Resultados de búsqueda: the mill on the floss de eliot george pseudonym

UsedAcceptable. Good reading copy, unmarked text, no jacket, front cover hinge cracked. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.

NY: Merrill and Baker, 1920. red c w/gilt titles,, decorations; top edge gilt; ownr's plate/stamp; 480 pages; no date given (circa 1920?). Hardcover. Very Good/No Jacket. Illus. by Frontis. 8 vo.

NY: Franklin Library, 1981. 1st thus edition; green leather w/gilt decorations,titles; all edges gilt; decorative end papers; 535 clean, unmarked pages. 1st. Leather Binding. Near Fine/No Jacket as Issued. Illus. by Herbert Tauss. 8 vo.

Franklin Library, 1981-01-01. Leather Bound. Like New. great looking book.

NY: Modern Library Giant, 1940. Modern Library frst (stated); dj w/moderate chipping, unclipped price, in mylar; (#G51 in series, lists to 271 on dj reverse); navyc w/gilt runner; tiitle son red; 1350 clean, unmarked pages; lite toining at edges. 1st. Hardcover. Very Good/Very Good. 8 Vo.

NY: Heritage Press, 1963. in Very good slipcase; intro by David Daiches; 471 clean, unmarked pages. Hardcover. Very Good/No Jacket as Issued. Illus. by Wray Manning. 4to.

London: Folio Society 1999. (Hardcover in slipcase) 484pp. Fine. Quarter blue buckram with gilt title to the spine over crushed-art-silk sides in near fine dark blue slipcase. The slipcase is scuffed a bit at the bottom. "She knew she did not conform to the Victorian ideal of pretty pink-and-white girlhood. So as a child she would escape to the light, airy attic at the top of the house, gazing through the iwndows at each end at the flat view of fields, trees and distant canal" - from the Introduction. Pseudonym of Mary Ann Evans. Introduction by Bel Mooney. Engravings by Ian Stephens. (Fiction, Victorian England).

Norwalk: Easton Press 1980, Collector's Edition. (Hardcover) 472pp. Very good, no dust jacket. Brown leather decoratively stamped in gilt with raised bands on the spine. All edges gilt, moire endpapers, ribbon page marker, color illustrations. A previous owner's blindstamp on the half-title page. Pseudonym of Mary Ann Evans. Illustrations by Wray Manning. Publisher series: 100 Greatest Books Ever Written. Introduction by David Daiches. (Fiction, Victorian England).

Franklin Center: Franklin Library 1982. (Hardcover) 534pp. Near fine, no dust jacket. Grey leather decoratively stamped in gilt and raised bands on the spine. Moire endpapers, all edges gilt, ribbon page marker and full-page illustrations, includes the 'Notes from the Editors' booklet. Pseudonym of Mary Ann Evans. Illustrations by Paul Geiger. Publisher series: 100 Greatest Books of All Time. (Fiction, Victorian England).

Edinburgh and London: William Blackwood and Sons, no date [circa 1890s]. [Classic Literature] FINELY BOUND SET, mixed printings from a New Edition. Complete in eight volumes, bound as seven. Octavo (19 x 14 x 22cm), pp.[2] viii; 466 [2]; pp.[2] xii; 486 [2]; pp.[2] vi; 158; viii; 330 [2]; pp.[2] vi; 430 [2]; pp.[2] x; 504 [2]; pp.[2] viii; 621 [3]; pp.[2] vi; 612 [2]. Each volume with seven engraved plates, including a vignette title page, except Romola, Middlemarch, and Daniel Deronda, which only have a vignette title page. Contemporary brown half morocco, with raised bands, gilt titles to spines, and marbled paper over boards. Top edges gilt. Ink ownership to first blank of each volume, with a large pencil inscription below it in 'Adam Bede'. Toning and spotting to edges, otherwise internally crisp and clean. Some light wear to bindings, otherwise an attractive very good set.

Edinburgh & London: William Blackwood & Sons, 1860. First Edition. Three octavo volumes; publisher's orange-brown cloth, decoratively stamped in blind and lettered in gilt on spines; [x],359; [viii],319; [viii],313pp. 16pp of publisher's ads at end of volume III; Carter's first state of volume I, without the inserted ad leaf. Cream yellow endpapers, with binder's ticket of Edmonds & Remnants to rear pastedown of volume I. First volume expertly restored at spine ends, else a clean, original and well-preserved set. Early ownership signature ("Evelyn Maud Challis") to each volume; scattered foxing to texts; Very Good.

Edinburgh, William Blackwood & Sons., [N.D. circa 1900.] . Eight volumes, 8vo, contemporary tree calf gilt, morocco lettering pieces, all edges gilt, school prize wth label to Adam Bede and gilt stamp to upper covers, a fine set. A finely bound set of George Eliot's novels.