Hide and Seek Tapa blanda - 2011

Información de la editorial

Dickens, Swinburne, and Macaulay all lavished praise on Hide and Seek, the third of Wilkie Collins' novels (1854) and his first attempt at a mystery. In a letter to his sister-in-law, Dickens remarked: "I think it far and away the cleverest novel I have ever seen written by a new hand .... In short, I call it a very remarkable book." In this early effort, we find Collins -- considered English fiction's first detective novelist -- experimenting with the detective story and honing the skills of narrative and plot construction brought to such a high level in his later masterpieces, The Woman in White and The Moonstone.
Besides its mystery-story elements, Hide and Seek succeeds as a warm, entertaining tale that blends domestic comedy, pathos, humor, and a smattering of social protest. It also enabled Collins to introduce a gallery of memorable characters: Mary Grice (nicknamed Madonna), the gentle deaf-mute whose mysterious origins and tragic early life form the basis of the novel; the engaging and voluble Zach Thorpe, of whom Mary is enamored; her guardian Valentine Blyth -- a failure as an artist but a success as a human being -- and Matthew Marksman, the strange and wild woodsman who finally unravels the shocking story of Mary's true origins.
Hide and Seek is a distinct departure from the lurid melodrama of Collins' second novel, Basil, and a milestone in the author's progress toward maturity as a novelist. In its pages readers will find the ingenious plot construction and storytelling skill that Collins felt to be the true calling of the novelist.
Admirers of Wilkie Collins -- and Victorian fiction in general -- will savor the novel's vivid descriptions of exciting events, its sustained power of imaginative suggestion, and the author's shrewd and compassionate depiction of Victorian manners and morals.

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