Resultados de búsqueda: Andy Warhol from Royal Books, Inc.

Cologne [Koln]: Salon Verlag / Jablonka Galerie, 1998. First Edition. First Edition. Published in conjunction with an exhibition at Jablonka Galerie on March 13 through April 18, 1998. Fine and unread in a Fine dust jacket. Still in publisher's shrinkwrap.

London: Europa Photos, 1970. Vintage borderless oversize photograph of actress and model Patti D'Arbanville in London. Partial stamp of photographer Anthony Rios on the verso, along with the stamp of Europa Photos. D'Arbanville was cast by Andy Warhol in her first feature film at the age of 16, in the 1968 film "Flesh." She went on to appear in a number of risqué roles throughout the 1970s and 1980s, including Andy Warhol's "L'Amour" in 1973 and David Hamilton's "Bilitis" in 1977. 11.25 x 8.5 inches. Brief wear at the corners, else Near Fine.

N.p.: Film-Makers' Distribution Center, 1966. Vintage studio still photograph of Gerard Malanga from the 1966 film. Disregarding formal narrative, the film follows various residents of the Chelsea Hotel in New York City during 1966, presented in a split screen with a single audio track associated with only one side of the screen. The release marked a critical moment in Andy Warhol's career, as it was the first film he directed to receive international success and distribution, or even be screened outside cine-clubs in New York City. Set and shot on location in Chelsea, New York. 8 x 10 inches. Very Good plus.

Paris: Galerie Xippas, 2000. First Hardcover Edition. Published in commemoration of an exhibition at Galerie Xippas from November 20 1999 through January 29, 2000. Near Fine in illustrated boards with no dust jacket as issued. Boards with light rubbing overall and bumps to heel, crown, and top of rear board.

New York: Gagosian Gallery, 2000. First Edition. Softcover. First Edition. Exhibition catalog accompanying a 2000 retrospective exhibition of Andy Warhol's abstract "Diamond Dust" works at Gagosian Gallery. Near Fine in wrappers.

Beverly Hills, CA: Bryanston Pictures, 1973. Vintage pressbook for the 1973 film. An X-rated, Andy Warhol-produced take on Mary Shelley's 1818 classic novel, featuring Warhol superstar Udo Kier as Baron von Frankenstein, a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Rome, Italy and Vojvodina, Serbia. Three pages, partially bound with a single staple at the top right corner, 19 x 12 inches. Very Good plus, with a horizontal crease affecting the center of the book, and a few small creases to the bottom left corner of the first leaf. Restored and released in 4K UHD format by Vinegar Syndrome in 2021.

N.p.: N.p., 1965. Vintage matte-finish reference photograph from the set of the 1965 short film, showing Andy Warhol, director Danny Williams, Warhol associate Gerard Malanga, and an unknown woman. With the stamp of photographer and Factory regular Nat Finkelstein to the verso. The film was not processed until 2007, and was first shown as part of a retrospective of Williams' short films at the Walker Art Gallery in 2008. Released in conjunction with the short film "The Velvet Underground." Considered by many to be the first visual record of The Velvet Underground, showing the band during rehearsal, accompanied by Warhol. Warhol would also make his first series of short films about the band the same year, including "Hedy the Shoplifter," "The Velvet Underground and Nico," and "The Velvet Underground Tarot Cards." Nat Finkelstein entered the Factory as a photojournalist in 1964, and remained for three years, until 1967. His photographs captured during this time serve as a faithful chronicle of… Leer más

N.p.: Bryanston Pictures, 1974. Vintage studio still photograph from the 1974 film featuring Joe Dallesandro and Roman Polanski (uncredited in the role of 'man in tavern'), here under the working title "Andy Warhol's Dracula," title visible through paper tape covering byline in bottom margin. One of Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde film circles. Attempts to court commercial markets included rating the film X, and director Paul Morrissey, very much influenced by the look of the Hammer horror films of the 1960s, gave the films a lurid, shocking appeal. Set in Italy, and shot on location in Italy and Serbia. 9.75 x 8 inches. Slight diagonal trim on upper left side margin, else Near Fine. Criterion Collection 28.

New York: Sarx, 1972. Draft script for the 1973 film. Single manuscript ink annotation to the title page, noting copy No. 3. Small typed note stapled to the bottom edge of the inside rear wrapper, noting the film's German title, "Fleisch fur Frankenstein." An X-rated, Andy Warhol-produced take on Mary Shelley's classic 1818 novel, featuring Warhol superstar Udo Kier as Baron von Frankenstein, a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Vojvodina, Serbia. Red titled Studio Duplicating Service wrappers, with credits for director and screenwriter Paul Morrissey. Title page present, dated 1972, with credits for director and screenwriter Paul Morrissey. 38 leaves, with last page of text numbered 37. Xerographic duplication, rectos only. Pages and wrapper Near Fine, bound with two gold brads.

New York: Gagosian Gallery, 1989. First Edition. First Edition. One of 1000 unnumbered copies. Published in conjunction with an exhibition at Gagosian Gallery on November 3 through December 2, 1989. Fine and unread in illustrated card wrappers.

New York: Museum of Modern Art [MOMA], 2018. First Edition. Hardcover. First Edition. Fine in a Fine dust jacket.

New York: Gagosian Gallery, 2002. First Edition. Softcover. First Edition. Near Fine in card wrappers with French flaps.

Philadelphia: Pennsylvania Academy of the Fine Arts [PAFA], 2000. First Edition. Softcover. First Edition. About Fine in wrappers.

London: Goodman, 2009. Hardcover. First UK Edition, preceding all others. Very Good plus, with no dust jacket as issued, with a few small bumps to the corners.

Stockholm: Moderna Museet, 1968. First Edition. First Edition. Copy belonging to Brenda Richardson, head curator at the Baltimore Museum of Art between 1970-1997, with her ownership name and "1968" annotated in ink on the inside front wrapper. Published on the occasion of the Andy Warhol exhibition at the Museet in Stockholm, February through March, 1968. Text in English and Swedish. One of the most distinguished art curators and historians of the twentieth century, Brenda Richardson began her career at the University Art Museum in Berkeley (1964-1975), and went on to become the chief curator at the Baltimore Museum Art between 1975 and 1998. An unapologetic champion of contemporary art, she curated well over 70 major exhibitions for the BMA, the high spots being stagings for Frank Stella, Brice Marden, Barnett Newman, and Bruce Nauman. She also curated the 1985 exhibition of the Cone Collection, the BMA's prized centerpiece, which contains over 3000 works, including 600 pieces by Matisse, as well… Leer más

Various cities: Prestel, 2014. First Edition. First Edition. Fine in a Fine slipcase, still in the publisher's shrinkwrap.

New York: Rizzoli / Gagosian Gallery, 2009. First Edition. Hardcover. Small folio. First Edition. Fine in black boards and printed cardboard slipcase as issued.

New York: Gagosian Gallery, 1999. First Edition. Softcover. First Edition. An exhibition catalogue for the 1999 Gagosian Gallery exhibition that reunited for the first time the complete series of thirteen "Philip's Skull" paintings by Andy Warhol. Near Fine.

N.p.: N.p., 1971. Vintage borderless photograph of Andy Warhol lying amongst his "Cow Wallpaper" (silkscreen on wallpaper, 1971), from his May 1971 retrospective at the Whitney Museum of American Art, New York. Photograph by Jack Mitchell. Mimeo snipe on verso. The Whitney Museum of American Art's 1971 Andy Warhol Retrospective was Warhol's first major retrospective, which opened on May 1, 1971. 6.75 x 10 inches. Near Fine.

New York: Andy Warhol Film, 1968. Vintage poster for the 1967 film. The film originally screened at the Hudson Theater in New York in a 99-minute version. In early 1968, a 110-minute cut played at the Cinematheque 16 in Los Angeles. This poster, which mentions the Los Angeles screenings and contains a blurb from the L.A. Free Press, corresponds to the latter version. A final 95-minute cut was completed later in 1968, and is the version available today. Andy Warhol's first attempt to make a "commercial" sexploitation film, eight unconnected scenes in which actor Tom Baker attempts to convince various women to have sex with him. Originally intended to star The Doors' Jim Morrison and unsimulated sex, the finished film contains neither. 19 x 25 inches, rolled, on archival linen, with minor professional repair and restoration. Near Fine. Murphy, The Black Hole of the Camera. Warholstars.