The Matrix of Visual Culture: Working with Deleuze in Film Theory Tapa blanda - 2003 - 1st Edición
de Patricia Pisters
Descripción de la solapa
This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
Detalles
- Título The Matrix of Visual Culture: Working with Deleuze in Film Theory
- Autor Patricia Pisters
- Encuadernación Tapa blanda
- Número de edición 1st
- Edición 1
- Páginas 320
- Volúmenes 1
- Idioma ENG
- Editorial Stanford University Press, Stanford, CA, U.S.A.
- Fecha de publicación 2003-07-24
- Features Bibliography, Index
- ISBN 9780804740289 / 0804740283
- Peso 0.93 libras (0.42 kg)
- Dimensiones 9.62 x 5.58 x 0.69 pulgadas (24.43 x 14.17 x 1.75 cm)
- Library of Congress subjects Culture in motion pictures, Deleuze, Gilles
- Número de catálogo de la Librería del Congreso de EEUU 2002015662
- Dewey Decimal Code 791.430
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