Resultados de búsqueda: dh lawrence an unprofessional study de nin anais

Swallow Press, Chic., c.1964, 4th.prtg., trade paperbk.prtg., 110pp., sunned covers & foxed foredges & eps, G $

Swallow Press, 1964. Softcover. Very Good. 5x0x8. In 1932, two years after D. H. Lawrence's death, a young woman wrote a book about him and presented it to a Paris publisher. She recorded the event in her diary: “It will not be published and out by tomorrow, which is what a writer would like when the book is hot out of the oven, when it is alive within oneself. He gave it to his assistant to revise.” The woman was Anaïs Nin.Nin examined Lawrence's poetry, novels, essays, and travel writing. She analyzed and explained the more important philosophical concepts contained in his writings, particularly the themes of love, death, and religion, as well as his attention to primitivism and to women. But what Anaïs Nin brought to the explication of Lawrence's writing was an understanding of the fusion of imaginative, intuitive, and intellectual elements from which he drew his characters, themes, imagery and symbolism.

Swallow Press, 1964. Book. Very Good. Soft cover. 8vo - over 7¾ - 9¾" tall. Light wear, aging, soiling to covers. Mild crease at front upper right. Name at upper corner of front endpaper; mild bruise to upper corner of first few pages; otherwise interior is age toned, free of markings..

S.F.: Swallow Press, 1964. Early Edition. Paperback. Very Good. Quality oversized paperback. Out of print. Binding is stiff wraps.

Swallow Press, 1964-01-01. Paperback. Used:Good.

Paperback / softback. New. In 1932, two years after D. H. Lawrence's death, a young woman wrote a book about him and presented it to a Paris publisher. She recorded the event in her diary: "It will not be published and out by tomorrow, which is what a writer would like when the book is hot out of the oven, when it is alive within oneself.

Paperback / softback. New. In 1932, two years after D. H. Lawrence's death, a young woman wrote a book about him and presented it to a Paris publisher. She recorded the event in her diary: "It will not be published and out by tomorrow, which is what a writer would like when the book is hot out of the oven, when it is alive within oneself.

Swallow. Good. 1964. Soft Cover. (R102) .

London: Neville Spearman, 1961. First trade edition [preceeded by a limited edition published in Paris, 1932). Octavo, black boards, pp. 146; with two facsimile manuscript pages out of Lady Chatterly's Lover. Page edges a bit tanned, previous owner's name, place and date neatly on endpaper, else near fine in a very good, price-clipped dust jacket, with some moderate wear to the spine ends and corner tips, minute chip at one corner tip, a 1/2" tear and some dust soiling to the plain white rear panel. A nice copy..

neville spearman, 1961 hardback back book and dust jacket in very good to near fine condition. 1st Edition. Hardcover. Very Good/Very Good.

SWALLOW Book. Very Good. Hardcover. FIRST. A near fine first in dj. .

Paris: Titus., 1932. First edition.. Hardcover. Good. Paris: Titus, 1932. First edition. Limited to 550 copies, this is one of 500 numbered. Anais Nin’s first book. Owner’s name in pencil, a few pencil marks in the text. A near very good copy in a few tattered pieces of the jacket. Hardcover

Paris: Edward W. Titus, 1932. First edition, LIMITED being one of only 500 numbered copies for subscribers of a total printing of only 550. With two facsimile manuscript pages from LADY CHATTERLEY'S LOVER, Paris edition. 8vo, publisher's original black cloth, the upper cover and spine lettered in gilt. 146. A very good and handsome copy, the text essentially fine with just a bit of general toning and that being quite minor. The black cloth a bit lightened to charcoal on the spine panel as is common and with only very minor age evident. NIN'S FIRST BOOK, AND HER ONLY CRITICAL WORK. Nin wrote the book as a assessment of her literary hero; D. H. Lawrence. It was highly unusual at the time because very few women had ever publicly praised Lawrence; his works often being deemed near pornographic and in several cases banned for sexual content. More importunely though, the book was published at a time when readers were turning their backs on Lawrence and he was at risk of being essentially… Leer más

Paris: Edawrd W. Titus, 1932. First edition. Marked "Complimentary copy" Total edition 550 copies. With two facsimile manuscript pages out of Lady Chatterley's Lover. 1 vols. 8vo. Black cloth. Fine in green dust jacket. First edition. Marked "Complimentary copy" Total edition 550 copies. With two facsimile manuscript pages out of Lady Chatterley's Lover. 1 vols. 8vo.

Paris: Edward W. Titus, at the Sign of the Black Manikin, 1932. First edition. 146 pp. Deep blue buckram, spine and front board lettered in gilt, with the dust jacket. The jacket shows some edgewear with some very minor chipping, lower corners very slightly bumped, but overall a very clean and fresh copy, unopened. Nin's first book. 550 copies were printed; this is marked "complimentary copy" in holograph. The book was the last title Titus issued under his imprint; Nin wrote it in only sixteen days.

Paris: Edward W. Titus, 1932. Limited Edition. Octavo. 146 pages. Number 231 of 500 copies with the rare #231 slip laid in at the limitation page. The major critics continue to quote the insights of Anais Nin whose understanding of Lawrence was not only a remarkable example of modernism but also courageous feminism which even today shows insights that continue to be discussed in the D.H. Lawrence Journal. John Erskine, who was an anti-feminist writer was quoted: "I am amazed at the scholarly and critical reaches--which theoretically no woman should possess." A fine copy in a near fine dust jacket.

Paris: Edawrd W. Titus, 1932. First edition of the author's first book, number 491 of 500 copies. [10], 146, [2] pages. 1 vols. 8vo. Blue cloth, gilt lettered on front cover and spine. Unopened, fine, in dust jacket that is lightly toned with some modest chipping at extremitites, light soiling to rear panel. First edition of the author's first book, number 491 of 500 copies. [10], 146, [2] pages. 1 vols. 8vo. Her first book, inscribed. Presentation copy, inscribed on the ffep: "For Richard who accompanies me faithfully on the inner-outer voyage started with this book / Love Anais / February 21 1973." The recipient is likely Richard Centing, co-founder of the first Anais Nin periodical. Centing invited Nin to Ohio State to give lectures and and championed her work internationally. Franklin A1