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Shakespeare as Literary Dramatist
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Shakespeare as Literary Dramatist Tapa dura - 2013 - 2nd Edición

de Lukas Erne


Información de la editorial

Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these "literary" texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V, and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. This revised and updated edition includes a new and substantial preface that reviews and intervenes in the controversy the study has triggered and lists reviews, articles, and books which respond to or build on the first edition.

Detalles

  • Título Shakespeare as Literary Dramatist
  • Autor Lukas Erne
  • Encuadernación Tapa dura
  • Número de edición 2nd
  • Edición 2
  • Páginas 326
  • Volúmenes 1
  • Idioma ENG
  • Editorial Cambridge University Press
  • Fecha de publicación 2013-04-25
  • Abridged
  • Ilustrado
  • Features Abridged, Bibliography, Illustrated, Index
  • ISBN 9781107029651 / 1107029651
  • Peso 1.3 libras (0.59 kg)
  • Dimensiones 9.1 x 6 x 0.9 pulgadas (23.11 x 15.24 x 2.29 cm)
  • Temas
    • Cultural Region: British
    • Interdisciplinary Studies: Renaissance Studies
  • Library of Congress subjects Authors and readers - England - History -, Authors and readers - England - History -
  • Número de catálogo de la Librería del Congreso de EEUU 2012042954
  • Dewey Decimal Code 822.33
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New. Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these 'literary' texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. This revised and updated edition includes a new and substantial preface that reviews and intervenes in the controversy the study has triggered and lists reviews, articles and books which respond to or build on the first edition.
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