The Painted Page: Italian Renaissance Book Illumination, 1450-1550 Tapa dura - 1994

Hardback. Very Good.

London, UK: Royal Academy of Arts. Used-Good/NO DUSTJACKET. (1994). ........ Paperback. 4to., 280 pp., writing on first page .

1994. Erstausgabe, München / New York, Prestel, 1994, 4°, 272 S. mit zahlreichen s/w- und Farbabbildungen, Text: englisch, farbig illustr. original Kartonage (Paperback), Einband minimal berieben, untere Ecke des Vorderdeckels minimal bestoßen, drei zarte Längsfalten auf Buchrücken, sonst schönes, sauberes Exemplar. Katalog zur Ausstellung "The Painted Page, Italian Renaissance Book Illumination 1450 - 1550" in der Royal Academy of Arts, London, 27 October 1994 - 22 January 1995 und in der Pierpont Morgan Library, New York, 15 February - 7 May 1995. Should your order's weight exceed 1kg, we shall need to message you, to recalculate the shipping cost. (= Sollte Ihre Bestellung mehr als 1k wiegen, müssten die Portokosten angepasst werden, Sie bekämen vorab eine Anfrage per Email.)

Munich: Prestel Publishing, 1994. First Edition. Hardcover. Fine/fine. Book and jacket fine. Jacket in protective mylar wrap. Gorgeous book.

Prestel Publishing, 1994. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Prestel Pub, 1994T. hardcover. Very Good. 0.8000 in x 11.7000 in x 9.3000 in. Hardcover with very good dust-jacket. Clean and solid. Ships from a smoke-free home. Jacket comes in a mylar wrapper.

London: Royal Academy of Arts, 1994. Hardcover. VG/VG Slight wear to dj edges. Contents clean and tight. Very mild tanning to page edges.. Red cloth boards with gilt lettering. Color illus dj. with black lettering. 272 pp. Many color illus. Published on the occasion of the exhibition by the same name. Royal Academy of Arts, London, 27 October 1994 - 22 January 1995. The Pierpont Morgan Library, New York, 15 February - 7 May 1995.

Munich and New York: Prestel, 1994. Cloth, 272 pages, illustrations (chiefly colour); 31 cm. Published on the occasion of the exhibition held at the Royal Academy of Arts, London, 27 October 1994 to 22 January 1995; and The Pierpont Morgan Library, New York, 15 February to 7 May 1995. Near fine. Firm binding, clean inside copy. Age toning, top edge lightly soiled. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "This book documents the first comprehensive exhibition of Italian Renaissance illuminations from collections in Europe and the United States. In the century between 1450 and 1550, Italian miniaturists, in collaboration with scribes and bookbinders, produced a series of masterpieces of book illumination which are still too little known and appreciated. Though working on a smaller scale than the great painters and sculptors of the Renaissance, these illuminators created works characterized by… Leer más

New York: Prestel, 1994. First Edition. Softcover. Near Fine. Oversize softcover exhibition catalogue in glossy pictorial wraps. First paperback edition. Near fine condition, clean and crisp. Slight sunning at spine. Paper is thick and glossy. Published to accompany an exhibition of the same name in London at the Royal Academy of Arts and in New York at the Morgan Library. Beautiful full-page color plates throughout. Folio. 282 pp. Large and heavy: will require additional postage if shipped priority or outside the U.S.

Prestel, 1994 4to (30 cm), 280 pp. Laminated wrappers. The catalogue of an exhibition at Royal Academy of Art, London, 27 October 1994 - 24 January 1995 and Pierpont Morgan Library, New York, 15 February - 7 May 1995. "This book documents the first comprehensive exhibition of Italian Renaissance illuminations from collections in Europe and the United States. 137 manuscripts, printed books with hand-painted illustrations and single pages are illustrated in full color, ranging from small prayer books to large choir books, and from Greek, Roman, and Italian literature to collections of fables and historical treatises. Many of these volumes were commissioned by powerful wealthy, and discriminating patrons who included members of the ruling Italian families as well as cardinals and popes and many of whom were also prominent bibliophiles. Among other fascinating issues, the mechanics of patronage, patterns of production, and formation of libraries are discussed in three essays and in the catalogue… Leer más