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The Music Documentary: Acid Rock to Electropop
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The Music Documentary: Acid Rock to Electropop Tapa blanda - 2013

de Benjamin Halligan (Editor); Robert Edgar (Editor); Kirsty Fairclough-Isaacs (Editor)


Información de la editorial

The Music Documentary offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this prominent genre of film-making. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artefact in documenting stars and icons, and musicians and their times - particularly for those figures whose fame was achieved posthumously.

In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights in their production and promotion, close studies of documentaries relating to favourite bands or performers, and approaches to questions of music documentary and form, from the celluloid to the digital age.

Detalles

  • Título The Music Documentary: Acid Rock to Electropop
  • Autor Benjamin Halligan (Editor); Robert Edgar (Editor); Kirsty Fairclough-Isaacs (Editor)
  • Encuadernación Tapa blanda
  • Edición Reprint
  • Páginas 246
  • Volúmenes 1
  • Idioma ENG
  • Editorial Routledge
  • Fecha de publicación 2013-03-27
  • Ilustrado
  • Features Bibliography, Illustrated, Index, Table of Contents
  • ISBN 9780415528023 / 041552802X
  • Peso 0.8 libras (0.36 kg)
  • Dimensiones 8.9 x 6 x 0.6 pulgadas (22.61 x 15.24 x 1.52 cm)
  • Library of Congress subjects Documentary films - History and criticism, Documentary television programs - History
  • Número de catálogo de la Librería del Congreso de EEUU 2012031128
  • Dewey Decimal Code 780.267

Acerca del autor

Robert Edgar is Head of the MA programmes in Film and Documentary at York St John University.

Kirsty Fairclough-Isaacs is Lecturer in Media and Performance in the School of Media, Music and Performance at the University of Salford.

Benjamin Halligan is the Director of Postgraduate Research Studies for the College of Arts and Social Sciences, University of Salford. Publications include Michael Reeves (2003) and Reverberations: The Philosophy, Aesthetics and Politics of Noise (2012).

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Paperback / softback. New. The Music Documentary offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this prominent genre of film-making. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artefact in documenting stars and icons, and musicians and their times - particularly for those figures whose fame was achieved posthumously. In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights in their production and promotion, close studies of documentaries relating to favourite bands or performers, and approaches to questions of music documentary and form, from the celluloid to the digital age.
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