Americans in Paris: 1921-1931: Man Ray, Gerald Murphy, Stuart Davis, Alexander Calder Tapa dura - 1996

1996. Hardcover. Very Good Condition/Good. 171 pages. Binding is tight, covers and spine fully intact. Slight reading-wear and bumping to corners. Box-cutter slit to front of jacket. Some rubbing and small nicks to edges. Text unmarked. Quantity Available: 1. Shipped Weight: 3-4 pounds. Category: Art::Painting, Drawing & Sculpture; ISBN: 1887178139. Inventory No: 030283. BZDB373 Art::Painting, Drawing & Sculpture; Unbranded ISBN: 1887178139 Elizabeth Hutton Turner; Elizabeth Garrity Ellis, et al. Americans in Paris (1921-1931): Man Ray, Gerald Murphy, Stuart Davis, Alexander Calder

Washington D C.: Counterpoint, 1996. Cloth/dust jacket Quarto. Hardcover. Good/fair. black cloth, silver lettering, dust jacket, 170 pp, dj torn, parts of dj stuck to cloth.

Washington, DC: The Phillips Collection / Counterpoint, 1996. Hardcover. Good+ (cloth scuffed, scratched & smudged; instances of scoring. small indentation to lower board edge. spine rattled; textblock & pgs firm/intact. pgs toning; illustrations bright). Black cloth with silver lettering. 171 pp. Approx 40 color, 40+ BW plates. no dustjacket. This copy does not have a dustjacket. Issued in conjunction with a 1996 exhibition. Catalogue lists 32 works by Man Ray, 9 by Murphy, 29 by Davis, 20 by Calder. Three other artists are represented by 4 works. Essays by Elizabeth Hutton Turner (Paris: "Capitol of America") and Elizabeth Garrity Ellis (The View From Paris), Guy Davenport (Paris The Imaginary City). Chronology by Leigh Bullard Weisblat. Lavishly assembled, lovely plates.

Washington, DC: The Phillips Collection, 1996. Hardcover. VG-/VG-. May contain stains on bottom edge of book, some wear to dj edges and corners.. Black cloth with silver lettering. Gray and illustrated dust jacket with white and black lettering. 171 pp. Approx 40 color, 40+ BW plates. Issued in conjunction with a 1996 exhibition. Catalogue lists 32 works by Man Ray, 9 by Murphy, 29 by Davis, 20 by Calder. Three other artists are represented by 4 works. Essays by Elizabeth Hutton Turner (Paris: "Capitol of America") and Elizabeth Garrity Ellis (The View From Paris), Guy Davenport (Paris The Imaginary City). Chronology by Leigh Bullard Weisblat. Lavishly assembled, lovely plates.

Washington, D.C.: Counterpoint, 1996. Book. Fine. Cloth. First Edition. Folio - over 12" - 15" tall. 171 pp., 142 illus., 39 color plates. Black cloth, lettered in silver foil. As issued. Dust jacket as issued, now in archival mylar..

Counterpoint Press, Washington DC, 1996. Book. Near Fine. Cloth. 171 pp., 141 illustrations 39 in color. First printing. Includes chronology and checklist. Black cloth with silver stamped letters to the spine and cover. Dustjacket is protected with a mylar cover..

Counterpoint. Fine in Near Fine dust jacket. 1996. First Edition; First Printing. Hardcover. 1887178139 . Stiff clean book, unmarked but for blindstamp of previous owner to lower title page, and inventory tick to top edge. In crisp dust jacket. ; 1921-1931; 12.1 X 10.4 X 0.6 inches; 171 pages .

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Washington D.C.:: Counterpoint,, 1996.. First Printing of the First Paperback Edition. A Fine tight copy in a Fine illustrated paperback binding "Americans in Paris" documents the work and influence of these four notable artists of the avant-garde who flowered during the 1920s in Paris. Turner follows the development of four Americans who came to Paris during the Twenties and returned to the US with renewed enthusiasm for their art. The book features the photography of Man Ray, who brought Dadism to New York. Gerald Murphy who honed his minimalist, post cubist cityscapes here, and Stuart Davis, who produced some of his best tightly constructed, surrealist cubism-influenced paintings. Alexander Calder developed the new medium of bent and twisted wire as art and the never imagined mobile. Included with all this is Guy Davenport's trenchant essay explicating this art and of Paris as the eternal attraction for artists of the nineteenth and twentieth centuries. Richly illustrated with 39 color and 103 b&w images.

Counterpoint, 1996-04-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title!