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Klostermann, 2003. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Frankfurt am Main: Vittorio Klostermann, 1963. Hardcover. Fair. 345p. A blue cloth hardcover book in good reading condition. Back edge of spine cloth is eplitting, but the joint itself is not cracked. Owner's signature inside and extensive underlining in the text, mostly in red colored pencil. Binding is tight. Text in German.

Verlag Vittorio Klostermann, 2015. paperback. New. 7x4x1.

Frankfurt am Main: Vittorio Klostermann, 1980. German language paperback (with attached jacket) in very good condition. Sixth revised edition, 1980. Minor tanning and shelfwear to the jacket. Pages are clean and sound; text is clear. CM. Paperback. Very Good. Used.

Frankfurt am Main, Vittorio Klostermann, Vittorio Klostermann, 1980. Wrappers. viii,370,ii pp.; 21 cm. - Text in German. Very good, see picture

Vittorio Klostermann, 1950-01-01. Hardcover. Clean & Unmarked/Very Good. 7x5x1. Previous owner’s signature neatly on front free end-paper with a small of creasing. Otherwise a clean & straight copy. Unclipped dust-jacket has slight wear at extremities. Overall quite a handsome copy. 345 pp.

Frankfurt, Germany: Vittorio Klostermann, 1952. 2nd Printing. Hardcover. Very Good +/Very Good +. 8vo - over 7¾" - 9¾" tall. 345pp. Prev owner name inked on ffep. Deep blue cloth w gold lettering on cover and spine. No wear to covers or spine. Binding square and sound. DJ showing faint soiling to spine commensurate w age and handling, small chip to bottom front corner. DJ preserved in new BroDart cover. German language text. First published in 1950. Published in German, this is a collection of some of Heidegger's most important essays from 1935 to 1946. English translations bore the title, "Off The Beaten Track.

Klostermann Vittorio Gmbh, 2015. Paperback. New. 380 pages. German language. 7.80x4.80x1.02 inches.

1950 . Frankfurt/Main: Vittorio Klostermann 1950. 8°. 345 S., Leinen mit Kopffarbschnitt (Besitzervermerk auf Vorsatz; Schutzumschlag mit leichten Randläsuren; Papierbedingt gebräunt; sonst gut erhalten)

Klostermann, 2003. Hardcover. New. 382 pages. German language. 14.41x8.39x1.10 inches.

Frankfurt, Klostermann, 1950. 8°, 345 S., OLwd., Rücken min beschienen, einige wenige sanfte Anstreichungen in Blei, Namenszug a Vorsatz, gutes Ex. 5-. Auflage Dieses Buch befindet sich in unserem Aussenlager; sollten Sie dieses im Laden abholen wollen, bitten wir Sie um vorgängige Nachricht. 010

Buenos Aires.: Losada., 1960.. Paperback. Good. 21 cm. 315 p. Encuadernación en tapa blanda de editorial. Colección 'Biblioteca filosófica'. Traducción de José Rovira Armengol. Filosofía . Filosofía.(1) [[1]]

1972. Frankfurt am Main, Vittorio Klostermann, 1972. 20,5 cm x 14 cm. 345 Seiten. Original Hardcover. Very good condition with only minor signs of external wear. Some occasional underlining by Prof. Parkes in fine pencil (erasable). From the library of philosopher Graham Parkes, with his name on the front free endpaper. Includes for example the following essays: Der Ursprung des Kunstwerkes / Hegels Begriff der Erfahrung / Nietzsches Wort "Gott is tot" / Der Spruch des Anaximander etc etc. Martin Heidegger (26 September 1889 – 26 May 1976) was a German philosopher and a seminal thinker in the Continental tradition, particularly within the fields of existential phenomenology and philosophical hermeneutics. From his beginnings as a Catholic academic, he developed a groundbreaking and widely influential philosophy. His best known book, Being and Time (1927), is considered one of the most important philosophical works of the 20th century. In it and later works, Heidegger maintained that our way of… Leer más

Frankfurt am Main: Vittorio Klostermann, 1950. 1ª Edição . Editorial / Hard Cover. Bom / Good / Bon/Bom, Good, Bien. In-8º(215x146). 1 volume de 345-[2] pp. Obra fundamental da filosofia de Heidegger traduzida e publicada em português com o título: "Caminhos da Floresta".

1950. Frankfurt am Main, Klostermann, (1950). 8vo. Orig. full blue cloth w. gilt lettering to spine and front board. W. the orig. grey dust-jacket w. black lettering to spine and front board. D-j. w. some tears to top, w. very minor loss. ball-pen-underlining of the title on spine. (2), 345, (2) pp. First edition of "Off the Beaten Track", Heidegger's important collection of lectures given in the period 1935-46: "Der Ursprung des Kunstwerkes", "Die Zeit des Weltbildes", "Hegels Begriff der Erfahrung", "Nietzsche's Wort "Gott ist Tod" ", "Wozu Dichter?", "Der Spruch des Anaximander".In spite of the seemingly very different character of these six "Walks in the Woods", they all take place "in the same forest". Heidegger's philosophy of art is here presented thoroughly, and these texts have been the cause of a large number of secondary texts on this philosophical "branch" of the philosophy of Heidegger.

1950. Frankfurt am Main, Klostermann, (1950). 8vo. Orig. full blue cloth w. gilt lettering to spine and front board. W. the orig. grey dust-jacket w. black lettering to spine and front board. A few nicks and tears to upper part of d-j., but apart from this a near mint copy, both binding and internally. (2), 345, (2) pp. First edition of "Off the Beaten Track", Heidegger's important collection of lectures given in the period 1935-46: "Der Ursprung des Kunstwerkes", "Die Zeit des Weltbildes", "Hegels Begriff der Erfahrung", "Nietzsche's Wort "Gott ist Tod" ", "Wozu Dichter?", "Der Spruch des Anaximander".In spite of the seemingly very different character of these six "Walks in the Woods", they all take place "in the same forest". Heidegger's philosophy of art is here presented thoroughly, and these texts have been the cause of a large number of secondary texts on this philosophical "branch" of the philosophy of Heidegger.

Frankfurt am Main: Vittorio Klostermann, 1950. Hardcover. Near Fine/Near Fine. First edition. Text in German. Cheap pages are browned, a small chip on the half-title, else near fine in near fine dustwrapper with small nicks and tears. An important collection of essays based on Heidegger's lectures and published in English as *Off the Beaten Track*. This collection includes one of his most influential essays, "Der Ursprung der Kunstwerkes" ("The Origin of the Work of Art").

Milano: Grafica Uno, , 1990. Ottimo (Fine). 8 incisioni all'acquatinta originali a piena pagina, numerate e firmate, di Roberto Ciaccio (cm 44x33). Traduzione di P. Chiodi ed A. Hofstadter. Testo in italiano, inglese e tedesco. Opera eseguita tra aprile 1990 e febbraio 1992. Edizione di 99 + XXX es. numerati e firmati dall'Artista e dall'Editore. Gli esemplari in numerazione romana contengono la suite delle acquatinte. Folio (cm 47,5x36,5). pp. 40. Ottimo (Fine). Edizione di 99 + XXX esemplari numerati e firmati (Edition of 99 + XXX numbered and signed copies). Libri d'artista italiani del Novecento [Jentsch, 1993] Jentsch Ralph, I libri d'artista italiani del Novecento. Torino, Allemandi. Annotazioni di luce in otto momenti vuole essere un confronto, un'analogia tra i testi del filosofo Martin Heidegger e le forme che divengono linguaggio, una presenza ottica visiva attraverso la differenza arcaica fra luce e oscurità, fra bianco e nero.