Inicio Aboriginal Art, Identity and Appropriation de Elizabeth Burns Coleman (ISBN: 9780754644033)

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Aboriginal Art, Identity and Appropriation Tapa dura - 2005

Name: Aboriginal Art, Identity and Appropriation
Price: 134.65 GBP
Availability: InStock
Author: Elizabeth Burns Coleman
ISBN: 9780754644033

de Elizabeth Burns Coleman

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Primera línea

One of Australia's current political issues concerns intellectual property and Aboriginal culture.

Detalles

Título Aboriginal Art, Identity and Appropriation
Autor Elizabeth Burns Coleman
Encuadernación Tapa dura
Edición New edition
Páginas 208
Volúmenes 1
Idioma ENG
Editorial Routledge
Fecha de publicación 2005-09-28
Features Bibliography, Index
ISBN 9780754644033 / 0754644030
Peso 1.03 libras (0.47 kg)
Dimensiones 9.21 x 6.14 x 0.5 pulgadas (23.39 x 15.60 x 1.27 cm)
Temas
- Interdisciplinary Studies: Aboriginal/Native Studies
Número de catálogo de la Librería del Congreso de EEUU 2005011867
Dewey Decimal Code 704.039

Acerca del autor

Elizabeth Burns Coleman lectures in Moral and Political Philosophy at La Trobe University, Australia. She has held a postdoctoral fellowship at the Australian National University's Centre for Cross Cultural Research. She has lectured in aesthetics at the Australian National University, and published articles on cross cultural aesthetics and the ethical and political aspects of art, including appropriation, forgery, the use of nom de plume, and plagiarism.

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Aboriginal Art, Identity and Appropriation

de Elizabeth Burns Coleman

Nuevo
Tapa dura

Estado

Nuevo

Encuadernación

Hardcover

ISBN 10 / ISBN 13

9780754644033 / 0754644030

Cantidad disponible

Librería

The Saint Bookstore

Southport, Merseyside, United Kingdom

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Este vendedor ha conseguido 5 de las cinco estrellas otorgadas por los compradores de Biblio.

Precio

EUR 160.26

EUR 11.84 enviando a USA

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Descripción:

Hardback. New. Analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. The issue that the claims are true is relevant to North American debates about the appropriation of art, and this book engages with this literature.