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Prince: The Making of a Pop Music Phenomenon
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Prince: The Making of a Pop Music Phenomenon Tapa dura - 2011

de Stan Hawkins; Sarah Niblock


Información de la editorial

The career of the prolific pop artist Prince has become inextricably intertwined with the history of popular music since the late 1970s. This multi-instrumental icon, who remains one of the highest-grossing live performers in America, has been called a genius for his musicianship, composition and incredible performances. But Prince holds iconic status for more than his music. Best known for his racial blurring and extravagant sexual persona, Prince's music and visual iconography has always chimed with the ambiguity of subjectivity at any given moment. 'Prince' the sign offers a space for fans to evaluate and reconfigure their attitudes towards their own identities, and towards their position as subjects within the socio-cultural sphere. This much-needed interdisciplinary analysis is the first of its kind to examine critically Prince's popular music, performances, sounds, lyrics and the plethora of accompanying visual material such as album covers, posters, fashions, promotional videos and feature films. Specifically, the book explores how and why he has played such a profoundly meaningful and significant role in his fans' lives.

Detalles

  • Título Prince: The Making of a Pop Music Phenomenon
  • Autor Stan Hawkins; Sarah Niblock
  • Encuadernación Tapa dura
  • Páginas 208
  • Volúmenes 1
  • Idioma ENG
  • Editorial Routledge
  • Fecha de publicación 2011-10
  • Ilustrado
  • Features Bibliography, Illustrated, Index
  • ISBN 9780754668763 / 0754668762
  • Temas
    • Interdisciplinary Studies: Pop Culture
  • Library of Congress subjects Rock music - United States - History and, Prince - Criticism and interpretation
  • Número de catálogo de la Librería del Congreso de EEUU 2011014193
  • Dewey Decimal Code 781.660

Reseñas en medios

Citas

  • Reference and Research Bk News, 04/01/2012, Page 160

Acerca del autor

Professor Stan Hawkins, Department of Musicology, University of Oslo, Norway and Professor Sarah Niblock, Head of Journalism, Brunel University, UK.
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