Tulips and Chimneys: The Original 1922 Manuscript with the 34 Additional Poems from and (I.E. Ampersand) Tapa dura - 1976

Norton & Company Limited, W. W. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Liveright Publishing Corporation, 1976. Hardcover. Acceptable. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Liveright Publishing Corporation, 1976. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

New York: Liveright, 0871406225. First edition Thus. Hardcover. Near Fine in Very Good dust jacket. 27 x 19 cm. 218pp. Purple cloth in dust jacket. The original 1922 manuscript with 34 additional poems. ~2 cm closed tear to top of jacket.

UsedVeryGood. Binding is unblemished, text block is clean, boards straight, without highlights or markings. Mild rubbing/chipping to dust wrapper edges. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

New York: Liveright, 1976. Hardcover. Near Fine/Near Fine. Typescript edition. The original 1922 manuscript with the 34 additional poems from *&.* Edited with an afterword by George James Firmage. Introduction by Richard S. Kennedy. Quarto. Light offsetting on front fly from laid in magazine clipping, else near fine in a near fine dust jacket with modest wear at the crown, and slight curling. Author's first book of poetry, preceded by a novel. *Tulips and Chimneys* established Cummings's famously individual voice and tone. However, amid the eccentric punctuation and phraseology was an underlying faith in the individual and derision of the collective and socialized man; Cummings stands as perhaps the best example of a 20th century poet who was able to strike a balance between experimental and significant. *Connolly 100*.