Crossing the Channel: British and French Painting in the Age of Romanticism Tapa dura - 2003

Paperback. Very Good.

Tate Publishing, Limited. Used - Very Good. Ships from the UK. Used book that is in excellent condition. May show signs of wear or have minor defects.

Tate Publishing(UK), 2003. Hardcover. Like New. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Tate Publishing, Limited, 2003. Hardcover. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Tate Publishing, Limited. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Tate Publishing, 2003. Hardcover. Like new with small scuff to otherwise crisp and bright dust jacket. Size: 9.5"x12", 296pp., 190 colour illustrations.

U.S.A.: Tate. Over sized hardcover book with only the slightest bit of curling along the top edge of the dust jacket. Book is bright and crisp. May require extra shipping for priority or overseas. . Near Fine. Hardcover. 2003.

London: The Tate, 2003. First British Edition. Hardcover. New/New. Demy folio, [27.75cm/11inches], full gilt-embossed walnut-cloured cloth with mylar-protected dust jacket, pp. 296, indexed. Illustrated with b-w halftones, colour plates &tc. Please feel free to ask for particulars and/or additional photographs. With contributions by Stephen Bann, David Blayney Brown, Rachel Meredith, Christine Riding and Marie Watteau. ... The Metropolitan Museum's "Overview" noted: "Following the defeat of Napoleon in 1815 and the restoration of peace, French and English civilians flocked across the Channel. Among them were artists, connoisseurs, and collectors, eager to rediscover and explore the culture of their erstwhile enemies. Following the end of the Napoleonic regime, however, a conviction also grew that the eighteenth-century Enlightenment ideals of rationalism, confidence, and order—given artistic expression in the smooth perfection of the Neoclassical style—were no longer valid. A new array of… Leer más

London: Tate Gallery, 2003. Book. As New. Pictorial Cover. First Edition. Small folio (12: X 9.5"), 296pp. Very generously illustated throughout with full color and black and white reproductions. 190 color plates. With detailed commentary by Patrick Noon, including works by (inter alia) Turner, Vernet, Cogniet, Rowlandson, Constable, Delacroix, Landseer, Bonington, Granet,A very tight, clean, fresh, bright, square, unmarked and unread volume with a flat uncreased spine. FINE. AS NEW..

New York / London: Metropolitan Museum of Art / Tate Publishing, 2003. Hardcover. VG. May have light wear to corners and edges or owner's writing inside front cover.. Color pictorial wraps with white lettering. 296 pp. Approx 190 mostly color plates. Distributed in Great Britain under title: Constable to Delacroix : British art and the French Romantics. Published by order of the Tate Trustees on the occasion of the exhibition at Tate Britain, London, 5 February-11 May 2003 and touring to The Minneapolis Institute of Arts, Minneapolis, 8 June-7 September 2003 and The Metropolitan Museum of Art, New York, 7 October 2003-4 January 2004. Includes bibliographical references (pages 284-291) and index.