Liliane De Cock Photographs Tapa blanda - 1973

Morgan & Morgan / Amon Carter Museum. Small "withdrawn" stamp on last page, else very good condition: binding sound, text clean, very light shelfwear. . Very Good. Soft cover. 1973.

Morgan & Morgan, Incorporated, 1973. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Univ of Texas Pr, 1973. Paperback. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Hastings-On Hudson, NY and Fort Worth, TX: Morgan & Morgan - Amon Carter Museum, 1973. First edition. Softcover. Foreword by Ansel Adams. A collection of black and white images by De Cock. An about very good plus copy in photo-illustrated wrappers that have some minor edge wear to the spine ends and corners and are slightly splayed but internally a clean copy.

Fort Worth, TX, and Hastings-on-Hudson, NY: Amon Carter Museum; Morgan & Morgan, Inc., 1973. [64] pages, illustrations; 23 cm. Near fine. Firm binding, clean inside copy. Age toning.. 1st. Paperback. Very Good. 8vo.

Ft. Worth: Morgan & Morgan/ Amon Carter Museum, 1973. 1st. Softcover. Very Good/None. Unpaginated, 44 b&w images by the photographer, foreword by Ansel Adams. Softcover, clean, tight copy. Record # 405058

Morgan and Morgan/ Amon Carter Museum, Ft. Worth, 1973. pbk square 8vo 44 b/w plates some slight shelfwear to covers excellent clean tight text

Morgan & Morgan, 1973. Trade Paperback . New. Foreword by Ansel Adams

Hastings-on-Hudson, NY: Morgan & Morgan/Amon Carter Museum, 1973. First Edition, First Thus . Soft cover. Near Fine/None as Issued. Text/BRAND NEW. Soft cover/NF w/faint creasing to lower front corner. Bookdealer sticker to rear cover verso. Artist's portrait to rear taken by Ansel Adams. Volume is dedicated to Virginia and Ansel Adams. Belgium born artist Liliane De Cock (1939 -), under the tutelage Ansel Adams, and with a 4 x 5 inch camera lent to her by Adams, began photographing the landscape. For this collection, Adams writes; "De Cock presents to us a personal, private world. It is a world of individualistic beauty and intensity." Permanent collections of Lilian De Cock's works are held at the Amon Carter Museum (1973 exhibition and collaborator of this publication), Pasadena Museum of Art and Princeton Univ, among many others.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.