Resultados de búsqueda: walker evans de evans walker and

Los Angeles, CA: Oxford University Press, USA, 2001. Hard cover. Very good in very good dust jacket.. Sewn binding. Cloth over boards. 96 p. Contains: Illustrations. Getty Trust Publications: J. Paul Getty Museum. Audience: General/trade.

San Francisco / Fort Worth: Friends of Photography / Amon Carter Museum, 1990. First printing. Paperback. Fine. Essay by Southall. With excerpts from NOW LET US PRAISE FAMOUS MEN by James Agee, and stories by William Christenberry. 4to. Glossy wrappers. 88 pages. With color and b/w photographic images. No names or marks. Friends of Photography Untitled 51. Issued in conjunction with 1990 - 91 exhibition.

New York: Aperture, 1993. Softcover. 96 pages. Number 10 in the Aperture Masters of Photography series. Essay by Carole Kismaric. Includes over 40 black and white images, checklist, chronology, selected bibliography, and list of previous exhibitions. A near fine copy in wrappers.

Firenze: Alinari, 2005. First edition. Softcover. 63 pages. Text in English and Italian. Includes numerous black and white images. A clean near fine copy in wrappers.

The Museum of Modern Art, 1979. Hardcover. Like New/Good . 10x9x0. Very Good+ in Good dustjacket; A short tear and some edgewear to dustjacket. A representative collection of Evans' photographs in which he records, in startling simplicity, the plight of the urban and rural poor over forty years. Walker Evans (1903 – 1975) was an American photographer and photojournalist best known for his work for the Farm Security Administration (FSA) documenting the effects of the Great Depression. Much of Evans' work from the FSA period uses the large format, 8×10-inch view camera. He said that his goal as a photographer was to make pictures that are literate, authoritative, transcendent. Many of his works are in the permanent collections of museums and have been the subject of retrospectives at such institutions as the Metropolitan Museum of Art or the George Eastman Museum.

Los Angeles, CA: The J. Paul Getty Museum -Getty Publications, 1998. First edition, first printing. Small oblong hardcover. 69 pages. Essay by Andrei Codrescu. Includes 49 black and white photographs. A very near fine copy in a very near fine dust jacket.

New York : Scalo / Metropolitan Museum of Art, 2000. Stated First Edition. Hardcover. Fine/very good +. Edited by Jeff L. Rosenheim and Alexis Schwarzenbach. Introduction by Maria Morris Hambourg. Sm 4to. Maroon cloth, with gray spine lettering. Frontis b/w photographic image. 247 pages, with Notes. With b/w photographic images and color illustrations. No names or marks. Illustrated dust jacket has two nicks to top of rear panel, else Fine.

Los Angeles, CA: The J. Paul Getty Museum, 1998. First edition. Exhibition brochure for a show that ran July 28 through October 11, 1998. Single sheet folded three times to create 8 pages. Features text by Judith Keller. Includes 5 black and white images. A fine copy. Uncommon ephemera.

Zurich, Switzerland and New York: Scalo in association with The Metropolitan Museum of Art, 2000. First edition and first printing. Hardcover. Selections from the Walker Evans Archive, Department of Photographs at The Metropolitan Museum of Art. Edited by Jeff L. Rosenheim in collaboration with Alexis Schwarzenbach, Features an introduction by Maria Morris Hambourg. Includes numerous black and white images, along with excerpts from Evans writings, and his correspondence with German artist Hanns Skolle. A tight near fine copy with a small horizontal slit to the rear panel and in a near fine dust jacket with the same slight. Otherwise a fresh copy.

New York & Princeton, NJ: The Metropolitan Museum of Art in association with Princeton University Press, 2000. First edition. Softcover. 332 pages. Exhibition catalog for a show that ran February 1 through May 14, 2000 in New York and then traveled to San Francisco and Houston for additional dates. Essays by Maria Morris Hambourg, Jeff L. Rosenheim, Douglas Eklund, and Mia Fineman. Includes 365 illustrations with 141 duotone plates along with 53 color plates. A fine copy in wrappers.

Paris: Centre Georges Pompidou, 2017. First edition. Softcover. 59 pages. Text in English and French. Include a few color and numerous black and white images and a chronology. A very near fine copy in photo-illustrated wrappers.

Wellesley, MA: Wellesley College, 1977. First edition. Oblong softcover. 63 pages. Exhibition catalog for a show that ran November 16, 1977 through January 23, 1978. An interesting look at Evan's long association with Fortune Magazine. Features a foreword by Ann Gabhart and an essay by Lesley Baier. Includes 31 black and white images. A very near fine copy in photo-illustrated wrappers.

New York: The Historic New Orleans Collection, 1991. First edition. Softcover. 24 pages. Exhibition catalog. Features a foreword by Dode Platou, acknowledgements and an essay by Jeff L. Rosenheim. Includes black and white illustrations and images by Walker Evans and Jane Ninas. A near fine copy in stapled wrappers with some bumping to the top right corner.

New York: Abrams, 2004. reprint. Softcover. Very Good/None. 368 pages, b&w plates. A reduced format softcover edition of the monumental 1993 edition by the same publisher. 300 duotone photographs that survey every significant aspect of his life and work, from his self-education and early specialization of street-life observations to his three-year involvement with the Farm Security Administration and his breakthrough exhibition at the Museum of Modern Art. Record # 351153

Los Angeles, CA: The J. Paul Getty Museum, 2001. First edition and first printing. Hardcover. 95 pages. Features an introduction by Judith Keller and an essay by Andrei Codrescu. A collection of black and white photographs by Evans all taken place in Cuba. Includes 73 duotones. A clean and tight very near fine copy in cloth boards and in a near fine dust jacket with some minor wear.

Milwaukee, WI: Milwaukee Art Museum, 1981. First edition. Exhibition brochure for a show that ran April 2 through May 31, 1981. Single sheet folded twice to create 6 pages. Essay by Verna Posever Curtis. Includes 4 black and white illustrations, checklist and suggested bibliography. A very near fine copy. Uncommon ephemera.

Haverford, PA: Haverford College, 1988. First edition. Small oblong softcover. 48 pages. Exhibition catalog for a show that ran April 9 through May 1, 1988. Features text by William Earle Williams, Stephen Perloff and Anne Nelson. Includes numerous black and white images after photographs by Adolphe Braun, Walker Evans, Andre Kertesz and others. A clean very near fine copy in stapled wrappers and with a handwritten note from someone at Haverford presenting this catalog to a Chicago museum curator.

New York: Pantheon Books, 1989. Hardcover. Fine/Near Fine. First edition. Foreword by Carl Mydans. Map endpapers by Bill Killmer. Profusely illustrated with black and white photographic plates. Fine in near fine dust jacket with light toning.

New Haven, CT: Jonathan Edwards College, Yale University, 2003. 30 pages, illustrations; 25 cm. Catalogue of an exhibition held at the Master's House, Jonathan Edwards College, Yale University, November 5 to 23, 2003. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. . 1st. Paperback. Very Good. 4to.

Toulouse: Galerie Municipale du Chateau d'Eau, 1990. First edition. Softcover. Exhibition catalog for a show that ran January 1990. Text in French by Jean Dieuzaide and Gilles Mora. Includes 22 black and white images and a portrait of Evans along with a chronology. A fine copy in stapled wrappers. A nicely printed catalog of a lesser known body of work from this important American photographer who worked with FSA. Uncommon.