COVERED first edition, first printing. Contains number line 1 2 3 4 5 6 7 8 9 10. Virtually no wear to covers. The book itself is in Near Fine condition. The binding is straight and tight. NO remainder mark.
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Cat's Table
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Cat's Table

de Ondaatje, Michael

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ISBN 10 / ISBN 13
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The Cat's Table

de Ondaatje, Michael

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ISBN 10 / ISBN 13
9780307401427 / 0307401421
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The Cat's Table

The Cat's Table

de Ondaatje, Michael

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Knopf Canadian Publishing, 2012. Paperback. Like New. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
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The Cat's Table

de Ondaatje, Michael

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ISBN 10 / ISBN 13
9780307401427 / 0307401421
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The Cat's Table

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Vintage Canada. Near Fine. 2012. Paperback. 0307401421 . 8 X 5.40 X 1 inches; 288 pages .
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The Cat's Table

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Vintage Canada. Very Good. 2012. Paperback. 0307401421 . A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. ; 5.3 X 0.69 X 8 inches; 288 pages .
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The Cat's Table
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The Cat's Table

de Ondaatje, Michael

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ISBN 10 / ISBN 13
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Vintage Canada. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain a few markings such as an owner’s name, short gifter’s inscription or light stamp.
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The Cat's Table
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The Cat's Table

de Ondaatje, Michael

  • Usado
Estado
Used - Good
ISBN 10 / ISBN 13
9780307401427 / 0307401421
Cantidad disponible
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Vintage Canada. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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EUR 8.50
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