Resultados de búsqueda: europeans photographs de cartier bresson henri

Simon & Schuster, 1955T. hardcover. Good. 0.7000 14.5000 10.8000.

New York: Simon and Schuster in Collaboration with Editions Verve of Paris, 1955. hard cover, illustrated boards. lacks dust jacket, though dj flaps are laid-in, as is the staple-bound captions booklet., exterior has edge and corner wear to spine ends and edges. no writing or markings. sound binding. the miro designed cover is still bright in color. unpaginated. short text by cartier-bresson followed by 114 illustrations of b/w photos.. First American Edition. Hard Cover. Good/No Jacket. Folio - over 12" - 15" tall.

UsedAcceptable. Good as reading copy only, hardcover, unmarked text, covers are completely torn/loose, spine sleeve missing, some pages have tanning/warping, book has some tape repair. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.

Simon & Schuster. Very Good +/No Jacket. 1955. Folio, unpaginated (ca. 120 pp), VG+ in illustrated boards (cover illustration by Joan Miro), lacking the dj (light wear to head & heel of spine and tips). Illustrated with 114 photogravures of European scenes taken by Cartier-Bresson between 1950 and 1955. The elusive 8-page caption booklet is laid-in. An uncommonly fine copy of a book generally found in lesser condition and lacking the caption booklet. First American edition. .

Simon & Schuster. Very Good. 1955. Hardcover. 114 pp; Includes captions pamphlet. Lower corners are bumped and edge worn, very minor soiling on boards. Backstrip is detached along rear outer hinge, top of back strip has a short tear, bottom inch of back strip is covered with clear tape. Interior is clean, binding is tight. An attractive book overall, clean and tight. ; Always Delivery Confirmation. 35 Years Fast Excellent Service. We Know How To Pack Books. .

NY:: Simon and Schuster,. Very Good. 1955. Hardcover. 114 black and white photographs taken from 1950 to 1955. "Captions" booklet bound in. First edition thus. Ex-library copy with typical markings, rebound into a green buckram binding, moderate wear and aging, else very good. No dust jacket. .

New York: Simon & Schuster, 1955. First American edition. Cartier Bresson. Small folio, original yellow boards. Cover design by Joan Miro. 1 cm chip at the top of the spine, smaller chip at its base. Caption leaflet loosely inserted.

New York / Paris: Simon and Schuster/Verve.. Very Good+ with no dust jacket. 1955. First Edition; First Printing. Hardcover. First American edition. Close to near fine in Miro designed pictorial boards, lacking the printed glassine jacket. (Neat cracking at parts directly adjacent to spine. Otherwise very nearly fine. ) Captions stapled insert present. (114pp. ) (11" X 14 1/2") Surprisingly fresh copy. ; 11" X 14 1/2"; 114 pages .

New York: Simon and Schuster in collaboration with Éditions Verve of Paris, [1955]. First American Edition. folio. ff. [4], 113, [4]. 114 photo illus. by Cartier-Bresson. original bds.: cover an original colour lithograph by Joan Miró (some wear to extremities, joints split at ends, minor stain on front flyleaf). 12-page folio caption leaflet loosely inserted

New York: Simon and Schuster, 1955. Printed in France. 114 black and white plates. Pages are in very good, bright condition. Very light foxing on the top edge. Caption booklet is laid in. Endpapers clean. A little wrinkling on the free endpapers. Colour boards, designed by Joan Miro. Black titles. Corners, head/tail of spine bumped and a little frayed. Small tear at the head of the front hinge. Lower board has small stains and minor rubbing. Beautiful book. VG-. First Edition. Hard Cover. VG-. 11 x 14 1/2.

New York: Simon & Schuster with Verve of Paris, 1955. 1st American edition.. Oversize Hardcover in color illus boards designed by Miro, no jacket as issued.. VeryGood+ overall, unmarked. 1/2-in chip at top of backstrip, light corner bumps, nice bright boards, some faint mottling on rear board, contents perfect.. The historic classic by the father of modern photojournalism, first edition. Nice bright tight clean copy with Introduction and Captions in English, plus separate Captions Booklet laid-in. 11 x 14-1/2, 114 b/w gravure photos, intro by photographer, list of captions plus separate 12-pg captions booklet.

New York: Simon & Schuster, 1955. First edition. Hardcover. Orig. illustrated boards. Near fine. Cartier-Bresson, Henri. Unpaginated. 37 x 27 cm. Original cover design by Joan Miro. Separate Caption booklet laid-in. The more than 100 photographs herein taken by Cartier-Bresson from 1950-1955, and the production printed in France by Draeger. This, the companion' book to Cartier-Bresson's 'The Decisive Moment'. Slight rubbing to backstrip head and foot. Lacks acetate dust wrapper,

New York: Simon & Schuster. Near Fine. 1955. First Edition; First Printing. Hardcover. Hardcover in illustrated boards. No dust jacket. First printing of first edition. Near Fine - almost new - condition, with Cartier-Bresson's full-page black-and-white photos in perfect condition, crisp, clean, and bright. Binding is tight, spine and spine ends are intact, and Miro's cover design, done especially for this book, is vivid and unfaded. Book comprises a selection of 114 photos taken by the photographer between 1950 and 1955. The book is a co-production of Simon & Schuster in the U. S. and Editions Verve in Paris; printing was done by Draeger Freres of Paris. Eight-page caption booklet in fine condition is laid in. Folio. Unpaginated. Free of any markings, not ex-library. .

New York: Simon and Schuster.. Very Good+ in Fair dust jacket. 1955. First Edition; First Printing. Hardcover. First American Edition. Very good copy in heavily chipped glassine jacket. Folio. (10 3/4" X 14 1/2") (Neat repair at upper inch of spine. Traces of foxing at edges. ) Stapled captions booklet laid-in. 114 black & white images. .

New York: Simon and Schuster/Verve , 1955. First Edition. Hardcover. Fine/very good +. 114 photographs, quarto, A fine copy in the original glassine, having a chip on the front panel (protected with a new glassine). Jacket complete with the 2 printed flaps and with the 12 page "captions". Not usually found in such nice condition.

NY: SIMON & SCHUSTER.. Good with no dust jacket. 1955. First Edition. First American Edition. A good+ copy, lacking the original acetate DJ. ( acetate supplied) The stapled captions pamphlet is present. (1/2"-inch" strip missing at crest of spine. Splits at bottom inch of spine, but not chipped. Traces of foxing with some light soiling at rear endpaper & pastedown, continuing to a far lesser degree on the previous blanks. Edges foxed. There is some light soiling to edges of captions pamphlet. A plain acetate protective wrapper has been supplied) Full-color wrap-around pictorial cover design by Miro. The companion piece to Bresson's landmark book "The Decisive Moment." (EB) .

New York: Simon & Schuster, 1955. First Edition. Hardcover. Very good+. A strong VG+ copy, protected in a mylar wrap (not original). Contents fine free of all markings, no bumps, Captions insert included (also fine). There a are of couple of shallow scratches on the back cover and a hairline paper split on the front gutter (about an inch), and minor edge wear. Bindng completely solid. A bright, very clean copy of this classic.

Simon and Schuster. Near Fine in Near Fine dust jacket. 1955. First Edition. Hardcover. Tiny dent on front and very small wear to acetate spine head; light edge soil to acetate; beautiful copy ; With original acetate wrapper; caption folder laid in; original Miro cover .

New York: Simon & Schuster/ Verve, 1955. First Edition; published in cooperation with Verve; printed in France. Folio; only minute wear; a fine copy in the rare “transmatic” dust jacket. These dust jackets employed clear plastic, usually acetate, with printed paper flaps. Highly fragile, often perished or defective, this example is in excellent condition, with only minor chipping of the acetate. The colorful Miro illustrated front and back boards are therefore unobscured. The caption booklet is laid in. Nearly everyone now carries a camera, but Cartier-Bresson captured magic with his Leica.