Resultados de búsqueda: kandinsky de kandinsky wassily and

New York: Marlborough-Gerson, 1966. First edition. Softcover. Exhibition catalog for a show that ran April through May 1966. Text by Will Grohmann. Includes with the covers 10 color and 40 black and white illustrations. A near fine copy in wrappers and with laid in errata slip.

Art Gallery of Ontario. Very Good+. 1970. First Edition. Tight unmarked stapled booklet in lightly rubbed covers. ; 32 pages .

Cologne: Benedikt Taschen, 1994. 199 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. Richly illustrated with colour plates. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "In 1910 Wassily Kandinsky made art history by painting the first wholly non-representational picture. This monograph traces the evolution of non-representational art and describes the achievement of one of the foremost Modernist artists and innovators." - Publisher. CONTENTS: Beginnings in Munich; Embarking upon the journey to abstraction; "On the spiritual in art"; Der blaue reiter; Return to Moscow; Kandinsky at the Bauhaus; Last years in Paris; Wassily Kandinsky 1866-1944: life and work; Major exhibitions.. Paperback. Fine. 4to.

Cologne: Benedikt Taschen Verlag, 2003. 199 pages, illustrations (some colour), portraits; 25 cm. Firm binding, clean inside copy. Richly illustrated with colour plates. "Illustrated throughout and bound in a flexi-cover, Ulrike Becks-Malorny's study of Kandinsky provides an essential companion to all levels of study." - Publisher. CONTENTS: Beginnings in Munich; Embarking upon the journey to abstraction; "On the spiritual in art"; Der blaue reiter; Return to Moscow; Kandinsky at the Bauhaus; Last years in Paris; Wassily Kandinsky 1866-1944: life and work; Major exhibitions.. Paperback. Fine. 8vo.

London: Marlborough Fine Art Limited, 1966. 73 pages, illustrations (some colour), portraits; 23 cm. Exhibition held November to December, 1966. Firm binding, clean inside copy. Cocked spine/lean, age toning.. 1st. Paperback. Very Good. 8vo. Collectible.

London: The Tate Gallery, 1986. First edition. Softcover. 32 pages. Features a foreword by Richard Calvocoressi and an essay by Peter Vergo. Includes numerous black and white illustrations, biographical outline and a selected bibliography. A near fine copy in wrappers.

Milwaukee, WI: Milwaukee Art Center, 1975. First edition. Single sheet folded twice to create six pages. Text by I. Michael Danoff. Also includes 4 loose sheets with several illustrations. A near fine copy with some minor creasing to some of the corners.

Boston, MA: Bulfinch Press Book - Little, Brown and Company, 1993. First edition. Softcover. 236 pages. Published in conjunction with a traveling show that started in Washington, D.C. for a run of September 19 through November 29, 1992 and then went on to Dayton, OH, Chicago, IL, and Fort Worth, TX for additional dates. Text by Gail Levin and Marianne Lorenz. Includes 125 illustrations with 82 in color. A fine copy in wrappers.

Bordeaux: Galerie des Beaux-arts, 1976. 140 pages, illustrations (some colour); 24 cm. Text in French/Texte en francais. Exhibition held at the Galerie des beaux-arts, Bordeaux, 7 May to 1st September 1976. BON+ ETAT. Good+. Firm binding, clean inside copy. Wraps delaminating, age toning. . 1st. Paperback. Good. 8vo.

Paris: Centre Pompidou, 1998. Paperback. Very good. Paperback. 160pp. Light rubbing, else very good. Text in French and German.

Toronto: Art Gallery of Ontario, 1970. Soft cover. Very Good. [250 x 190mm]. Stapled spine. Light yellowing around the edges, otherwise a good clean copy. 46 works, illustrated in black and white.

Paris: Editions Pierre Terrail, 1992. First edition. Hardcover. Text in English. Includes 180 illustrations with 160 in color. A tight near fine copy in near fine dust jacket.

New York: The Solomon R. Guggenheim Museum and Abbeville Press, 1983. First edition. Softcover. 311 pages. Features a preface, acknowledgements, and introduction by Thomas M. Messer and an essay by Vivian Endicott Barnett. Includes numerous color and black and white illustrations, chronology, list of previous exhibitions, selected bibliography, and an index. A near fine copy in wrappers.

Bern, Switzerland: Kunsthalle Bern, 1955. First edition. Softcover. Exhibition catalog for a show that ran March 19 through May 1, 1955. Text in German by Arnold Rudlinger. Includes numerous black and white illustrations and a checklist. A clean near fine copy in wrappers. An attractive and uncommon catalog.

New York: Harry N. Abrams, 1958. First edition and first printing. Hardcover. 428 pages. Features text by Will Grohmann translated from the German by Norbert Guterman. Includes 920 illustrations with 41 in color, a biographical summary, catalogue of works, classified catalogue, a bibliography, and an index of names. A clean and tight near fine copy in illustrated yellow cloth boards in a very good plus dust jacket with a chip to the base of the front panel and some edge tears and wear to the top of the spine and rear panel. Despite the flaws a pleasing copy.

New York: Guggenheim Museum Publications, 2009. First Edition. Hardcover. New York, Guggenheim Museum Publications, 2009. Square quarto, 319 pages with hundreds of illustrations (many full-page and in colour). Colour-pictorial papered boards; a near-fine copy with the fine die-cut dustwrapper. A lavish catalogue published to accompany the exhibition held in Munich, Paris and New York between October 2008 and January 2010.

Boston: G. K. Hall and Co., 1982. cloth, hard covers in dust jackets. two volumes, complete., vol. 1 has not for sale stamp to bottom edge. minor signs of use and age. no names, writing or text markings. no bumps, tears, chips. strong bindings. djs whole.; 924pp. over 2 vols., some b/w illustrations. part of the documents of 20th century art.. First Edition /First Printing. Hard Cover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall. Multi-Volume Set.

Paris, France: Editions Pierre à Feu, 1953. Paperback. AS IS, SOLD WITH ALL FAULTS (This is not a complete issue of this magazine; wraps are toned/edgeworn/scuffed/foxed/smudged; interior is lightly toned.). White, illustrated portfolio w/ colorful design and black lettering; one folded sheet with color lithograph on one side and text on the other. Text in French.

Paris, France: Maeght Editeur, 1951. Paperback. Good+ (Wraps are toned/edgeworn/scuffed/foxed/smudged; interior is lightly toned and occasionally foxed.). White, illustrated portfolio w/ colorful design and black lettering; 8 unnumbered pp.; richly illustrated (some color, some folded). Text in French.