Resultados de búsqueda: john marin de wight frederick s

Boston: The Institute of Modern Art, 1947. Paperback. VG+. Oversize wraps, light edge wear, small ink not on cover, well bound, clean and unmarked. Two plates in color, all other plates in b/w. Unusual but nice neon pink end papers.

Boston: Boston: Institute of Modern Art, 1947. First edition. Paperback. Very Good. 7 1/2 X 10 in. high. Condition of the book is VERY GOOD; Spine slightly sunned, text & illustrations are very clean, binding is tight. Art Rgr

Los Angeles, CA: UCLA Art Galleries , 1955. [72] pages, illustrations (some colour); 28 cm. Good+. Firm binding, unmarked. Title page & inside front cover lightly soiled, age toning. John Marin is heralded as one of the pioneering American modernists.. 1st. Paperback. Good. 4to.

Boston: Institute of Modern Art, 1947. Softbound. VG. Stiff BW pictorial wraps. 41 + [36] pp. 2 color, 38 bw plates. Issued in conjunction with a series of 1947 exhibitions of artwork by early American modernist John Marin (1870-1953). Includes essays by Frederick S. Wight (Pertaining To Marin's Style), and MacKinley Helm (John Marin: A Portrait). Also includes a two-page artist's statement and bibliography. The catalogue cites 19 oils, 45 watercolors, 22+ drawings, 12 etchings; and many are pictured here. What is amazing is that this exhibition was derived entirely from material by Marin that was stockpiled by Stieglitz and never offered for public sale.

BERKELEY, CA: UNIVERSITY OF CALIFORNIA PRESS. VG. Hardcover. First Edition. 1956.

Los Angeles: Art Galleries, University of California, 1955. Softcover. G- (Has substantial wear and age, with some tapings along spine and soiling on white part of covers; pages are only lightly tanned, with clear text and illus.). White & color illus. wraps. 72 pp. 14 color, 31 bw plates. Issued in conjunction with a series of exhibitions honoring and showcasing the artwork of early American modernist John Marin (1870-1953). With a foreword written by Duncan Phillips; and essays by William Carlos Williams and Dorothy Norman, MacKinley Helm and Frederick S. Wight. The catalogue cites 4 drawings, 9 etchings, 69 watercolors, and 40 oils; and many pieces are pictured here. Includes chronology. An uncommon catalogue on this influential artist.

Berkeley: University of California Press, 1956.. Autographed. 4to. 78 pp. Very Good. Hard Cover. Beige cloth covered boards. No DJ. Color and B&W plates throughout. Minor spots of foxing on some pages, else pages fine. Signed by Peter Selz on half title page, and dated 1956.From the Collection of the Art Historian Peter Selz.

Boston: Institute of Modern Art / The Phillips Memorial Gallery / The Walker Art Center, 1947. Signed and Inscribed. Softbound. Good (full length crease to front wrap; tanning to edges & edge-wear. rubbing to corners. upper spine edge torn w/ binding visible, tear also internal to opening pg gutter. blotched foxing throughout.). Stiff BW pictorial wraps. 41 + [36] pp. 2 color, 38 bw plates. Title page signed by Marin and inscribed to his "Old Friend" Erhard Weyhe, the renowned gallerist and bookseller. Issued in conjunction with a series of 1947 exhibitions of artwork by early American modernist John Marin (1870-1953). Includes essays by Frederick S. Wight (Pertaining To Marin's Style), and MacKinley Helm (John Marin: A Portrait). Also includes a two-page artist's statement and bibliography. The catalogue cites 19 oils, 45 watercolors, 22+ drawings, 12 etchings; and many are pictured here. What is amazing is that this exhibition was derived entirely from material by Marin that was stockpiled by… Leer más