Resultados de búsqueda: book of hours use of rome

Paris: Gillet Hardouin, 1516 [calendar covering the years 1516-27]. 197 x 120 mm. (7 3/4 x 4 1/2"). 104 leaves. FINE CONTEMPORARY BLIND-TOOLED CALF, covers with multiple rules and floral rolls, raised bands, gilt lettering in two compartments, skillfully rebacked in the style of the period, four brass clasps and catch plates (possibly renewed), original vellum endleaves. In a vellum clamshell box. WITH 23 VIGNETTES AND 16 FULL-PAGE METAL CUTS within architectural borders, BEAUTIFULLY ILLUMINATED IN COLORS AND GOLD BY A CONTEMPORARY HAND. Front pastedown with engraved bookplate of "J. R. P.," rear endleaves with genealogical information in an early hand. The coloring of one of the vignettes left unfinished. ◆Extremities and raised bands with a little rubbing, minor (and very well done) repairs to a few places at the corners and edges, but the extremely attractive binding completely sound and pleasing. One miniature with faint creasing (mostly touching the robes of two figures), a few miniatures… Leer más

CHARMING TINY PRINTED BOOK OF HOURS WITH EXPERTLY ILLUMINATED METALCUTS IN AN UNUSUAL OBLONG FORMAT, In Latin and French, printed and illuminated on parchment in Paris, c. 1536. Dimensions 143 x 76 mm., 90 folios, complete, 32 lines printed in Roman font in black ink (justification 118 x 47 mm), single-, double-, and triple-line initials in gold paint on alternating red and blue grounds, 14 metal-cuts, hand-illuminated in full color with gold borders. BINDING: Nineteenth-century brown leather with gilt-ruled frame, gold-tooled spine, worn with losses at joints and edges, small scratches and abrasions to the covers. TEXT AND ILLUSTRATION: Printed Books of Hours, like this rare example, consciously imitated illuminated manuscripts. In this particularly appealing volume by the Hardouyn Workshop, fourteen metalcuts are so vibrantly and expertly painted that they are practically indistinguishable from illuminated miniatures. This is a very rare imprint, not in Lacombe (1907) or Brunet (1860–1865); very… Leer más

Paris: Germain Hardouyn, 1533 [with Calendar covering 1520-32]. 207 x 125 mm. (8 1/8 x 5"). 92 (of 96) unnumbered leaves (without A1, C8, D8, and I1). Remnants of green brocade over old (perhaps contemporary) thin wooden boards. WITH 12 SMALL MINIATURES AND 17 LARGER ONES (five of the latter full-page, and the others from a half to two-thirds of a page), ALL COLORED BY A CONTEMPORARY HAND (lacking a miniature on each of three missing leaves); ALSO WITH EVERY PAGE (except those featuring a larger miniature) ENCLOSED BY A HAND-PAINTED DECORATIVE OR INHABITED FRAME, the frames always in pairs, with a conventional border of plants, fruits, and geometric shapes on one page and on the opposite page a border constituting an original painting of an outdoor scene, always containing humans and/or animals, MANY OF THE INHABITED FRAMES OF IMMENSE CHARM, even if essentially naïve in style. Front free endleaf with (illegible) early ink inscription. Not in Adams or Brunet. ◆Binding quite worn but still… Leer más

SUBSTANTIAL BOOK OF HOURS IN GOOD CONDITION WITH MANY LARGE AND SMALL MINIATURES. Illuminated manuscript on parchment, in Latin, Southern Netherlands, Ghent or Bruges, c. 1460-1470. Dimensions 179 x 124 mm., 118 folios, complete, written in brown ink in a textualis formata bookhand on 19 lines, one-line initials, 2- to 3- line champ initials, fourteen 6-line initials, one HISTORIATED INITIAL (5-lines), ELEVEN SMALL MINIATURES (6-lines), FOURTEEN FULL-PAGE MINIATURES, 28 FULL BORDERS. BINDING: nineteenth-century dark brown calf, gold-tooled, contains words in gilt (mostly rubbed out) MARIE (front board) and ROSARIE (back board), gauffered edges. ILLUSTRATION: Painted in the style of the Masters of the Beady Eyes, this Book of Hours is distinguished by its unusual and enigmatic details. The artist is eager to represent architectural and structural details, which sometimes lead to curious spatial arrangements and juxtapositions. PROVENANCE: The painting style situates the production of this book in Ghent… Leer más