Resultados de búsqueda: ulysses de james joyce

London: Comparative Literature, 1973. 220 x 143 mm. Very Good. pp 97-114 Offprint of Mclean's comparative essay, inscribed on the printed wrapper: 'To Martin Seymour-smith - with best wishes, Andrew McLean'. Browning to wrappers, otherwise very good and scarce thus. Very Good 1973

London: Picador, 1997. First Edition. Hardcover. Fine/Fine. Signed and dated by Danis Rose on a label affixed to the title page. "...a completely redesigned and comprehensively edited text of James Joyce's masterpiece." Octavo: lxxxiii, 739 p. Original black cloth binding, with silver titles. A fine copy in a fine dust jacket.

[Belgium]: [Die Keure], 2006. Produced as a conceptual art project nominated for the Beck's Future Prize, this is based on the 1922 edition of Joyce's seminal modern work. The artist has alphabetized Joyce's words into a long list of letters and punctuation. This is a Near Fine copy of the First Edition, which was LIMITED to 1000 copies, SIGNED and NUMBERED by the artist. This is copy number 728. Published in green wraps; a tiny bit of rub at the margins. In an archival plastic protector.. Signed by Author. First Edition. Soft Cover. Near Fine/No Jacket. 8vo - over 7¾" - 9¾" tall.

London: John Lane The Bodley Head, 1937. 1st Trade Edition. hardbound. Good/no dustwrapper. 8vo. The first trade edition of Ulysses, Bodley Head 1937, the text being reproduced by photo-offset from the 1936 ed.; includes list of previous editions (up to 1936), and appendices relating to the banning of Ulysses, the unauthorized serial edition of Samuel Roth (and list of writers and other notables who signed a petition against Roth), and a Joyce Bibliography (a full 18 titles!); former owner's name to front endpaper, heavy foxing/tanning to endpapers, lighter to prelims and text block, G-VG throughout; boards rubbed and foxed, dulled to spine; PLEASE NOTE: HEAVY BOOK MAY INCUR EXTRA SHIPPING DEPENDING ON DESTINATION

New, as issued. Octavo (21.5x14cm). Red cloth over boards, stamped in silver on front cover and spine, with black head- and tail-bands and black satin page-marker, presented in a matching slipcase. Text set in Bembo on light cream-white wove paper. Signed by the Editor. Scarce: 101 copies issued in two limitations: 26 copies lettered A-Z; 75 numbered copies. This is one of 75 copies of the Numbered Issue. Published on the 100th anniversary of the day upon which the story of "Ulysses" takes place. The text of this edition is that of the 1997 Lilliput and Picador/Macmillan editions but "revised to comply with strictures newly imposed by the courts" following the suit filed in 2001 against the original "Reader's Edition".

New, as issued. Octavo (21.5x14cm). Red cloth over boards, stamped in silver on front cover and spine, with black head- and tail-bands and black satin page-marker, presented in a matching slipcase. Text set in Bembo on light cream-white wove paper. Signed by the Editor. Scarce: 101 copies issued in two limitations: 26 copies lettered A-Z; 75 numbered copies. This is one of 26 copies of the Lettered Issue. Published on the 100th anniversary of the day upon which the story of "Ulysses" takes place. The text of this edition is that of the 1997 Lilliput and Picador/Macmillan editions but "revised to comply with strictures newly imposed by the courts" following the suit filed in 2001 against the original "Reader's Edition".

Folio Society,, 2022. 8vo., First Edition thus, with frontispiece, title and text decorations in sepia and black, 18 coloured plates and green printed endpapers; full green calfskin BY SMITH SETTLE, upper board blocked in gilt, gilt back, gilt top, two green ribbon markers, a fine copy in publisher's terracotta cloth clamshell case with mounted illustration and gilt back. EDITION LIMITED TO 500 COPIES SIGNED BY LORD (THIS COPY No. 331). WITH EXCLUSIVE COLOURED PRINT IN SEPARATE PORTFOLIO. Splendid memorial edition published to commemorate the centenary of the work's first publication.

London: Folio Society, 2022. 1st Edition 1st Printing. Hardcover. New/No Jacket. John Vernon Lord. Brand new copy, will be shipped in Folio's original packaging. Fully bound in leather, Folio's centenary edition of the modernist masterpiece is illustrated and signed by John Vernon Lord.

Limited Editions Club Book. Near Fine. Hardcover. Signed by Author(s). First Edition. FIRST ILLUSTRATED EDITION, LIMITED ISSUE, one of 1500 copies, signed by Henri Matisse on the limitation leaf a VERY GOOD first in brown cloth..

New York: Limited Editions Club, 1935. One of the most arresting collaborations in 20th-century literature. "It was a great idea to bring them together; celebrities of the same generation, of similar virtuosity" (Wheeler, 15). The 26 beautiful full-page illustrations by Matisse accompany the text of Joyce's Ulysses, including six soft-ground etchings with reproductions of the sketches on blue and yellow paper. "One of the very few American livres de peintres issued before World War II. According to George Macy [this work's designer], who undertook this only American publication of Matisse's illustrations, he asked the artist how many etchings the latter could provide for $5000. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings (Matisse's only use of this medium) record the evolution of the figures from vigorous sketches to closely knit compositions" (Artist and the Book 197).

Limited Editions Club Book. Near Fine. Hardcover. Signed by Author(s). First Edition. FIRST ILLUSTRATED EDITION, LIMITED ISSUE, one of 1500 copies, signed by Henri Matisse on the limitation leaf a VERY GOOD first in brown cloth..

New York: The Limited Editions Club, 1935. First edition thus. Very good plus in a very good slipcase.. The iconic modernist book, signed by Matisse - one of the great editions of one of the great books. Joyce's masterpiece, in the deluxe edition published after the 1933 landmark ruling in the case of United States v. One Book Called Ulysses. Eleven years after the book's initial publication, a US court affirmed that in the matter of obscenity, One Book Called Ulysses had soundly defeated the United States, and immediately thereafter, Limited Editions Club founder George Macy began to plan what would be a monumental achievement: a landmark among Matisse's livres d'artiste, reproducing his preparatory drawings alongside the final soft-ground etchings; the only illustrated ULYSSES with an introduction that Joyce allowed to be published; and the most accurate text of the novel published in the US until 1961. In the early days of the project, believing that the artist "[knew] the French translation… Leer más

Copy 110 of an edition of 150 copies. 835 pp., [20] leaves ; illustrated with forty etchings, 18 chapter numbers and 22 color illustrations, on 20 double leaves. Signed by Motherwell. Small folio. Near fine. White pigskin over blue cloth ; In case as issued (case shows mild sun fading and wear at the extremities). [1615]
Included with the work are fine copies of the original Arion Press prospectus and the invitation to Dora Donner Ide's February 13, 1990 donation dinner at the San Francisco Public Library, both with prints by Motherwell. Per the colophon: "Ulysses by James Joyce is the twenty-seventh publication by the Arion Press. The book was designed by Andrew Hoyem and produced under his direction with the following associates: G. B. Carson, Matthew Kelsey, Gerald Reddan, Glenn Todd, Lawrence Van Velzer, and Marilyn Young. The type is Perpetua. Monotype for the roman was composed by Michael Bixler in Skaneateles, New York, and cast by Lewis Mitchell at Mackenzie Harris Corp. in San Francisco. The… Leer más

Paris: Shakespeare and Company, 1924. Ulysses was published in Paris by Shakespeare & Company, 1922. It was a struggle for the author to find a publisher, a comic irony considering that Ulysses is "[u]niversally hailed as the most influential work of modern times" (Grolier Joyce 69). Ulysses was an immediate success. The first printing sold out, and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" (de Grazia, 27). Even so, the book faced difficulties in global reception. It was banned in the U.K. and was prosecuted for the obscenity in the Nausicaa episode (Ellmann, 1982). Joyce's inspiration for the novel began as a young boy reading Charles Lamb's Adventures of Ulysses and writing an essay entitled "My Favorite Hero" after being impressed by the wholeness of the character (Goreman, 1939). The idea for the novel grew from a story in Dubliners in 1906, which Joyce expanded into… Leer más

Limited Editions Club, 1935. First Edition. Hardcover. Fine. Copy #1365 of 1500 numbered copies, one of the 250 copies signed by both James Joyce and Henri Matisse. A fine copy in the original gilt-stamped brown cloth, entirely unfaded with tight hinges; in a solid and intact copy of publisher's slipcase (the book has a couple of faints spots or bruises to the deckles on foredge; the slipcase has light wear and a few marks). Illustrated with 6 original etchings and 20 photomechanical reproductions by Henri Matisse Housed in a sturdy custom brown cloth clamshell box with black leather spine stamped in gilt. One of the most storied illustrated books of the 20th century. Although the tale is often erroneously told that Matisse thought he had been hired to illustrated Homer (and did so), Alfred Barr wrote "Matisse remarked that he had observed how Joyce's Ulysses was divided into episodes based on Homer's Odyssey ... Macy accepted the suggestion and Matisse went to work." (Matisse: His Art and His… Leer más

New York: Limited Editions Club, 1935. One of the most arresting collaborations in 20th-century literature. "It was a great idea to bring them together; celebrities of the same generation, of similar virtuosity" (Wheeler, 15). The 26 beautiful full-page illustrations by Matisse accompany the text of Joyce's Ulysses, including six soft-ground etchings with reproductions of the sketches on blue and yellow paper. "One of the very few American livres de peintres issued before World War II. According to George Macy [this work's designer], who undertook this only American publication of Matisse's illustrations, he asked the artist how many etchings the latter could provide for $5000. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings (Matisse's only use of this medium) record the evolution of the figures from vigorous sketches to closely knit compositions" (Artist and the Book 197).

Paris: Shakespeare and Company,, 1922. It soared, a bird, it held its flight... soaring high, high resplendent First edition, number 418 of 750 copies on handmade paper numbered 251 to 1,000. This attractive copy is finely bound, retaining the distinctive original blue wrappers at the front and rear. The edition was published on 2 February 1922 in imitation of the traditional three-tiered French format, which was aimed at both connoisseurs and general readers. It consisted of 100 signed copies on Dutch handmade paper, 150 large-paper copies printed on heavier vergé d'Arches, and 750 copies on vergé à barbes, which formed the trade issue. One of the key texts of 20th-century modernist literature, Ulysses also proved a major test case for laws of freedom of expression. "Forced underground by censors,... this was a cryptoclassic already before it was read, a subversive colossus" (Sherry, p. 1). Its creator is considered one of the great geniuses of modern literature: "Joyce, not to mince words, is… Leer más

London: John Lane The Bodley Head, 1936. Pp. xvi+766, title page printed in blue & black, appendices; thick cr. 4to; full vellum, spine lettered in gilt, the boards featuring a Homeric bow device in gilt designed by Eric Gill, the top fore-corner of lower board a trifle bruised; t.e.g., others uncut and partly unopened; within a later cream cloth slipcase; tiny split to bottom edge of preliminary blank; John Lane The Bodley Head, London, 1936. First U.K. edition, limited to 1,000 numbered copies; this being No. 86 of 100 copies on mould-made paper bound in calf vellum and signed by the author. Slocum & Cahoon 23; Gill 357. *The first edition of Ulysses to be printed in England, and the most deluxe format published in the author's lifetime. This edition is also the first to contain appendices relating to the legal case following publication of the book, as well as the first bibliography of Joyce. One of the most significant novels of the 20th century, Ulysses was first serialised in the American… Leer más

Paris: Shakespeare and Company, 1922 First edition. Limited to 1000 copies. The 1000 copies were divided into three limitations: 100 copies (nos. 1-100) printed on Dutch paper and signed by Joyce; 150 copies (nos. 101-250) printed on Vergé d'Arches paper; and the final 750 copies (nos. 251-1000) printed on linen paper, of which this is number 349. Original publisher's teal paper wrappers, lettered in white. Light rubbing to wrapper edges, wear to spine with a small chip below first spine band and some loss to lower spine, very mild crease to first several leaves, front wrapper joint tender but holding. Housed in custom slipcase with folding chemise, slipcase with some wear. Joyce's masterpiece, Ulysses, was first published serially in The Little Review from March 1918 to December 1920, at which time copies of the magazine were seized and the magazine's publishers were taken to trial due to the sexually explicit nature of the novel. Because of the controversy surrounding… Leer más

Paris: Shakespeare and Company,, 1922. Luxurious issue of the defining modernist novel First edition, number 220 of 150 copies from the large-paper issue numbered 101-250, here finely bound by Sangorski & Sutcliffe with Irish motifs and with the distinctive original blue wrappers bound in. As recorded in Sylvia Beach's notebook, kept from 21 May 1921 to 1 July 1922 to account for the original customers of Ulysses, this copy was ordered by Sybil Amhurst on 11 May 1922. The watercolourist Sybil Margaret Tyssen-Amhurst (1858-1926), of Didlington Hall in Norfolk, came from the family of book and antique collectors whose Egyptian artefacts inspired the young Howard Carter. The family later recommended him for missions in Egypt, setting in motion his discovery of the tomb of Tutankhamun in 1922, the same year that Ulysses was published. Sybil Amhurst also travelled to Egypt: "Once, deep inside a tomb in the Valley of the Kings, the metallic smoke blew into Sybil's eyes and she inhaled a lung full of fumes.… Leer más