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Bryn Mawr, Pennsylvania: Oliver Ditson Company. Good; The spine is torn.. 1919. Paperback. 184 pages .

This study score is a high-quality reprint of the one first issued in Leipzig by Ernst Eulenburg in around 1910. The Eulenburg itself was based on the original 1881 score issued in Berlin by Bote & Bock. It is the third and final revised version of the piece.

Though originally composed for piano four-hands, Satie was persuaded to orchestrate these pieces for a concert staged by Jean Cocteau presented on 21 February 1920 featuring works by Milhaud, Poulenc, and Auric. This digitally-enhanced study score is an unabridged reprint of the first edition issued in 1921 by Editions de la Sirene, Paris. In contrast so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable, is beautifully printed on off-white stock with a quality cover.
De l'enfance de Pantagruel (Rêverie)
Marche de Cocagne (Démarche)
Jeux de Gargantua (Coin de polka)
Orchestra
1, 1, 1, 1 - 1, 2, 1, 0, perc, strs

Fine in Near Fine dust jacket. First Edition. Hardcover; First Printing. ...; ...; . . Hardcover. Scribner, 1998. 1st Edition/1st Printing. Fine Book in Near Fine Dust Jacket. Price Intact. Light shelf wear to Jacket. Overall, a clean and tight copy. . Bubble wrapped and shipped promptly in a box. .

Paris: Jules Labitte, 1844. First Edition. Hardcover. Three quarter gilt lettered black morocco, marbled boards and marbled endpapers. 2 Vols. Very good. 422, 370 pages. 21.5 x 13 cm. It was this period in his life (1840's) Berlioz spent much of his time making music outside France. He struggled to make money from his concerts in Paris, and learning of the large sums made by promoters from performances of his music in other countries, he resolved to try conducting abroad. His extensive German tour in twelve German cities received enthusiastic receptions. The German public was better disposed than the French to his innovative compositions, and his conducting was seen as highly impressive. He extravagantly praised Beethoven's symphonies, and Gluck's and Weber's operas, and scrupulously refrained from promoting his own compositions. One quire in Vol. I toned, balance of interior clean and bright. Text in French.