Gerhard Richter: Acht Grau Tapa dura - 2002

Deutsche Guggenheim , 2002. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:9783775712750

Hatje Cantz, 2002. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:9783775712750

Hatje Cantz Publishers, 2002-10. Hardcover. New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Remainder Mark, 363-1108

Hatje Cantz Publishers, 2002-10. Hardcover. New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Remainder Mark, 363-1108

Berlin: Deutsche Guggenheim. Fine copy in fine dust jacket. 2002. 1st. hardcover. 4to, 127 pp., Still shrink-wrapped from the publisher .

board edge fade, smudge to endpaper

Guggenheim Museum Publications, 2002. First Edition. Hardcover. Like New. New York: Guggenheim Museum Press, 2002. Guide to the eponymous exhibit at the German Guggenheim. Near Fine with a hint of shelf wear.

hardcover. Good. Access codes and supplements are not guaranteed with used items.

Berlin / Ostfildern, Germany: Deutsche Guggenheim / Hatje Cantz, 2002. Text: English. 127 p.; ill.; 25,5 x 29 cm. "Consisting of eight enameled glass panels, Eight Gray addresses themes the artist has been investigating since the mid-1960s in his monochromes and works in glass. Mounted on steel supports and hanging 50 centimeters from the wall, the enormous panels of Eight Gray (measuring 500 x 270 cm each) exist somewhere between painting, sculpture, and architecture. Installed in relation to the gallery windows—which were uncovered for the installation and replaced with clear glass panels—the opposing rows of colored mirrors produce an endless sequence of reflections of interior and street views, confusing pictorial and actual space. For Berlin Richter has expanded the size of the panels to more truly resemble architectural elements. His choice of gray, the "non-color" that he equates with nothingness, further denies the possibilities for association, differentiation, or… Leer más

Berlin / Ostfildern, Germany: Deutsche Guggenheim / Hatje Cantz, 2002. Text: English. 127 p.; ill.; 25,5 x 29 cm. "Consisting of eight enameled glass panels, Eight Gray addresses themes the artist has been investigating since the mid-1960s in his monochromes and works in glass. Mounted on steel supports and hanging 50 centimeters from the wall, the enormous panels of Eight Gray (measuring 500 x 270 cm each) exist somewhere between painting, sculpture, and architecture. Installed in relation to the gallery windows—which were uncovered for the installation and replaced with clear glass panels—the opposing rows of colored mirrors produce an endless sequence of reflections of interior and street views, confusing pictorial and actual space. For Berlin Richter has expanded the size of the panels to more truly resemble architectural elements. His choice of gray, the "non-color" that he equates with nothingness, further denies the possibilities for association, differentiation, or… Leer más