Afro-Cuban Jazz: Third Ear: The Essential Listening Companion Tapa blanda - 2000
de Scott Yanow
Often called "Latin jazz" today, Afro-Cuban jazz dates back to 1947, when Cuban percussionist Chano Pozo joined Dizzy Gillespie's big band, helping to fuse bebop with Cuban folk music and rhythms. This book focuses on the jazz side of this irresistible musical mixture, covering such early figures as Tito Puente and Willie Bobo and today's leading artists. 50 photos.
Primera línea
Although Afro-Cuban Jazz symbolically began when Dizzy Gillespie and Chano Pozo met in 1947, the same can be said about Mario Bauza's composing of "Tanga" for Machito's orchestra in 1943, Machito's putting together of his first successful big band in 1940, Don Azpiazu's arrival in the United States in 1930, pianist Jelly Roll Morton's utilization of a tango rhythm in his 1923 recording of "New Orleans Blues," or W.C. Handy's use of a habanera syncopation for the "B" section of "St. Louis Blues" during the 1910s.
Detalles
- Título Afro-Cuban Jazz: Third Ear: The Essential Listening Companion
- Autor Scott Yanow
- Encuadernación Tapa blanda
- Edición First Edition
- Páginas 214
- Volúmenes 1
- Idioma ENG
- Editorial Backbeat Books, San Francisco
- Fecha de publicación 2000-12-01
- ISBN 9780879306199 / 087930619X
- Peso 0.87 libras (0.39 kg)
- Dimensiones 9.25 x 7.5 x 0.48 pulgadas (23.50 x 19.05 x 1.22 cm)
-
Temas
- Cultural Region: African
- Cultural Region: Caribbean
- Ethnic Orientation: African
- Ethnic Orientation: African American
- Library of Congress subjects Latin jazz - History and criticism, Jazz musicians
- Número de catálogo de la Librería del Congreso de EEUU 00049025
- Dewey Decimal Code 781.65
Reseñas en medios
Citas
- American Reference Bks Annual, 01/01/2002, Page 529
- Library Journal, 03/15/2001, Page 74
- Rec Ref Bks for Small/Med Libr, 01/01/2002, Page 197
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