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The Art of Tom Lea
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The Art of Tom Lea Tapa dura - 2003

de Kathleen G. Hjerter; Introduction by William Weber Johnson; Afterword by Becky Duval Reese


Información de la editorial

Tom Lea was a realist who painted things as they are, but just happened to see more of what they are than most of us do. A muralist, painter, book illustrator, World War II artist-correspondent, historian, novelist, and humanist, Lea died in 2001 after creating in some sixty years a corpus of work that has captivated those who know it. This volume makes available the full range of his vigorous work. Old admirers of Lea's talents will delight in this presentation, and a whole new generation will be awed by the unique contribution he has made. A Southwesterner from multicultural El Paso, Lea gave new vision to the misunderstood lands often thought of as barren wastes. As Kathleen G. Hjerter says in her foreword, in his paintings "the desert's melded colors are vibrant under many subtle gradations of light; the mesas and mountains reach up to a sky enormous enough to hold everyone's soul." But it is not just the southwest. its life and lore that Lea knew. Any subject he portrayed in picture or words (he wrote several outstanding books, including The Wonderful Country) he first researched minutely. Thus, he brought marvelous detail to his portrayal of the Mexican bullfighter, the Australian ranches and Texas cattle of the King empire, and the Indians, pioneers, and ranch hands of his own corner of the world. In the Second World War, as an artist-correspondent for Life magazine, he captured both the weaponry and the emotions of war. On assignment in China he developed a love for that land that gave him not only many subjects for paintings but also his favorite and, in later years, most characteristic medium: Chinese ink applied with a fine brush. In China, too, he came to know the ideogram whose symbols became for him, in William Weber Johnson's words, a "sort of personal artistic trinity" the earth, the sky, and man between-man linked very urgently and simply with cosmos, nature as the catalyst. These elements and this link-- interpreted through a stunning talent by a very private, honest, and modest artist--inspired the art of the incomparable Tom Lea.

Detalles

  • Título The Art of Tom Lea
  • Autor Kathleen G. Hjerter; Introduction by William Weber Johnson; Afterword by Becky Duval Reese
  • Encuadernación Tapa dura
  • Edición A Memorial ed
  • Páginas 260
  • Volúmenes 1
  • Idioma ENG
  • Editorial Texas A&M University Press, College Station, Texas, U.S.A.
  • Fecha de publicación March 2003
  • Ilustrado
  • ISBN 9781585442829 / 1585442828
  • Peso 3.6 libras (1.63 kg)
  • Dimensiones 9.34 x 12.32 x 1.03 pulgadas (23.72 x 31.29 x 2.62 cm)
  • Library of Congress subjects Southwest, New, Lea, Tom - Themes, motives
  • Número de catálogo de la Librería del Congreso de EEUU 2002152955
  • Dewey Decimal Code B

Acerca del autor

KATHLEEN G. HJERTER, a published art historian, is the former curator of the art collection of the Harry Ransom Humanities Research Center, University of Texas at Austin.The late WILLIAM WEBER JOHNSON, a long time friend of Lea's, was professor of journalism at the University of California, Los Angeles, and a bureau chief for Time-Life. He is the author of many articles and books, including Kelly Blue.BECKY DUVAL REESE is the director of the El Paso Museum of Art.
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Texas A&M University Press;, 2003. 1st. Hardcover. Very Good/Very Good. Hardcover, 276 pages. Tom Lea was a realist who painted things as they are, but just happened to see more of what they are than most of us do. A muralist, painter, book illustrator, World War II artist-correspondent, historian, novelist, and humanist, Lea died in 2001 after creating in some sixty years a corpus of work that has captivated those who know it. This volume makes available the full range of his vigorous work. Old admirers of Lea’s talents will delight in this presentation, and a whole new generation will be awed by the unique contribution he has made. A Southwesterner from multicultural El Paso, Lea gave new vision to the misunderstood lands often thought of as barren wastes. As Kathleen G. Hjerter says in her foreword, in his paintings “the desert’s melded colors are vibrant under many subtle gradations of light; the mesas and mountains reach up to a sky enormous enough to hold everyone’s soul.” But it is… Leer más
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College Station, TX: Texas A&M University Press, 2003. Memorial Edition . Hardcover. Fine/Near Fine. 8vo - over 7¾" - 9¾" tall. Lea, Tom. 260pp.incl.index; HB quarter-bound; brwn.w/dk.brwn.&gilt; fine condition w/clean,tight pgs. DJ green w/white-pic.cover; slight rub&sun. Almost every page has an illustration or more. Posthumus reprint. "This volume makes available the full range of his vigouous work... " illus. every page.
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