Sitting Practice Tapa dura - 2008

“All of Adderson’s characters are rounded and all have utility, not simply as plot devices but as parts of a striving, suffering whole.”—New York Times Book Review

“A generous, clear-eyed study of love, human error, and resilience. Adderson is equally interested in the life of the body and the spirit, and is especially adept at exploring the point where the two meet.”—Kirkus Reviews

“Adderson’s prose is characterized by fierce intelligence, razor-sharp wit, and wry omniscience. She writes with a tone of subdued mirth or bemused wisdom that lends the book both immediacy and intimacy. In her hands, sex, religion, parenting, even something as simple as making bread come from a completely unexpected vantage that makes them suddenly new and strange.”—Vancouver Sun

“Adderson achieves a remarkable effect with her prose. Its clarity is so overwhelming that it becomes intoxicating.”—Globe and Mail

“Cadence and pacing are sure-footed, dialogue is pitch-perfect, the unfolding story utterly absorbing. This is a writer with all the talents required to keep on delivering.”—Quill & Quire

“The beauty of Sitting Practice lies in its conviction that true love can endure the unendurable. At the same time, it is anything but romantic fiction in the traditional sense. While her book may have heartwarming moments, Adderson is more concerned with the importance of being in the moment, no matter what life brings.”—Montreal Gazette

“Sitting Practice is a novel of substance that is a delight to read. Caroline Adderson treats the domestic drama with elegance and wit, and what she has to say about her characters and their circumstances is often profound—not to mention surprisingly funny, too. This novel is the real thing.”—Meg Wolitzer, author of The Ten-Year Nap and The Position

“A sharp-edged new writer in the take-off phase of her career.”—Margaret Atwood, CBC Radio

Caroline Adderson has been hailed by Toronto Star critic Philip Marchand as one of the four most notable emerging writers in Canada, and by Margaret Atwood as one of the country's most promising women writers. Her work--which includes two novels, A History of Forgetting (Key Porter, 1999) and Sitting Practice (Thomas Allen, 2003), and a collection of short stories, Bad Imaginings (The Porcupine's Quill, 1993)--has won her two Ethel Wilson Fiction Prizes, three CBC Literary Awards, as well as numerous prize nominations. Pleased to Meet You (Thomas Allen, 2006) was named as a best book of that year by the Globe and Mail, the National Post, and the Toronto Star. In 2006, Caroline was awarded the Marian Engel Award, given annually to a female writer in mid-career in recognition of her body of work. She lives in Vancouver.