Inicio The Routledge Companion to Theatre and Performance de Paul Allain; Jen Harvie (ISBN: 9780415636308)

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The Routledge Companion to Theatre and Performance Tapa dura - 2014 - 2nd Edición

Name: The Routledge Companion to Theatre and Performance
Price: 108.70 GBP
Availability: InStock
Author: Paul Allain
ISBN: 9780415636308

de Paul Allain; Jen Harvie

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Información de la editorial

The Routledge Companion to Theatre and Performance provides an analytical, informative and engaging introduction to important people, companies, events, concepts and practices that have defined the complementary fields of theatre and performance studies. This fully updated second edition contains three easy to use alphabetized sections including over 120 revised entries on topics and people ranging from performance artist Ron Athey, to directors Vsevold Meyerhold and Robert Wilson, megamusicals, postdramatic theatre and documentation. Each entry includes crucial historical and contextual information, extensive cross-referencing, detailed analysis and an annotated bibliography.

Detalles

Título The Routledge Companion to Theatre and Performance
Autor Paul Allain; Jen Harvie
Encuadernación Tapa dura
Número de edición 2nd
Edición 2
Páginas 314
Volúmenes 1
Idioma ENG
Editorial Routledge
Fecha de publicación 2014-05-19
Features Annotated, Bibliography, Index
ISBN 9780415636308 / 0415636302
Peso 1.3 libras (0.59 kg)
Dimensiones 9.1 x 6.1 x 0.9 pulgadas (23.11 x 15.49 x 2.29 cm)
Temas
- Aspects (Academic): Theatrical Aspects
Library of Congress subjects Performing arts, PERFORMING ARTS / General
Número de catálogo de la Librería del Congreso de EEUU 2013041856
Dewey Decimal Code 791.03

Acerca del autor

Paul Allain, Professor of Theatre and Performance at the University of Kent, UK, has published extensively on Jerzy Grotowski, Polish and Russian theatre and intercultural performer training processes.

Jen Harvie, Professor of Contemporary Theatre and Performance at Queen Mary University of London, UK, has published widely on relationships between contemporary performance and cultural identities, including in Theatre & the City (2009) and Fair Play - Art, Performance and Neoliberalism (2013).

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