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Reframing Rembrandt Jews and the Christian Image in Seventeenth-Century
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Reframing Rembrandt Jews and the Christian Image in Seventeenth-Century Amsterdam (Ahmanson-Murphy Fine Arts Books) Tapa dura - 2002

de Zell, Michael.


Información de la editorial

This richly detailed study reconceptualizes a striking but enigmatic moment in Rembrandt's art from the 1650s--one of the artist's most prolific and creative periods. Michael Zell identifies a significant theological shift in Rembrandt's use of religious imagery and interprets this shift in light of the unique religious and social conditions of seventeenth-century Amsterdam. Rembrandt's biblical art has generally been regarded as the embodiment of a Protestant aesthetic. By looking closely at the artist's relationship with his patron Rabbi Menasseh ben Israel and the ideas of a group of "philosemitic" Protestants with whom the rabbi was engaged in an apologetic dialogue, Zell deepens and complicates our understanding of Rembrandt's sacred art from this period.

Primera línea

In 1655 Rembrandt a series of four illustrations for Menasseh be Israel 's messianic treatise Piedra Gloriosa.

Detalles

  • Título Reframing Rembrandt Jews and the Christian Image in Seventeenth-Century Amsterdam (Ahmanson-Murphy Fine Arts Books)
  • Autor Zell, Michael.
  • Encuadernación Tapa dura
  • Edición First Edition/Fi
  • Páginas 283
  • Idioma ENG
  • Editorial University of California Press, Ewing, New Jersey, U.S.A.
  • Fecha de publicación March 4, 2002
  • ISBN 9780520227415

Acerca del autor

Michael Zell is Assistant Professor of Art History at Boston University.
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Berkeley, CA : University of California Press, 2002. 1st. Hardcover. Very Good/Very Good. 283 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black and white illustrations throughout. This richly detailed study reconceptualizes a striking but enigmatic moment in Rembrandt's art from the 1650s--one of the artist's most prolific and creative periods. Michael Zell identifies a significant theological shift in Rembrandt's use of religious imagery and interprets this shift in light of the unique religious and social conditions of seventeenth-century Amsterdam. Rembrandt's biblical art has generally been regarded as the embodiment of a Protestant aesthetic. By looking closely at the artist's relationship with his patron Rabbi Menasseh ben Israel and the ideas of a group of "philosemitic" Protestants with whom the rabbi was engaged in an apologetic dialogue, Zell deepens and complicates our understanding of Rembrandt's sacred art from… Leer más
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Reframing Rembrandt: Jews and the Christian Image in Seventeenth-Century Amsterdam [ART HISTORY]

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Ewing, New Jersey, U.S.A.: Univ of California Pr. New. 2002. Hardcover. 0520227417 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 264 pp -- FLAWLESS COPY, AVOID WEEKS OF DELAY ELSEWHERE. ---- IMPORTANT: Interior text is clean, tight, and Unmarked Pages are intact and tight to the spin -- with a bonus offer--; 4to - over 9¾" - 12" tall .
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EUR 2,327.98
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