Resultados de búsqueda: Art from H.W. Gumaer, Bookseller

New York: Art In American, Inc., 1985. First Edition, First Printing. . Magazine. Good Plus to Very Good. Volume 73, No. 1; feature articles include: Election '84: "Sign on a Truck," Jenny Holzer and 21 other artists mount anti-Reagan video message; David Novros frescoes; Peter Saul: Radical Distaste; Linda Nochlin on Watteau; Ludwig Wittgenstein, Architect; Arthur B. Carles: Fringe Modernist. Also, reviews of two recent books on Diane Arbus and review of exhibitions by David Humphrey, Joseph Nechvatal, Marcia Clark, Peter Plagens, Clark Murray, Ida Applebroog, and Ed Blackburn. 8 1/2 x 11", 168 pages in heavy paper wrappers with Watteau's " The Shepherds", 1716 (detail) on the front cover; magzine's lower right corner bumped with creased pages and wrappers, o/w text is clean, tight, square with minimal surface or edgewear.

New York: Art In American, Inc., 1985. First Edition, First Printing. . Magazine. Very Good to Near Fine. Volume 73, No. 10; featured articles include: The Postmodern Museum; Sean Scully: The Stripe Stikes Back; The Modernist Schwitters; Alice Trumbull Mason: Home-Grown Abstraction. Also, Issues & Commentary: Carter Ratcliff on "The Scheherazade Tactic;" Review of Books; Report from the MIdwest: The 39th Corcoran Biennial; Report from Berlin: Wall Painters; and Review of Exhibitions by Adam Cvijanovic, Peter Chevalier, Carroll Dunham, Leatrice Rose, Elmer Bischoff, Joan Mitchell, Arakawa, Tina Barney, Don Suggs, and Leslie Lerner. 8 1/2 x 11"; 194 pages in heavy paper wrappers showing a detail of Schwitters' "Glass Flower," 1940, assemblage; text is clean, tight, square; wrappers show only minor edgewear, trace of bumping at spine ends. Collectable.

New York: Art In American, Inc., 1984. First Edition, First Printing. . Magazine. Near Fine to Fine. Volume 72, No. 8; featured articles include Bonnard's late paintings; hardship art; Morris Graves restrospective; new work from Jasper Johns and David Salle; Donald Judd on why there are so few masterpieces. Also Venice Biennale '84; Book Reviews; reviews of exhibitions by Oyvind Fahlstrom, Sidney Goodman, David Bowes, Lynda Benglis, Tom Stanton, Sue Miller; 8 1/2 x 11," 248 pages in heavy paper wrappers with cover photo of Philip Johnson's AT&T Building, 1983-84; text is clean, tight, square; wrappers show light reading crease, almost no other surface or edge wear. Collectable.

New York: Art In American, Inc., 1984. First Edition, First Printing. . Magazine. Very Good to Near Fine. Volume 72, No. 4: Feature articles include The Aztecs: Art & Sacrifice; Elizabeth Murray; Anne & Patrick Poirier; Beauborg's Polish Presences show; Stanislaw Witkiewicz, Polish photographer, painter, draftsman; Beverly Pepper's new sculptures. Also, Suzi Gablik on " Art Alarms: Visions of the End;" Report From Germany; Book Reviews; and Exhibition Reviews of work by Youngblood, Frink, Berard, Haas, Korman, Flack, Heilman, Liebovitz, Thorne-Thomsen, Karsh, Bender, Colville and Eggleston; 8 1/2 x 11," 256 pages in heavy paper wrappers showing Robert Morris's untitled work from his "Firestorm" series, 1983-84, on the front cover; text is clean, tight, square; some light creasing on front cover, no tears, trace of wear at spine ends.

New York: Brant Art Publications, 1986. Magazine. Very Good. Vol. 74, No. 5: Featured articles include Jennifer Bartlett retrospective; essay on relationship between art and corporate worlds by Suzanne Stephens; Arte Povera at P.S. 1; and Ruben Nakian retrospective. Also regular departments: Issues & Commentary by Carter Ratcliff; Review of Books; Review of Exhibitions. About 8 1/2 by 11 inches, 184 pages in glossy light card wrappers. Front cover shows detail of Joseph Beuys's "Richikrafte," 1974-75. Back cover shows ad for Ellsworth Kelly exhibition. Wrappers and text show only minor surface and edgewear. Complete, no tears, no marking, no address or other labels. Collectable.

New York: Brant Art Publications, 1986. Magazine. Very Good to Near Fine. Volume 74, No.3: Contents include Renoir Symposium with articles by Adams, Bochner, Crow, Fried, Nochlin, Ratcliff, Robinson, Rosenblum, Schjeldahl, and others; sculpture/constructions by Siah Armajani; new work by David Diao, and Kienholz Retrospective as well as features: Review of Books, Report from Sao Paulo, Review of Exhibitions including Sugarman, Sherrie Levine, Alan Uglow,Wesselmann, and Jane Wilson. About 8 1/2 x 11 inches, 184 pages in pictorial paper wrappers with front cover showing detail of Renoir's "Geraniums and Cats, 1881. Wrappers and text show slight bumping of lower right corner, o/w only a light reading crease and very minimal surface wear. No tears, creasing or scratching or other significant flaws or damage. A collectable copy.

New York: Brant Art Publications, 1986. Magazine. Very Good. Volume 74, No. 2: Contents include a memoir of the making of Diego Rivera's Rockefeller Center mural; an article clarifying French photographer Eugene Atget's documentary work; recent work by Joan Snyder, Dorothea Rockburne and English artist Stephen Buckley; and Issues & Commentary by Carter Ratcliff, Review of Books and Review of Exhibitions including de Kooning and Tony Smith. About 8 1/2 x 11 inches, 152 pages in pictorial paper wrappers showing a detail from Rivera's 1934-35 reconstruction of his destroyed Rockefeller Center mural on front cover. Lower front corner shows touch of bumping. Light reading creases, very minimal surface and edge wear. No tears, scratches, dogears or other significant flaws or damage. No address sticker. Clean, complete and unmarked. A collectable copy

New York: Harry N. Abrams, Inc., Publishers, 2003. Hardcover. Good Plus/Fine. The work of Sendak as a children's book artist has been known around the world since his Caldecott winning "Where The Wild Things Are" in 1963. Less well-known is Sendak's work for adults, a kind of second career, in set and costume design for opera and other theatrical and dance productions, as well as work on posters, CD covers, book jackets and adult books, particulary since 1980. This volume, with text by playwright Tony Kushner, Sendak's longtime friend, chronicles and provides insight on this second career. First edition, first printing (with complete numberline). Oversize, about 11 3/4 x 11 inches, bound in dark-blue cloth-covered boards with gold lettering on spine. Dustjacket's front and back panels show finished watercolor designs from "The Magic Flute;" dj's flaps show prop and costume designs. Book is lavishly illustrated with Sendak's work, in full color and black… Leer más

New York: Atria Books/Simon & Schuster, 2007. First Edition, First Printing. . Hardcover. Near Fine/Near Fine. Charney's first novel is this stylish crime-thriller about art theft as three priceless paintings disappear in Rome, Paris and London, sparking massive investigations all leading to the same stunning conclusion. A remainder mark on the bottom edge of the text, o/w text and red cloth boards are clean and unmarked, tight and square. The dustjacket shows only a bit of rubbing and touch of edgewear, no tears, no creasing or chipping, not price-clipped. A collectable copy.

New York: Rizzoli International Publications, Inc., 1998. First Printing, First U.S. Edition. . Hardcover. Fine/Fine. Survivor of 23 recorded earthquakes in the eight hundred years since its founding but severely damaged in the 1997 earthquake, the Basilica of St. Francis and its masterwork frescoes of the early Renaissance in Italy are shown in all their beauty in the full-color photography of this book with a text by Angiola Romanini, the eminent Medieval art historian, detailing the history of the basilica and its paintings. 8 1/2 x 12", 160 pages, with a foreword by Antonio Paolucci, former Minister of Cultural Heritage for Italy and a director of the Uffizi Galleries; blue cloth boards and text are clean, tight, square; dustjacket is nearly perfect, showing perhaps a trace of edgewear. Collectable.

New York: Frank R. Brady, 1970. Large Softcover. Very Good. Avant-Garde," published by Ralph Ginzburg for about three years from 1968 to 1971, featured art and erotic literature and photography as did his earlier magazine, "Eros," for which Ginzburg went to prison on obscenity charges. Articles in the January, 1970, issue include: "The Dr. Who Called the A.M.A, the "American Murder Assn;" "The Virgin Forest," a photo essay featuring trees and nudes; "The Handwriting on the Wall," an article on separation of church and state; "Israel Captured," a selection of photos from an exhibition then at the Jewish Museum in New York showing everyday life in Israel; a collection of paintings by the Austrian artist, Friedrich Hundertwasser, titled, "Postcards From Pandemonium;" and "The Bigger They Are The Harder They Fall: The Memoirs of a Fat Girls' Casanova." First Edition. About 10 3/4 x 11 1/4 inches, 64 pages, bound in light… Leer más

New York: Hudson Hills Press, 1980. First Edition, First Printing. . Hardcover. Very Good/Very Good. Blechman was a master draftsman and cartoonist whose work appeared in the leading magazines of the mid-20th century, such as Esquire and the New Yorker and who was in demand as an advertising and book illustrator, noted for his quirky line and sharp wit. 10 1/4 x 10 1/8 inches, 187 pages, numerous black & white reproductions, some in full color. With a foreword by Maurice Sendak. Back board's corners slightly bumped, top edge of text lightly foxed, small remainder mark on bottom edge, o/w boards and text are clean and unmarked, tight and square. Lower corner of back cover shows small tear, o/w primarily white dustjacket shows only very minor surface and edge wear. Collectable copy.

New York: Marisa Del Re Gallery, 1988. First Edition, First Printing. . Very Good to Near Fine/Issued Without Jacket. The catalogue of the Oct.-Nov., 1988, exhibition at the Marisa Del Re Gallery in New York of black and white painting and sculpture by leading American and European artists of the mid-20 century including Calder, Kline, De Kooning, Dubuffet, Burri, Kelly, Klein, Lewitt, Motherwell, Nevelson, Rothenberg, Ryman, Segal, Serra, Tapies and Warhol. Text by Sam Hunter, critic and professor of art history at Princeton University. Many of these works are unfamiliar and no longer easily seen today. 9 1/4 x 10 3/4 inches on glossy stock; about 60 pages in heavy card wrappers with Warhol's "Last Supper" reproduced on both front and back covers. Upper corner of front cover and front end page show small creases, o/w wrappers show only very minimal surface and edgewear. Text is clean and unmarked, tight and square. A collectable copy of a scarce exhibition catalogue.

New York: Delacorte Press, 1987. First Edition, First Printing. . Hardcover. Very Good/Very Good. Satirist Vonnegut's novel about the American abstract expressionisn movement of the 1940s and '50s features painter Rabo Karabekian, a minor character in Vonnegut's "Breakfast Of Champions," whose pictures all fell apart due to poor choices in materials. Text is clean, tight, square; dustjacket shows small dime-sized stain at bottom end of spine and corner of front panel, o/w minimal surface and edgewear. Collectable.

New York: Delacorte Press, 1987. First Printing, First Trade Edition. . Hardcover. Fine/Very Good. Satirist Vonnegut's novel about the abstract expressionism movement in New York City in the late 1940s that revolutionized modern art, as told in the autobiography of Rabo Karabekian, one of the founders of the movement, whose paintings all fell apart due to an unfortunate choice of materials. Text and boards are clean, tight, square; price-clipped dustjacket shows only minimal surface and edgewear.

New York: Pantheon Books, 2008. First Edition. . Hardcover. Very Good/Issued Without Jacket. Originally published in a different form in1977 by Belier Press, this collection of comics by Spiegelman, the Pulitzer Prize-winning author/artist of "Maus," presents the seminal works that changed how comics are made and appreciated today. Revised and re-issued in 2008, with an introduction that's almost as long as the book it introduces, and certainly autobiographically intimate and daring. (Note: This is NSW, adults-only material.) . First Printing, First Edition Thus. 10 x 14 inches in pictorially illustrated boards, filled with both black & white and full-color graphics. Upper corner of both covers bumped, o/w only very minor surface and edge wear. Text is clean and unmarked, tight and square. A collectable copy.

New York: Rizzoli International Publications, Inc., 2011. First Edition, First Printing. . Hardcover. Fine/Near Fine. Since the early 1990s, Uk's Tim Noble and Sue Webster have been living and working together to create works of art that combine light and shadow with trash and waste and that confront our consumer culture in conceptually ingenious ways. This book contains a wide selection of work, much of it in full-color, full-page photographs, from 1996 to 2011, with an introduction by Nick Cave and a critical and biographical essay by Jeffrey Deitch, as well as an index of works and exhibition lists. 240 pages, 10 1/2 x 13 1/2 inches, with a black dustjacket designed to appear badly ripped and torn, revealing portions of the underlying boards covered with a full color photographic reproduction of one of their trash and waste art works. Boards and text are clean and unmarked, tight and square, not remaindered. The dustjacket shows no more than a bit of minor surface wear and rubbing, no tears,… Leer más

New York: Random House, 1979. First Printing, First Edition Thus. . Hardcover. Fine/Fine. One of the hardest-to-find collections of Koch's poetry; a remainder mark on bottom edge of text o/w Fine copy in a Fine dustjacket created by late artist Larry Rivers.

New York: Two Palms/Prestel Publishing, 2016. First Edition. . Hardcover. Fine/Issued Without Jacket. Dunham is a well-known contemporary American painter and printmarker currently based in the NYC area with recent exhibitions in Europe. This book is a compilation of Dunham's monotype prints from 2005 - 2016 with accompanying text by Asmund Thorkildsen, Norwegian art historian specializing in modern and contemporary art and professor of art theory at Oslo National Academy of Arts. Dunham's eclectic style combines elements of surrealism, psycheldelics, and cartooning in complex images that are often erotic and sexually explicit. First Printing, First Edition. Issued without dustjacket. About 8 3/4 x 10 1/4 inches; unpaginated except for essay text; white cloth-covered boards with title in black lettering on spine and back cover. Front cover features centered, pasted-on reproduction of "Untitled," #145, 2010, in watercolor and pencil, a full-color, 6 x 8 inch, semi-abstract image of… Leer más

New York: Abradale Press/Harry N Abrams, Inc., Publishers, 1991. First Edition Thus. . Hardcover. Fine/Very Good. Winslow Homer, 21 years old in 1861, spent the next four years of his life as "Special Artist" for Harper's Weekly, creating a pictorial history of the Civil War's battlefields and campgrounds as he saw them from the Union side of the conflict. Originally published by Abrams in 1977, this first printing of the second edition is about 11 1/2 x 10 3/4 inches. 204 pages in dark blue cloth-covered boards with silver lettering on the spine, containing 202 illustrations, including 39 plates in full color -- nearly all of Homer's oils, drawings, watercolors, wood engravings and lithographs produced between 1861 and 1865, as well as a comprehensive bibliography. Boards and text are clean, complete and unmarked, no tearing or bumping. Not remaindered. The heavy-duty dustjacket, with a full color reproduction of the oil painting, "Prisoners from the Front," on the… Leer más