Descripción:
Stanford General Books, 2004. Hardcover. Fine/Very good. Label taped onto spine of dust jacket.
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Using the expansive vernacular of black and white night photography to modify the antiquarian sensibility ordinarily brought to the study of Mexico's colonial architectures, Colonial Noir brings together the unsettling tenor of Mexico's colonial legacies with the ambiguous landscape of noir. Set against the backdrop of Baroque and Neoclassical architecture, the images in this collection draw on the aesthetics of Surrealism and Abstract Expressionism to create the collection's existential tone--where the innuendo of chiaroscuro becomes an analog to the tenuous relationship between Mexico's celebrated cultural plurality and its nefarious colonial history.
Composed over a period of five years, the images in this collection reflect elements of Reid Samuel Yalom's background in modernist architectural photography and bear the subtle influence of Mexican works by Edward Weston and Paul Strand. The images also pay homage to the work of George Brassai and collections of Guillermo Kahlo and Henry Ravell that celebrate the architectural landscape of colonial Mexico. The book includes an essay by Frederick Luis Aldama, which uses ephemera of personal experience and elements of Latin American literary culture to provide an interpretive window into Yalom's work, and it includes an introduction by Santhosh Daniel, which places Yalom's work in the context of the history of photographic work on Mexico. The book also includes a foreword by the photographer Mark Citret.
Composed over a period of five years, the images in this collection reflect elements of Reid Samuel Yalom's background in modernist architectural photography and bear the subtle influence of Mexican works by Edward Weston and Paul Strand. The images also pay homage to the work of George Brassai and collections of Guillermo Kahlo and Henry Ravell that celebrate the architectural landscape of colonial Mexico. The book includes an essay by Frederick Luis Aldama, which uses ephemera of personal experience and elements of Latin American literary culture to provide an interpretive window into Yalom's work, and it includes an introduction by Santhosh Daniel, which places Yalom's work in the context of the history of photographic work on Mexico. The book also includes a foreword by the photographer Mark Citret.
Detalles
- Título Colonial Noir: Photographs from Mexico
- Autor Reid Yalom
- Encuadernación Tapa dura
- Edición First.
- Páginas 120
- Volúmenes 1
- Idioma ENG
- Editorial Stanford General Books, Stanford, California
- Fecha de publicación February 3, 2004
- Ilustrado Sí
- Features Illustrated
- ISBN 9780804745369 / 0804745366
- Peso 1.77 libras (0.80 kg)
- Dimensiones 10.3 x 9.3 x 0.69 pulgadas (26.16 x 23.62 x 1.75 cm)
-
Temas
- Cultural Region: Latin America
- Cultural Region: Mexican
- Library of Congress subjects Photography, Artistic, Photography - Mexico
- Número de catálogo de la Librería del Congreso de EEUU 2003013462
- Dewey Decimal Code 779.092
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Stanford, California: Stanford General Books, 2004. First Edition. Hardcover. Fine/Fine. Quarto. Original gray cloth binding, with silver titles. A fine copy in a fine dust jacket.
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Stanford General Books, 2004. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
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Stanford, CA: Stanford General Books, 2004. Hardcover. VG+/VG+. Charcoal boards with silver spine lettering; bw illustrated dust jacket; xxix, 85 pp, profusely illustrated throughout in bw. "The black-and-white photographs in this volume recast our sense of Mexico's colonial architecture by bringing together the unsettling tenor of Mexico's colonial legacies with the ambiguous landscape of film noir imagery. Set against the backdrop of Baroque and Neoclassical architecture, Colonial Noir's images draw on the aesthetics of Surrealism and Modernism to create the existential tone with which the collection confronts the problematic relationship between Mexico's celebrated cultural plurality and its colonial history." "Composed over a period of six years, this body of work bears the subtle influence of Mexican works by Edward Weston, Paul Strand, and Manuel Bravo, as well as the nighttime photographs of Brassai. Santhosh Daniel's introduction places Yalom's work in the context of the history of…
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Chicago, Illinois, U.S.A.: Stanford Univ Pr, 2004. Book. Illus. by Author. New. Hardcover. 1st Edition. 1st. ed. 2004 , Hardcover with gray cloth in a dust jacket , 85 page book.With black and white photographic art by Yalom. Condition : New. Size: 4to - over 9¾" - 12" tall.
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hardcover. Good. Access codes and supplements are not guaranteed with used items.
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