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Master Narratives and Their Discontents
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Master Narratives and Their Discontents Tapa blanda - 2005

de James Elkins

Información de la editorial

In this bracing engagement with the many versions of art history, James Elkins argues that the story of modernism and postmodernism is almost always told in terms of four narratives. Works of art are either seen as modern or postmodern, or praised for their technical skill or because of the politics they appear to embody. These are master narratives of contemporary criticism, and each leads to a different understanding of what art is and does.

Both a cogent overview of the state of thinking about art and a challenge to think outside the art historical box, Master Narratives and their Discontents is the first volume in a series of short books on the theories of modernism by leading art historians on twentieth-century art and art criticism.

Detalles

  • Título Master Narratives and Their Discontents
  • Autor James Elkins
  • Encuadernación Tapa blanda
  • Edición New edition
  • Páginas 204
  • Volúmenes 1
  • Idioma ENG
  • Editorial Routledge, New York
  • Fecha de publicación August 16, 2005
  • Ilustrado Sí
  • Features Bibliography, Illustrated, Index, Table of Contents
  • ISBN 9780415972703 / 0415972701
  • Peso 0.71 libras (0.32 kg)
  • Dimensiones 8.28 x 5.64 x 0.43 pulgadas (21.03 x 14.33 x 1.09 cm)
  • Library of Congress subjects Postmodernism, Modernism (Art)
  • Dewey Decimal Code 701.18

Acerca del autor

James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is the author of Pictures and Tears, How to Use Your Eyes, and WhatPainting Is and, most recently, of Visual Studies: ASkeptical Introduction and The Strange Place of Religionin Contemporary Art, all published by Routledge.

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Master Narratives and their Discontents (Theories of Modernism and Postmodernism in the Visual Arts)

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