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Aboriginal Music in Contemporary Canada, 66: Echoes and Exchanges
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Aboriginal Music in Contemporary Canada, 66: Echoes and Exchanges Tapa dura - 2012

de Anna Hoefnagels; Beverley Diamond


Información de la editorial

First Nations, Inuit, and Mtis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene. Contributors include Vronique Audet (Universit de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chrtien (Mtis), Marie Clements (Mtis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (St lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).

Detalles

  • Título Aboriginal Music in Contemporary Canada, 66: Echoes and Exchanges
  • Autor Anna Hoefnagels; Beverley Diamond
  • Encuadernación Tapa dura
  • Páginas 520
  • Volúmenes 1
  • Idioma ENG
  • Editorial McGill-Queen's University Press
  • Fecha de publicación 2012-02
  • ISBN 9780773539518 / 0773539514
  • Peso 2.2 libras (1.00 kg)
  • Dimensiones 9.3 x 6.1 x 1.5 pulgadas (23.62 x 15.49 x 3.81 cm)
  • Temas
    • Ethnic Orientation: Native American
    • Interdisciplinary Studies: Aboriginal/Native Studies
  • Dewey Decimal Code 781.62

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  • Choice, 09/01/2012, Page 0

Acerca del autor

Anna Hoefnagels is associate professor of music in the School for Studies in Art and Culture at Carleton University. Beverley Diamond is professor emeritus of ethnomusicology at Memorial University of Newfoundland.
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Aboriginal Music in Contemporary Canada; Echoes and Exchanges
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McGill-Queen's University Press, 2012. 1st edition. hardcover. Fine/Fine. 1st edition. A Fine copy in Fine dust jacket. 4to., xiv, 503 pp., illustrated with b&w photographs. Red paper boards in red, illustrated dust jacket. The dj is now protected in a mylar sleeve.
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Montreal & Kingston London Ithaca: McGill-Queen's University Press 978-0-7735-3951-8 [978-0-7735-3951-8] 2012. (hardcover) xiv, 503pp. Fine in fine dust jacket. 8vo. Comprehensive history of resistance and renewal, struggle and success experienced by Indigenous musicians in Canada as they navigate who they are and how they want to be. Fine / fine copy..
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