Resultados de búsqueda: corot in italy open air painting and de galassi peter

Paperback. Very Good.

Yale University Press. Used - Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Yale University Press. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Yale University Press, 2/21/1996 12:00:01 A. paperback. Very Good. 0.9000 11.2000 9.5000. Softcover. Clean text - NO writing, NO highlighting to text. Very good.

Hardback. Very Good.

National Gallery of Art. 1996. Softcover. Very Good. Softcover; light fading, light edge wear to exterior; otherwise contents in very good condition with clean text, firm binding. .

Yale University Press, 1991. Hard cover. Very good/Very good. Jacket is worn along edges, with light stains on back, but text and images are clear and bright. Cover is worn along bottom edge. Binding is tight. Ink signature on front endpaper, but inside is otherwise clean and unmarked.

Washington D.C. and New Haven, CT: National Gallery of Art; Yale University Press, 1996. Cloth, 288 pages, illustrations (some colour), maps; 31 cm. Exhibition held at the National Gallery of Art, Washington D.C., May 26 to September 2, 1996; Brooklyn Museum, October 11, 1996 to January 12, 1997; and Saint Louis Art Museum, February 21 to May 18, 1997. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Prominent art historians Philip Conisbee, Sarah Faunce, Jeremy Strick, Peter Galassi, and Vincent Pomarede discuss the cultural, theoretical, and art historical background of this school of outdoor painting. They examine the early history of open-air painting, its theory and practice, the sites of Rome and southern Italy that were painted, and the delicate balance that existed among realism, memory and imagination. A rich selection of representative… Leer más

Washington: National Gallery of Art, 1996. First. hardcover. fine/fine. Corot, Camille. Profusely illustrated in color. 288 pages. 4to, brown cloth, d.w. Washington: National Gallery of Art, (1996). First edition. A fine copy in a fine dust wrapper.<br/> <br/> Published for the exhibition 26 May-2 September, 1996 at the National Gallery.<br/> <br/>

New Haven: National Gallery of Art / Yale University Press, 1996. First Edition. Quarto (30.5cm x 24cm). Brown cloth boards (hardcover) with blind-stamped title on cover and titling embossed in gold on spine; pictorial dustjacket; 288pp. illus. Fine copy; appears new. Near Fine dustwrapper; slight shelf wear, else clean. Published in connection with the exhibition organized by the National Gallery of Art, Washington in association with the Brooklyn Museum and the Saint Louis Art Museum presented at the National Gallery of Art, Washington May 26-Spetember 2, 1996; The Brooklyn Museum October 11, 1996-January 12, 1997; The Saint Louis Art Museum February 21-May 18, 1997. Essays by Peter Galassi, Philip Conisbee, Sarah Faunce, Jeremy Strick, and Vincent Pomarède. Catalogue by Philip Conisbee, Sarah Faunce, and Jeremy Strick. 131 color reproductions.

Yale University Press, New Haven, 1991. First Edition. Hardcover. Very Good Condition/Very Good. Size: 4to. x + 258pp. Internally clean. Binding firm, spine slightly cocked. Dust Jacket slightly marked. Edges slightly browned and marked. Profusely illustrated. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Italy; 19th century; Biography & Autobiography. ISBN: 0300049579. ISBN/EAN: 9780300049572. Pictures of this item not already displayed here available upon request. Inventory No: 43943. . 9780300049572 This book is extra heavy, and may involve extra shipping charges to some countries.

Yale University Press, 1991. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1850grams, ISBN:9780300049572

New Haven: Yale University Press, 1991. soft cover., some wear ro cover, a few creases, light shelf-wear. else,. clean, no tears or real bumps. strong sewn binding, no writing or markings.; ix-258pp., 284 illustrations in color, b/w., detailed monograph on corot's italian period. not to be confused with exhibition catalogue of similar subject also published by yale.; the isbn on back cover and the only one on the copyright page conflict.. First Softcover Edition. Soft Cover. Near Fine. 4to - over 9¾" - 12" tall.

Yale University Press. Good. 1996. Paperback. 0300067100 . Binding solid. Pages unmarked and bright. Ex-owner name. Front edge soiled. Cover has small creases at front corners, affecting first few pages. Cover also has a few tiny stains and other general wear. ; 11.2 X 9.5 X 0.9 inches; 266 pages .

New Haven: Yale University Press, 1991. 258 pages. 284 colour and black and white illustrations. Hardback in a slipcase 29x25cms. ISBN: 0300049579. First critical study of Corot's celebrated Italian landscapes. Text in English.

Yale University Press, 1996-02-21. Paperback. New. New. In shrink wrap. Looks like an interesting title!

Yale University Press, 1991-04-24. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

New Haven: Yale University Press, 1991. Softcover. VG (Few marks from previous gallery owner, slight soiling to white cover.). White & color illus. wraps, viii, 258 pp. Profuse bw and color plates. Offers a critical examination of the landscape paintings of Jean-Baptiste-Camille Corot (1796-1875). "Establishes here for the first time the coherence and significance of early outdoor painting in Italy ... This thorough examination of a brilliant episode in the work of a great painter is also a provocative contribution to the study of nineteenth-century painting." (back cover).

New Haven; London: Yale University Press, 1991. 1st Edition. Hardcover. Fine cloth copy in an equally fine dust wrapper in slipcase. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 258 pages: ill (some col.), 1 map,ports (some col.); 30cm. Subjects: Corot, Jean-Baptiste-Camille 1796-1875. Corot, Jean-Baptiste-Camille 1796-1875 Criticism and interpretation. Corot, Jean-Baptiste-Camille 1796-1875 Travel Italy. Italy; In art. Italy Description and travel.

New Haven; London: Yale Univ. Press, 1991. First Edition. Hardcover. Fine cloth copy in a slip-case and a near-fine, very slightly edge-dulled dust wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: viii, 258 p.: ill. (some col.), map; 29 cm. Notes: Includes bibliographical references (p. 244-251) and index. Subjects: Corot, Jean-Baptiste-Camille 1796-1875. Criticism and interpretation. Italy in art. Painting, French 19th century. Landscape painting 19th century. Plein air painting History. Artists - [19th Century - France]. Painters - [19th Century - France]. Jean-Baptiste-Camille Corot [1796-1875]. Genre: Art. Criticism, interpretation, etc.