The Figure of the Poet in Renaissance Epic Tapa dura - 1965

Harvard University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Harvard University Press. Used - Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Harvard University Press, 1965-01-01. Hardcover. Very Good. 8x5x1. Hardcover and dust jacket. Small tears to jacket. Good binding and cover. Minor shelf wear. Clean, unmarked pages.

Harvard University Press, 1965. Hard cover. Very Good. Very Good in Very Good dust jacket. slight fading of dj color, neat signaure of former owner. Unknown printing. viii, 280 p. 25 cm.

Cambridge, MA: Harvard Univ Press, 1965. First Edition, First Thus . Hardcover. Near Fine/Near Fine. Text/NEW & Bright w/po name strikeout to front cover verso & fEP. Vintage 1965 First Edition, First Thus. Blue linen boards w/gilt spine lettering/Fine. DJ/NF. Study of rhetorical self-awareness in the Renaissance epic, applying distinctions between narrator and author., from Uniy of CA, Robert M. Durling (1929-2021), known for his prize translations of Petrarch's Rime Spars, Dante Alighieri's Divine Comedy. 280 pgs , in 2 parts, examines 4 epics: Boiardo's Orland innamorato, Arisosto'ls Orlando furioso, Tasso's Gerusalemme liberata, and Spenser's The Faerie Queene. Text in 7 chapters, 2 parts: Part I: Ancient & Medieval Influence: Two Roman Poets; 2, Chaucer; and 3, Petrarch); and, Part II (chapters 4, Boirdo; 5, Ariosto; 6, Tasso; & 7, Spenser), followed by Notes & Index.s which considers Horace, Ovid, Chaucer & Petrarch; & Spenser. Fine copy.

Hardcover. Good. Access codes and supplements are not guaranteed with used items.

Harvard University Press, 1965-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title!