The Widening Circle: The Consequences of Modernism in Contemporary Art Tapa blanda - 1997

Cambridge University Press, 1997. Softcover. Fine Condition. Clean unmarked pages, very slight wear to covers. In this collection of critical essays, Barry Schwabsky re-examines the art produced since the 1960s, demonstrating how the achievements of 'high modernism' remain consequential to it, through tensions between representation, abstraction, and pictorial language. Offering close readings of works produced by several generations of European and American artists, he begins with an analysis of the late period of two Abstract Expressionists, Philip Guston and Mark Rothko, who saw their own success as a failure of reception and who came to question radically their own work. With the core of the book focused on Michelangelo Pistoletto and Mel Bochner, major figures of arte povera and conceptual art whose works in a variety of media demonstrate a continuing critical engagement with modernism, Schwabsky also studies the work of artists, such as L. C. Armstrong and Rainer Ganahl, who also… Leer más

Cambridge: Cambridge University Press, 1997. First Edition. Paperback. Very Good/No d/j as Published. 8vo - over 7¾" - 9¾" tall. Type: Book In this collection of critical essays the well-known critic Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions among representation, abstraction, and pictorial language. With the core of the book focused on Michelangelo Pistoletto and Mel Bochner, Schwabsky also studies the work of emerging artists who also continue to examine modernism's legacies. 230pp.

Cambridge University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Cambridge University Press CUP , pp. 252 . Papeback. Used.

New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In this collection of critical essays, Barry Schwabsky re-examines the art produced since the 1960s, demonstrating how the achievements of 'high modernism' remain consequential to it, through tensions between representation, abstraction

[Cambridge]: Cambridge University Press, [1997]., 1997. 8vo. pp. xv, 230. 28 illus. index. wrs..

Paperback / softback. New. In this collection of critical essays, Barry Schwabsky re-examines the art produced since the 1960s, demonstrating how the achievements of 'high modernism' remain consequential to it, through tensions between representation, abstraction, and pictorial language.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Cambridge University, 1997. 1st. Paperback. New/New.

Cambridge University Press, 1997-07-13. Paperback. New. New. In shrink wrap. Looks like an interesting title!