Inicio Situating the Feminist Gaze and Spectatorship in Postwar Cinema de Marcelline Block (Editor); Angela Laflen (Editor) (ISBN: 9781847186645)

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Situating the Feminist Gaze and Spectatorship in Postwar Cinema Tapa dura - 2008

Name: Situating the Feminist Gaze and Spectatorship in Postwar Cinema
Price: 60.00 USD
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Author: Marcelline Block
ISBN: 9781847186645

de Marcelline Block (Editor); Angela Laflen (Editor)

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Información de la editorial

Preface by Jean-Michel Rabaté, Introduction by Marcelline Block, Includes bibliographical references and index.

Primera línea

from preface: Why is film theory so organically connected with psychoanalysis? Can this be attributed to Jacques Lacan’s lasting impact on late twentieth century culture, or to intelligent adaptations of his theories of the eye, the gaze and the screen by notable theoreticians like Laura Mulvey, Joan Copjec and Slavoj Žižek? from introduction: Situating the Feminist Gaze and Spectatorship in Postwar Cinema examines films made in the United States, Europe and Russia. Contributors to this volume engage with and readdress classic tenets of feminist film theory. Several chapters explore its interaction with other critical perspectives such as psychoanalytic, queer, disability, postfeminist, quantum, trauma and chaos theories.

Detalles

Título Situating the Feminist Gaze and Spectatorship in Postwar Cinema
Autor Marcelline Block (Editor); Angela Laflen (Editor)
Encuadernación Tapa dura
Páginas 410
Volúmenes 1
Idioma ENG
Editorial Cambridge Scholars Publishing
Fecha de publicación 2008-09
Features Bibliography, Index
ISBN 9781847186645 / 1847186645
Peso 1.4 libras (0.64 kg)
Dimensiones 8.2 x 6.1 x 1.3 pulgadas (20.83 x 15.49 x 3.30 cm)
Temas
- Interdisciplinary Studies: Women's Studies
Library of Congress subjects Feminism and motion pictures, Feminist film criticism
Número de catálogo de la Librería del Congreso de EEUU 2009379501
Dewey Decimal Code 791.430

Reseñas en medios

Citas

Reference and Research Bk News, 11/01/2009, Page 268

Acerca del autor

Marcelline Block (BA, Harvard; MA, Princeton; PhD candidate, Princeton) is Lecturer in History at Princeton. She edited Situating the Feminist Gaze and Spectatorship in Postwar Cinema (Cambridge Scholars, 2008; 2010); co-edited Collaboration, a special issue of Critical Matrix (vol. 18, 2009), and co-edited Gender Scripts in Medicine and Narrative (Cambridge Scholars, 2010). She contributed chapters to anthologies including The Many Ways We Talk about Death in Contemporary Society: Interdisciplinary Studies in Portrayal and Classification (2009) and Vendetta: Essays on Honor and Revenge (2010). Her articles have appeared in the journals Excavatio, vol. XXII: Realism and Naturalism in Film Studies (2007); The Harvard French Review (2007), and Women in French Studies (2009, 2010). Her writing has been published in French in Vingtieme Siecle: revue d'histoire (vol. 96, 2007) and in Russian in -: - I /Russian Art Beyond Borders: Late 20th Century-Early 21st Century (2010).

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