100 Details Tapa blanda - 1990

Paperback. Very Good.

Harvard University Press, 01/31/1991. 2nd Revised edition. Paperback. Used; Good. **WE SHIP WITHIN 24 HRS FROM LONDON, UK, 98% OF OUR ORDERS ARE RECEIVED WITHIN 7-10 DAYS. We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Harvard University Press. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Harvard University Press. Used - Good. Used book that is in clean, average condition without any missing pages.

Harvard University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Harvard University Press, 1990. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Harvard University Press, 1990. Paperback. Acceptable. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Harvard University Press, 1990. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Harvard University Press, 1990-02-01. Paperback. Good.

US: Harvard University Press, 1991. Paperback. Very Good. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. 100 Details offers Kenneth Clark's personal choice of details of paintings in the National Gallery, London, and his responses to them. Clark chooses t he pictures he likes best, hoping that we will come to like them too. The r esult is like taking a stroll through a glorious art collection with a crit ic of astounding eye and intellect at our side. First published in 1938, the book is arranged in a series of facing page sp reads, now reproduced in full color, enabling us to discern analogies and c ontrasts between painting that are rarely seen together--a faun from Piero di Cosimo, a satyr from Rubens. The running commentaries are Kenneth Clark at his best. They range from a few lines to an entire history of still life between Giotto and Picasso, all conveyed in easy style. Clark insists that there… Leer más