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Antonioni: Centenary Essays
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Antonioni: Centenary Essays Tapa blanda - 2011

de Rhodes, John David [Editor]; Rascaroli, Laura [Editor];


Descripción de contraportada

The cinema of Michelangelo Antonioni (1912-2007) embodies - more than that of any other director - the substance of European art cinema. His intensely stylised, stylish, demanding and gratifying films continue to spark controversy and debate - and inspire intense allegiance. On the centenary of Antonioni's birth, this volume places his work in an expanded field in order to reassess his contribution and continued centrality to world cinema. The contributors to this volume argue for an understanding of his work in a variety of new contexts: transnational cinema; conceptual photography; intermediality; thing theory; ecological and climate change theory; rubbish theory; microhistorical urbanism; the theory of the picturesque; and the theory of style.

The Antonioni that emerges across these essays is an artist profoundly engaged in formal experimentation and deeply embedded in the complexities of his cultural and historical moment, whose work, therefore, continues to offer itself as a rich resource for thinking through the contradictory conditions of late modernity in the twenty-first century.

Detalles

  • Título Antonioni: Centenary Essays
  • Autor Rhodes, John David [Editor]; Rascaroli, Laura [Editor];
  • Encuadernación Tapa blanda
  • Páginas 344
  • Idioma ENG
  • Editorial British Film Institute
  • Fecha de publicación 2011-12
  • Features Bibliography, Illustrated, Index
  • ISBN 9781844573844
  • Temas
    • Aspects (Academic): Film

Acerca del autor

LAURA RASCAROLI?is Senior Lecturer in Film Studies at University College Cork. She is the author of The Personal Camera: Subjective Cinema and the Essay Film (2009) and the co-author (with Ewa Mazierska) of From Moscow to Madrid: European Cities, Postmodern Cinema (2003), The Cinema of Nanni Moretti: Dreams and Diaries (2004), and Crossing New Europe: Postmodern Travel and the European Road Movie (2006). She is also the co-editor (with Patrick O'Donovan) of The Cause of Cosmopolitanism: Dispositions, Models, Transformations (2010).

JOHN DAVID RHODES is ?is Senior Lecturer in Literature and Visual Culture at the University of Sussex. He is the author of Stupendous, Miserable City: Pasolini's Rome (2007) and Meshes of the Afternoon (2011), and the co-editor (with Brian Price) of On Michael Haneke (2010), and (with Elena Gorfinkel) of Taking Place: Location and Moving Image (2011). He is a founding co-editor of the journal World Picture.
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Paperback / softback. New. This collection of new essays by leading film scholarsaddresses Michelangelo Antonionias apre-eminent figure in European art cinema, explores his continuing influence and legacy, and engages with his ability to both interpret and shape ideas of modernity and modern cinema.
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