Resultados de búsqueda: christopher and his kind signed de isherwood christopher

London: Eyre Methuen, 1977. Very Good/Very Good. London: Eyre Methuen, 1977 (copyrighted by Isherwood in 1976). First Edition. Signed by Isherwood without inscription on full title. Octavo (24x16x2cm); 252pp. Jacket with young Isherwood photographed by Humphrey Spender on the front; older Isherwood drawn by his lover Don Bachardy on the back. Brownish-plum boards with gilt spine stamping. Mustard topstain. Jacket sunned down spine and along edges, with some rubbing along top. Boards are sturdy and square. Binding is sound and pages unmarked. Published without an index, which means that every page provides the surprise of running into W.H. Auden, or E.M. Forster, or a model for the protagonist of "A Single Man," or for all the characters in "Cabaret"-as well as all the Brits, Germans, Americans, socialites, sexualists, and superstars in between.

NY: Farrar, Straus and Giroux, 1966. 1st Edition. Hardcover. Near Fine/Near Fine. A fine first edition of Isherwood's memories, ruminations, diary entries, etc for the 1930s, with an ANS to a correspondent and literary admirer in which he clarifies his writing about the influence of E. M Forster in this book. The addresses is Hamilton Wright, a devoted bachelor who lived in the small New England village of Sharon, CT (and Manhattan and Florida). On a pre-stamped USPS postcard dated Aug 12, 1977, Isherwood corrects Wright's impression that Forster wrote Isherwood a letter telling him how to write. Isherwood directs Wright's attention to pages 104-105 of the ISHERWOOD AND HIS KIND where he writes that 'a Forster novel taught Christopher the mental attitude, etc etc' (but) 'as far I remember we (Forster and I) never discussed Forster's mental attitude or writing methods. I never asked him because I feel I got what I needed READING him". Fascinating commentary by one literary gay icon about another.