Resultados de búsqueda: Photography from The Glass Key

London: Collins & Brown, 1999. First printing of this edition. Paperback. Very Good. 4to paperback (264 x 173mm). Pp 192 illustrated throughout with colour and b&w photographs (over 400 images). A clean, unmarked copy in printed wrappers.

Enderby, Leicestershire: Acropolis, 1993. First printing of this edition. Hardcover. Very Good/near Very Good. 4to (305 x 228mm). Pp 256 illustrated with over 800 colour photographs. Glazed printed paper boards. A clean, unmarked copy in a tight binding and unclipped dust jacket. The dust jacket is a little rubbed along the top edge.

Geneva: Association Musée d'Art Moderne, 1982. First edition. Paperback. Very Good. 4to (297 x 210mm). Unpaginated 40pp with text in English and French and b&w photographs throughout. A clean, unmarked copy in printed wrappers. The solid black wrappers are a touch scuffed and picked.

Paris: Altitude, 2004. First edition. Paperback. Near Fine. 4to landscape (220 x 300mm). Pp 205 with colour photographs throughout. A clean, unmarked copy in continental-style printed wrappers (with flaps). All text in English, French and Spanish.

Villeurbanne: URDLA, 2001. First edition. Hardcover. Near Fine. First printing. Edition limited to 200 copies. Unpaginated. A sequence of 24 b&w photographs with accompanying text (in French). Bound in light brown boards printed in black on the upper panel with a b&w photograph. A clean, unmarked copy in a tight binding without dust jacket - as issued.

New York: Watson-Guptill, 2004. Later printing. Paperback. Very Good +. 4to (292 x 222mm). Pp vii + 261 with over 270 b&w photographs. A clean, unmarked copy in printed wrappers.

London: Weidenfeld & Nicolson, 1997. First edition. Hardcover. Very Good/very good. 1st printing. 4to (318 x 242mm). Pp 304 illustrated with b&w photographs throughout. Black cloth boards stamped in gilt on the spine. A clean, unmarked copy in a tight binding and unclipped dust jacket. At some stage the book must have rested on some small stones because there are a few indentations in the back panel of the jacket and these have carried through to mark the cloth on the back panel of the binding.

London: Bantam Press, 1987. First edition. Hardcover. Very Good +/very good. 4to (303 x 228mm). Pp 319 illuistrate3d with 350 photographs in colour and b&w. Blue cloth boards stamped in silver on the spine. A clean unmarked copy in a tight binding and unclipped dust jacket. The dust jacket is a little rubbed at the extremities.

Poitiers: Claude Decoray, 1999. First edition. Hardcover. Very Good +/very good +. 4to (255 x 244mm). 96 unnumbered pages with b&w photographs printed on the recto pages. Black cloth boards stamped in gilt on the upper panel. A clean unmarked copy in a tight binding and unclipped dust jacket.

London: Country Life, 1966. First edition. Hardcover. Very Good/good +. 1st printing. 4to (254 x 186). Pp 120 illustrated with b&w photographs throughout. Green cloth boards stamped in gilt on the spine. Name and address of ownership stamped on the ffe else a clean unmarked copy in a tight binding and unclipped dust jacket. The dust jacket is quite severely chipped at the edges.

London: Cardinal, 1974. First printing of this edition. Paperback. Very Good. 1st printing of this 8vo paperback edition. Pp 223 with b&w photographs throughout. Name and address of ownership stamped on the half-title else a clean, unmarked copy in printed wrappers.

Whitby: Sutcliffe Gallery, 1974. First edition. Paperback. Very Good. 1st printing. 4to (300 x 210mm). Pp 62 with duotone photographs throughout. Name and address of ownership stamped on the first (blank) page else a clean, unmarked copy in printed wrappers.

Whitby: Sutcliffe Gallery, 1985. Third impression. Paperback. Very Good. 3rd printing. 4to (300 x 210mm). Pp 62 with duotone photographs throughout. Name and address of ownership stamped on the first (blank) page else a clean, unmarked copy in printed wrappers.

Koln: DuMont Schauberg, 1963. First edition. Hardcover. near Very Good. 1st printing. 4to (260 x 200mm). Unpaginated 12pp text and 76pp b&w photographs. Glazed printed paper boards. Although the photographs are of dolls this is definitely not one for the children - many of the images have a disturbing quality. Name and address of ownership stamped on the half-title else a clean, unmarked copy in a tight binding without dust jacket (as issued?). A few pages are very slightly damaged at the top through damp causing pages to stick together.

Paris: France Loisirs, 1993. Book Club. Hardcover. Near Fine/near fine. 4to (238 x 182mm). Pp 235 illustrated with b&w photographs throughout. Grey cloth boards stamped in gilt on a black panel on the spine and in gilt on the upper panel. A clean, unmarked copy in a tight binding and unclipped dust jacket. All text is in French.

Poitiers: Les Editions du Pont-Neuf, 1993. First edition. Paperback. Very Good +. A4 paperback (298 x 210mm). Pp 187 with photogravure illustrations throughout. A clean, unmarked copy in printed wrappers. Text is in French.

London: Constable, 1986. First edition. Hardcover. Very Good +/very good +. 4to (256 x 244mm). Pp 200 illustrated throughout with photographs in colour and b&w. Black cloth boards stamped in gilt on the spine. A clean, unmarked copy in a tight binding and bright, unclipped dust jacket.

Dusseldorf: teNeues, 2002. First edition. Paperback. Very Good. 4to (280 x 240mm). Pp 142 illustrated with colour and b&w photographs throughout. A clean, unmarked copy in printed wrappers. All text is in English.

Paris: Fernand nathan, 1982. First edition. Hardcover. near Very Good/very good +. 4to (302 x 210mm). Pp 159 illustrated with colour and b&w photographs. Black cloth boards stamped in gilt on the spine. A very light bump to the bottom corner of lower board else a clean, unmarked copy in a tight binding and bright, unclipped dust-jacket. Text in French.

Washington DC: National Geographic, 1984. Second impression. Hardcover. Very Good +/near very good. 4to (312 x 232mm). Pp 396 with 326 photographs in colour and b&w. Silver cloth on boards stamped in silver on the spine and upper panel. A clean, unmarked copy in a tight binding and bright, unclipped dust-jacket a little rubbed and nicked at the edges with a number of small closed tears.