Black Planet Facing Race During an NBA Season Hardback - 1999

Primera línea

11.5.94-My initial impression, as I stand next to the Seattle SuperSonics in the locker room an hour before the first game of the season, is that they're twelve utterly unconnected buildings; they convey no sense whatsoever that they're all part of a single city.

Extracto

"Just Win, Baby"

I went to graduate school in Iowa City, at the Iowa Writers' Workshop, where the most passionate thing I did was attend University of Iowa basketball games. My closest friend at Iowa, Philip, liked to say his childhood was about Walt Frazier. Every night he'd hear his mother and father screaming at each other in the next room, and he'd just stare at the Knicks game on the little black-and-white TV at the edge of his bed, trying to will himself into "Clyde's" body. In the spring of 1980, when Iowa beat Georgetown to qualify for the Final Four, Philip and I jumped up and down and cried and hugged each other in a way we wouldn't have dreamed of doing otherwise.

Twenty years later, both Philip and I live in Seattle. Our team is now the Seattle SuperSonics, and whenever he and watch I their games on TV, Philip seems to go out of his way to compliment good plays by the other team. I always want to ask him: is it a conscious effort on your part to not succumb to jingoistic cheering, or are you constitutionally incapable of the monomania required? I admire his equanimity, but I can't even pretend to emulate it. Unable to say exactly what the disease is, I want the Sonics to cure me.

Sports passion is deeply, infamously territorial: our city-state is better than your city-state, because our city-state's team beat your city-state's team. My attachment to the Sonics is approximately the reverse of this. I've lived here for less than a quarter of my life, and none of the players is originally from the Northwest, let alone Seattle. I revel in our non-Seattle-ness. My particular demigod is Sonics' point-guard Gary Payton, who is one of the most notorious trash-talkers in the NBA. He's not really bad. He's only pretend-bad--I know that--but he allows me to fantasize about being bad.

You might have to live here to entirely understand why this is of such importance to me. The ruling ethos of Seattle is forlorn apology for our animal impulses. When I castigated a contractor for using the phrase "Jew me down," he returned later that evening to beg my forgiveness, and the next week he mailed me a mea culpa and a rebate. Seattleites use their seat belts more, return lost wallets more often, and recycle their trash more than people do in any other city. The Republican (losing) candidate for mayor is the man who (allegedly) invented the happy face. Last month, an old crone wagged her finger at me not for jaywalking but for placing one foot off the curb while she drove past, and my first and only thought was: this is why I love the Sonics; this is why I love Gary Payton.

Growing up, I was a baseball fan. My father and I shared an obsession with the Dodgers (he was born in Brooklyn and I was born in L.A.), and recently I asked him why he thought the team was so crucial to us. He wrote back, "For me, it comes out this way: I wanted the Dodgers to compensate for some of the unrealized goals in my career. If I wasn't winning my battle to succeed in newspapering, union-organizing, or whatever I turned to in my wholly unplanned, anarchic life, then my surrogates -- the nine boys in blue -- could win against the Giants, Pirates, et al. Farfetched? Maybe so. But I think it has some validity. In my case. Not in yours." Oh, no: not in my case, never in mine. Sometimes what being a fan seems to be most about is nothing more or less than self-defeat.

For me, baseball and the Dodgers have been supplanted by basketball and the Sonics. The basketball high is quicker and sharper. In fact, the oddest thing about it is how instantaneously the game can move me, like a virus I catch upon contact. In a fraction of a second, I'm running streaks down my face. It's a safe love, this love, this semi-self-love, this fandom. It's a frenzy in a vacuum--a completely imaginary love affair in which the beloved is forever larger than life.

I live across the street from a fundamentalist church, and whenever the Sonics play particularly well, I'm filled with empathy for the church-goers. They go to church, I sometimes think, for the same reason fans go to games: adulthood didn't turn out to have quite as much glory as we thought it would; for an hour or two, we're in touch with something majestic.

The psychoanalyst Robert Stoller has written, "The major traumas and frustrations of early life are reproduced in the fantasies and behaviors that make up adult erotism, but the story now ends happily. This time, we win. In other words, the adult erotic behavior contains the early trauma. The two fit: the details of the adult script tell what happened to the child." This seems to me true not only of sexual imagination but also of sports passion--why we become such devoted fans of the performances of strangers. For once, we hope, the breaks will go our way; we'll love our life now; this time we'll win.

Reseñas en medios

"Black Planet [is] a risky and brilliant book.  . . . It compares favorably to Frederick Exley's classic A Fan's Notes. It is an emotional journey into Jock Culture's heart of darkness. . . . Shields [is] willing to write himself naked about the hungers and envies that move across the grandstand like the wave."        
--Robert Lipsyte, The New York Times

"In Black Planet, David Shields honestly (and ironically) uses himself as a test subject to peel away the layers of personal need, sexual longing, cultural sedimentation, alienation, and blatant prejudice that make even a season of the Seattle SuperSonics a disturbing microcosm of America's 300-year-old Race War. You don't need to be a sports fan to experience this book as a rare, troubling map of the seldom charted, subterranean regions of the souls of white folks."        
--Charles Johnson

"Black Planet is a funny, wickedly observant, highly intelligent book about Us and Them--I and Thou, black and white, male and female, parent and child,
spectator and star."        
--Jonathan Raban

"Black Planet offers us a sometimes moving, often funny, and always absorbing account of a season in pro basketball--in which we learn much about one team but even more about those volatile forces, including racism, greed, vanity, and ignorance, that make the NBA such a compelling metaphor for American culture today."        
--Arnold Rampersad

"Black Planet is an extraordinary, unique, and utterly fascinating memoir/book. With unblinking honesty and unabashed affection for his subject, Shields makes a real contribution to the national non-discourse on race."
--Bob Shacochis

"A compulsively readable book. David Shields, as no writer before him, takes you into the obsessive mind of a sports addict: its shames and glories, over-identifications, repetitions, rationalizations, wonderments, and stoical detachment. I recognize myself only too well."        
--Phillip Lopate

"Black Planet says it's about basketball when it's actually that rare thing, an honest love song, White Man Loves Black Athlete--you know, the tune with the refrain, 'Dear NBA Genie, make me hip, angry, and always, always in control.'  A song that's frank, embarrassing, and killingly funny."        
--Jay Cantor