George Segal Tapa dura - 1984

Rizzoli. Fine in Fine Dust Jacket. 1984. Hardcover. 4to. 379 pp. We specialize in fine books in collectible condition. Orders are professionaly packaged and shipped promptly. P6 .

CollectibleVeryGood.

New York: Rizzoli. First published in the United States by Rizzoli, 1984. Some minor foxing on the first and last pages. Dust jacket has light edge wear. T12 . Very Good. Hardcover. 1st Edition. 1984.

Rizzoli, 1984-08-15. Hardcover. Good.

New York, New York, U.S.A.: Rizzoli Intl Pubns, 1984. Large hardback in very good + condition with very good condition dust jacket.. Hardcover. Very Good/Very Good.

New York: Rizzoli International Publications, 1984. Cloth, 379 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. Soft creasing/front & back free endpapers. Age toning. Dust jacket, with light edgewear, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates.. 1st. Hardcover. Very Good/Very Good. 4to.

New York: Rizzoli, 1984. Hardcover. VG, clean and tight but with fairly worn but still protective dj.. Heavily textured cream cloth/boards; black lettering. Color-illus. dj with white lettering. Photographic end papers. 379 pp. with 432 pp., 213 in color. Comprehensive monograph of George Segal, known for his white plaster figures. Examines the esthetic and social issues brought into public focus by adventurous commissions (Kent State memorial; holocaust subjects; homosexual themes). Contains documentation of 28 years of criticism as well as illuminating statements by the artist, a chronology and biographical outline, exhibition list, bibliography, and index.

1988 Bartley Edition: Rizzoli. Near Fine in Fine dust jacket. 1984. Hardcover. 0847805417 . 379 pages .

Washington: National Gallery of Art, 1950. Softcover. Near Fine. First edition. Foreword by Lessing Rosenwald. Quarto. Illustrated stiff wrappers. A little age-toning and smudging on the wrappers, very good or better. From the library of the artists Ben Shahn and Bernarda Bryson Shahn, with an estate label designed by their son, Jonathan Shahn.

Rizzoli, 1984. Oversize Hardback. Very Good/Very Good. Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind. Heavily textured cream cloth/boards with black lettering in impressively good shape though the dust jacket protective cover has been taped to book's covers. Photo skyline end papers in sepia with large open tear to upper corner of front, library markings. 379 pages with 432 large, often full page illustrations on heavy paper, 213 in color. Comprehensive monograph of the subject, with a great many photos of his archetypal white plaster figures. Contents include The casting process in Segal's studio, Public sculpture: polemics, issues, the work, Environmental sculpture, Bas-reliefs, Fragments, Oil on canvas, work on paper, Bibliography: critical reception, Selected bibliographical listings, statements by the artist, exhibition list, bibliography, public collections, catalogue and index.