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The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses Tapa blanda - 2000
de Laura U. Marks
Primera línea
Intercultural cinema by definition operates at the intersections of two or more cultural regimes of knowledge.
Descripción de contraportada
"Marks's nuanced reading of a large number of films and videos is based on her deep engagement with the politics of place and displacement that drives the films. This book is a delightful read."--Hamid Naficy, Rice University
Detalles
- Título The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
- Autor Laura U. Marks
- Encuadernación Tapa blanda
- Edición First Edition
- Páginas 320
- Volúmenes 1
- Idioma ENG
- Editorial Duke University Press, Durham, North Carolina, U.S.A.
- Fecha de publicación 2000-01-19
- Ilustrado Sí
- Features Bibliography, Illustrated, Index
- ISBN 9780822323914 / 0822323915
- Peso 1.22 libras (0.55 kg)
- Dimensiones 9.22 x 6.13 x 0.94 pulgadas (23.42 x 15.57 x 2.39 cm)
- Nivel de lectura 1370
- Library of Congress subjects Deleuze, Gilles, Motion pictures - Developing countries
- Número de catálogo de la Librería del Congreso de EEUU 99026487
- Dewey Decimal Code 791.430
Reseñas en medios
Citas
- Choice, 09/01/2000, Page 137
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The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
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The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
de Marks, Laura U.
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The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
de Laura U. Marks
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"Memories that evoke the physical awareness of touch, smell, and bodily presence can be vital links to home for people living in diaspora from their culture of origin. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? In The Skin of the Film Laura U. Marks offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world. Much of intercultural cinema, Marks argues, has its origin in silence, in the gaps left by recorded history. Filmmakers seeking to represent their native cultures have had to develop new forms of cinematic expression. Marks offers a theory of "haptic visuality"—a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste—to explain the newfound ways in which intercultural cinema engages the viewer bodily to convey cultural experience and…
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The Skin of the Film
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Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? This book offers an answer, building on the theories of Gilles Deleuze and others to explain how and why inte
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The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
de Laura U. Marks
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Paperback / softback. New. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? This book offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world.
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The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
de Laura U. Marks
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Paperback / softback. New. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? This book offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world.
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The Skin of the Film – Intercultural Cinema, Embodiment, and the Senses
de Laura U. Marks/ Laura U. Marks
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Exeter, Devon, United Kingdom
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Duke Univ Pr, 2000. Paperback. New. 320 pages. 9.25x6.00x1.00 inches.
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The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
de Marks, Laura U
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DUKE UNIV PR. New. Special order direct from the distributor
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The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
de Marks, Laura U.
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paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.
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The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
de Marks, Laura U
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- Tapa blanda
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- Paperback
- ISBN 10 / ISBN 13
- 9780822323914 / 0822323915
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Duke University Press Books, 2000-01-19. Paperback. New. New. In shrink wrap. Looks like an interesting title!
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