Resultados de búsqueda: early church art in northern europe de strzygowski josef

Hacker Art Books, 1980. Hardcover, no dust jacket. Boards are worn and scuffed. Else good. 172 pages.

Hacker Art Books. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Hacker Art Books, 1980. Hardcover, no dust jacket. Very good.

Hacker Art Books, 1979-06. Hardcover. Good.

Harper & Brothers. Used - Good. 1928. Cloth, 172 pp., illus. Head and heel of spine worn, with fabric of spine separating near the head. Internally strong, solid. Ex-library, with usual markings and labels. Sound Working Copy. (Subject: Medieval, Architecture & Sculpture.)

NY: Hacker Art Books, 1980. As new! Hard bound, reissued edition, magnificently illustrated throughout with plates and line drawings, vi + Pp172. Includes index. As new in cream cloth, without a dust jacket. 610 grams.

NY: Harper & Bros., nd (1926). Hard bound in black cloth, edition not stated, magnificently illustrated throughout with plates and line drawings, 172pp inc. index. Corner tips with some wear and spine ends moderately worn and torn else very good, without a dust jacket, as issued. 880 grams.

Strzygowski, Josef. EARLY CHURCH ART IN NORTHERN EUROPE. WITH SPECIAL REFERENCE TO TIMBER CONSTRUCTION AND DECORATION. New York, Harper, n.d. Cloth lettered in gilt on the cover and spine. Intro. dated 1928. Interior very good, cloth is chipped at the head of the spine, along the edges and at the fore-corners. Lacks dust jacket. Still a very good copy.

B. T. Batsford, London, 1928. First Edition. Hardcover. Very Good Condition/Very Good. Size: 8vo <9 3/4". viii + 172pp. Binding firm, spine cocked. Slight foxing front/rear pages, but body of book mostly clean and unfoxed. Dust Jacket slightly marked and chipped. Edges foxed and browned. Illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Architecture; Europe; Early (0-1000 AD); Religion & Theology. Pictures of this item not already displayed here available upon request. Inventory No: 45032. .

B.T. Batsford, 1928. Book. Very Good. hardback. hardback, spine & boards slightly faded, lettering on spine gilt, some light foxing to front pastedown & end papers o/w a very good copy, 51 b&w plates & 65 text illustrations, 172pp.

London: B.T. Batsford LTD, 1928. Hardcover. Near Fine. First edition. Gilt spine titles. 172pp. Illustrated with black and white plates. Near fine with a tiny tear at the crown and faint rubbing on the boards. Based on lectures delivered before the University of London at University College.

London: B. T. Batsford, 1928. First Edition. Hardcover. Good/No D/J. 10x7x1. Previous owners bookplate and numeric inscription to front paste down. Some marks to boards. Rubbing to edges of boards and spine.

New York: Harper. hardcover. very good(+). Illustrated with photographs and line drawings. Tall 8vo, blue cloth. New York: Harper & Brothers, ca. 1930. Very good (+).<br/><br/> With the small ownership signature of art historian Meyer Schapiro.<br/><br/>

London: B.T. Batsford, 1928. Hardcover. VG/VG (light wear to boards and text block. Pages have light age toning but are otherwise clean and clear. Dust jacket has light wear with small tears, front flap is clipped.). Black cloth boards with gilt lettering and design, dark green dust jacket with black lettering, bw frontispiece, vii, 172 pp, 190 illustrations (including map, plans) LII plates on 26 leaves. Based on lectures delivered before the University of London at University College. Contents include: Pre-romanesque art of the Croatians. -- Wooden architecture in eastern Europe. -- Half-timber churches in western Europe. -- The mast-churches of Norway. -- Royal tombs in Scandinavia.

London: B.T. Batsford Ltd, 1928. Hardcover. Very Good. First edition. Black cloth. Small nicks at the crown, very good or a little better without dustwrapper. From the library of the artists Ben Shahn and Bernarda Bryson Shahn, with an estate label designed by their son, Jonathan Shahn. This copy also bears the small embossed ownership stamp of Clifford Odets.