Art Nouveau Tapa blanda - 1978

London: Thames & Hudson Ltd, 1978. 1st Edition 1st Printing. Paperback. Near Fine. 4to - over 9¾ - 12" tall. First edition Quarto Paperback . 224 pages Many colour and black and white illustrations Near Fine condition Inscription on front inside cover.

Thames & Hudson Ltd, 29/01/1979 00:00:01. paperback. Good. 1.7986 in x 28.9780 in x 21.7834 in. Some Pen Marks Visible

Thames & Hudson Ltd, 1979-01-28. paperback. Acceptable. 11x9x1. Wear to cover with crease to top front corner. Fading to spine.

Thames & Hudson. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Thames & Hudson Ltd, 29/01/1979 00:00:01. paperback. Very Good. 1.7986 in x 28.9780 in x 21.7834 in.

Thames & Hudson Ltd, 1979-01-29. Paperback. Very Good. in x in x in. A Thames Hudson First Edition softback book

Thames & Hudson. Used - Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

Thames & Hudson. Very Good with no dust jacket. 1978. Softcover. 4079746822 . Fading to top background colour block from ruddy-brown to grey. ; 4to 11" - 13" tall; 224 pages .

Thames & Hudson, 1978. Paperback. Very Good. Very slight creasing to corners of illustrated card wrappers. An illustrated press cutting has been fixed to the inside front cover.

Thames and Hudson, London, first British edition *(abridged from the 1962 first edition), 1978. Laminated illustrated wrappers, folio,. 224 pp, profusely illustrated (a few in colour). From the blurb: "This important pioneering study of Art Nouveau, carefully revised and abridged from the original hardcover edition, traces the origins of the movement back to the eighteenth century. Dr Schmutzler corrects the notion that Art Nouveau was an artificially staged development, and shows that it was one of the few all-embracing movements in the history of art, encompassing the graphic arts, painting, sculpture, architecture and objects for everyday use. He considers all these manifestations of Art Nouveau - cultivated by artists and architects in centres as diverse as Chicago and Glasgow, Vienna and Brussels, Barcelona and Paris - with many excellently chosen illustrations. Art Nouveau was nourished by contradictions; this book discloses the inner unity that lay beneath them. Near Very Good.