Resultados de búsqueda: continental stagecraft de macgowan kenneth

New York: Harcourt, Brace, ( 1922 ). Hardcover. fair. Square 8vo, 233 pages, cloth, head of spine chipped; ex libris Yvonne Pryor ( possibly of the Chicago Society of Artists) in 1922. "This book is a record of impressions gained from ten weeks of travel through the theaters of France, Sweden, Germany, Czecho-Slovakia, and Austria during ... 1922. Illustrations by Robert Edward Jones. Macgowan was a drama critic before he operated the Provincetown Playhouse with Jones and Eugene O'Neill in 1922, and before he became a film producer in Hollywood. "Mr. Jones's drawing are in themselves a kind of criticism which the modern theater stands much in need of. They give the actual visual quality of the best productions on the Continental state far better than could photographs of setting and actors." "The book began as an attempt to supplement the International Theater Exhibition held in Amsterdam and London during the first half of 1922."

Benjamin Blom, 1964. Book. Very Good+. Hardcover. Small chip to jacket. .

Harcourt Brace, 1922-01-01. Hardcover. Acceptable. New York, 1922; blue cloth covered boards; faded gold spine and cover titles; edge wear; corners bumped with board exposed; spine edges heavily frayed; back strip mostly detached at edges but attached at center; 8vo, 7 3/4" - 9 3/4" Tall; Previous owner's name on front paste-down; frontispiece detached but present; foxing on end papers through title page; rear hinge split with webbing exposed; Interior clean and unmarked; 233 pages.

London: Benn Brothers Ltd, 1923. Cloth/no dust jacket Octavo. Hardcover. Good. blue cloth, gilt lettering, 233 pp, blue edging to upper side,

Benn Brothers, Limited, 1923. Hardcover. Acceptable. 1923. No Edition Remarks. 233 pages. No dust jacket. Blue cloth with gilt lettering. Rough-cut pages. Black and white and colour illustrated plates. Noticeable foxing and tanning to pages and plates. More prominent to text block edges, pastedowns and free endpapers. Moderate cracking to gutters causing some looseness to binding but pages remain attached. Pencil inscriptions to front free endpaper. Boards have minor corner bumping and edgewear with visible staining, tanning and scuffing overall. Spine has heavier tanning with soft fraying and crushing to ends. Gilt lettering is noticeably darkened.

New York: Harcourt, Brace, 1922. Spine ends worn; glass stain on front cover; spine lettering faded. Binding fair, text tight and clean.. First Edition. Original Cloth.

Harcourt Brace, 1922-01-01. 1st. Hardcover. Good.

Kessinger Publishing, LLC, 2007-11-10. Paperback. Good.

Kessinger Publishing, LLC, 2007-11-10. Paperback. Used:Good.

Nabu Press, 2010-09-30. Paperback. Good.

Paperback / softback. New.

Hardback. New.

London: Benn Brothers, 1923. First Edition. Cloth. Good/No Jacket. 4to - over 9¾" - 12" tall. Type: Book First Edition.No Jacket.Front and rear hinges a little strained.Contents good.Rubbing to head and tail of spine.

New.

New York: Harcourt, Brace And Company, ( 1922 ). First edition. Hardcover. Good+/poor. Robert Edmond Jones Plates. Square 8vo, 233 pages, blue cloth, partially unopened; dj is in pieces and laid into the book; ex libris William Sahud. "This book is a record of impressions gained from ten weeks of travel through the theaters of France, Sweden, Germany. Also Czecho-Slovakia and Austria in 1922. including the Moscow Art Theater in Stockholm. "Mr. Jones's drawing are in themselves a kind of criticism which the modern theater stands much in need of. They give the actual visual quality of the best productions on the Continental state far better than could photographs of setting and actors." "The book began as an attempt to supplement the International Theater Exhibition held in Amsterdam and London during the first half of 1922." Macgowan was a drama critic before he operated the Provincetown Playhouse with Jones and Eugene O'Neill in 1922, and before he became a film producer in Hollywood.

New.

New York: Harcourt Brace, 1922 This copy from library of Walter Plunkett and previously owned by Dorothy Haywood, and, clearly, has been well used as a designer's resource. Whether it contributed to the design of costumes for GWTW, I can't say. Front hinge weak. Light spotting over all. Plunkett's handsome bookplate inside front board and Haywood graceful signature on FFEP, with her request to 'please return'. Original sticker from Hollywood bookshop, Satyr on inside back board. Photos available upon request.