Resultados de búsqueda: Libros de George Robert Minkoff, Inc.

THE GREATEST BOOK OF RENAISSANCE ARCHITECTUREIllustrated with 205 large woodcuts, including 74 full-page and 7 double-page blocks; magnificent allegorical woodcut title border; large woodcut head-pieces and large floriated and grotesque woodcut initials; leaf I4 slightly taller than the rest of the text block, to accommodate a tall column woodcut, with about 2 cm section at top folded in. Royal Folio. 19th-century ¼-vellum over marbled boards; spine decorated and lettered in gilt; edges gilt. Paris: Fédéric Morel, 1567. First Edition. First Issue. The most influential and most lavishly illustrated handbook of French Renaissance architecture. The first and only published volume. A second volume was planned by the author but never completed.Mortimer, Harvard College Library Cat.: French 16th-Century Books, no.355; Brunet, Supple. I, 888-9; Fowler Architect. coll. 99; Clouzot, Philibert de l'Orme, pp. 90-107; Berliner Ornamentstichkatalog 2362; Pettegree, French Vernacular Books 15434; cf. Adams L… Leer más

Hardcover. Fine. Folio. Bound in leather-backed boards, spine labels, gilt lettering and designs on spine. Dedicated to Infante di Spagna D. Lodovico di Borbone Principe Ereditario. Parma nel Regal Palazzo 1795 co tipi Bodoniani. First Edition. Three volumes. The Very Rare Folio Printing. Limited to 130 copies. Brooks 588, describing the book as Magnifica edizione. Boards of Volume I are stained at the edges, head of spine of Volume I chipped; interior very fine. Scarce.

1626. 1st Edition . Hardcover. Very Good. Illustrated with engraved title within border of musical instruments and other emblems, and 48 engraved emblematic plates by Gillis van Schoor and Michael Snyders, all within border frames heightened in gilt. Small 8vo. Bound in 18th-century mottled cats paw sheep; spine with 4 raised bands, gild designs and red morocco label. Antwerp: Michael Snyders, 1626. First Edition of this anonymous collection of emblems on human and divine love, published a few years after Vaenius Amores divini emblemata. 39 numbered plates have Latin captions and French couplets opposite; 9 emblems are without text. (Landwehr, Low Countries 36; Praz, pp. 254). With De Croix 1843 purchase note on rear pastedown; bookplate of Arthur and Charlotte Vershbow. Spine joints rubbed and slightly chipped; edges worn; o/w very nice

Sophia Charlotte Belnos. The Sundhya, or the Daily Prayers of the Brahmins. Illustrated in a series of original drawings from nature, demonstrating their attitudes and different signs and figures performed by them during the ceremonies of their morning devotions and likewise their poojas. Illustrated with hand-colored lithographic title page and 24 hand-colored lithographic plates. Imperial Folio. (60 cm by 44 cm) Contemporary (probably original) binding: ¼-mottled calf over drab boards, leather tips (renewed); flat spine, ruled and lettered in gilt. Day & Son, (London) 1851. First Edition. Privately printed and sold to subscribers only. Text in English, with some passages in Sanskrit. (Abbey Travel 477; Lipperheide 1499; Gietz, Malinar, et al, Epic and Puranic Bibliography, I, 538)Illustrated with 24 stunning hand-colored lithographic plates showing Hindu Brahmins performing their daily prayers, and the ritual objects, yogic positions, and mudras. With short explanations and quotations of the… Leer más

8vo. 19th- century ½-vellum. Venice: (Damianus de Mediolano, de Gorgonzola) 16 Nov. 1493. (ISTC No.: ig00602500; H 8207; GW 11804). Guido de Monte Rochen's Manipulus curatorum is considered the most important of the medieval pastoral manuals. (It was not made obsolete until the Council of Trent in 1566.) It is especially important as a key example of the intersection of religious doctrine and practice. The author attempts to make centuries of theology and canon law comprehensible for the priest of little learning and, in turn, for his parishioners. No other work did this as successfully. Binding slightly bent; title page a bit dusty; a few leaves misnumbered in manuscript; o/w a fine copy with large margins of this rare incunable. No known copies in the United States.

(POPE, ALEXANDER). Homer. The Iliad of Homer.
Translated by Alexander Pope. London: Printed by W. Bowyer, for Bernard Lintott between the Temple-Gates, 1715-20. First Edition. Together with The Odyssey of Homer. Translated by Alexander Pope. London: Printed for Bernard Lintott, 1725-26. First Edition. Illustrated. Folios. Eleven volumes. Bound in early 18th-century calf, gilt spines; with all eleven black morocco volume labels present; title labels absent. Illustrations include the full-page engraved frontispiece portrait of Homer by George Vertue; 2 leaves of engraved antiquities; double-page map of Homeric Greece and Phrygia; full-page engraving of the Shield of Achilles; and the very rare second frontispiece of Homer which begins The Odyssey. The second volume of The Iliad lacks the plan of the plain of Troy.
A very rare example of the folio Odyssey
with thefrontispiece portrait. It is undoubtedly the folio issue, with gatherings of two leaves only and with the illustrations as called for in the… Leer más

1791. 1st Edition, Limited Edition . Hardcover. Very Good. Complete in 2 volumes. Illustrated with frontispiece portrait of Johnson by J. Heath after Sir Joshua Reynolds, and 2 additional engraved plates. All 3 plates with imprints dated April 10, 1791. Frontispiece with the original tissue-guard intact. 4to. Bound in contemporary (circa 1800) speckled calf with gilt armorial supralibros on all 4 covers, spines with raised bands; red morocco gilt-lettered labels; small black morocco circular volume-number labels. Printed by Henry Baldwin for Charles Dilly, London, 1791. First Edition. Limited to 1750 copies. Printed on light blue paper. Vol. I has the correct give reading on page 135, line 10, generally considered the second state (although, as Pottle notes, booksellers have given this rather uninteresting point more attention than it deserves.) The copies printed on light blue paper were presumably reserved for members of the nobility: When Boswell published his The Life of Samuel Johnson, the King… Leer más

Hardcover. Fine. Tractat[us] de meditatio[n]e cordis Joh[ann]is Gerson. Illustrated with 4 xylographic foliated initials, the first colored. 8vo. Bound in 19th century vellum. Impressum Venetijs arte [et] impensis Bernardini de benalijs, 1488. Early Edition. Hain, 9095; Goff, I-17; Bodleian Lib. 15th cent., T-105; BM 15th cent., V, p. 372 (IA.22318). The Imitatio Christi, or Imitation of Christ is often considered the greatest of all Christian manuals of devotion. In the late 15th century there was some dispute as to the authorship of this work. The present edition mistakenly ascribes it to Johannis Gerson, a French scholar, educator, reformer, poet and chancellor of the University of Paris. It has, however, been proven that this work really was written by the German monk Thomas à Kempis. Attributed variously but now definitely ascribed to Thomas à Kempis. (Goff). The first edition of Kempis work, published in 1473, did not include the Imitatio Christi, as it was believed then that Kempis was not… Leer más

Antonius de Vercelli. Sermones quadragesimales de XII mirabilibus Christianae fidei. Illustrated with 2 multi-colored initials. The beginning of the text nicely printed in red, text in gothic type, in two columns, 51 lines to a page. 8vo. Contemporary hard vellum binding, remounted. Venetiis, Johannes et Gregorius de Gregorii de Forlivio, February 16, 1492. First Incunabula Edition. Antonius de Vercelli was, for approximately thirty years, one of the leading and most influential political counsellors of the pre-eminent families in Italy's early Renaissance: the Medici family in Florence and the Sforza family in Milan. This collection of his Sermones (Discourses) has significant importance and the added weight of someone deeply involved in the political turmoil of the late 15th century. The context and political value of these discourses helped Machiavelli define "The Art of the State." Vercelli is also a significant religious figure, having had much influence in Italian theologies. 18th century… Leer más

Illustrated with engraved title within a scrollwork border with the coat of arms of the dedicatee, Cardinal Pietro Aldobrandino; plus 51 plates of diagrams and illustrations of measurement, of which 44 are by Pomodoro and 7 by Giovanni Scala; plus historiated initials, vignettes and 6 different tailpieces. Folio. Limp reddish-brown 19th century Italian red marbled boards, rebacked. (Rome, Appresso Stefano Paolini, 1599). First edition, first issue, of this finely illustrated manual of Euclidean geometry, with practical applications for surveyors, architects and others. 16th century treatises on surveying and other aspects of 'practical' geometry were almost exclusively written for university men. Pomodoro's was the first work on practical geometry that made a genuine attempt to render the subject accessible to practical men. [Riccardi I, 300; Mortimer, Harvard Italian 394; Honeyman 2512; Macclesfield 1655 (1667 edition). Brusaporci, 'Giovanni Pomodoro (XVI Century),' pp. 201-222 in Distinguished… Leer más

Illustrated with 12 folding engraved plates of optical/geometrical diagrams and a few woodcut diagrams and tables in text; large woodcut decorative tail-pieces, head-pieces and initials. 8vo. Contemporary full speckled calf; boards with double-fillet gilt-ruled borders; spine with five raised bands and gilt-lettered (faded) morocco label; edges speckled red. London: Printed for W. and J. Innys, printers to the Royal Society, 1718. Second English Edition revised and enlarged by Newton. First Octavo Edition. Second issue, with the title-page dated 1718 (the very rare first issue is dated 1717). The first edition appeared in 1704 in quarto. For this second edition the plates were newly engraved to fit the new octavo format. The most important feature of this second edition is that the number of Queries at the end was increased from 16 to 31, including the celebrated Query 28 on the nature of light. The Queries in the initial set were rather brief, but the later ones became more substantial, written as… Leer más

Hardcover. Fine. Folio. Bound in original boards. Parma 1791. First Edition. One of 25 copies on papier verge of an edition of 128. Paper worn on spine; interior clean and bright. A Fine Copy. Scarce.

One of the finest works of illustration ever published, marking the transition from Rococo to the Neo-Classical Era of European art.Illustrated with 139 full-page plates by Boucher, Eisen, Gravelot, Monnet, Moreau, and others. Plus engraved title, 3 pages of dedications, 4 fleurons on title pages, 30 engraved vignettes and 1 full-page cul-de-lampe by Choffard and Monnet closing Volume 4. Engraved by Le Mire and Basan. Large 4to. Full 18th century French marbled calf; spine with 5 raised bands; red and green morocco labels; gilt spines, gilt borders and edges; original hand-marbled endpapers. A Paris, Chez Leclerc. 1767 to 1771. 4 volumes. Ovid's Metamorphoses are of course, are some of the most famous stories to survive from antiquity; they tell, essentially, a history of the world in dactylic hexameter, the meter of the epics. Ovid's stories are as foundational to Western literature as any other book written; they include the story of Io and Jupiter, the stories of Cadmus, Pyramus and Thisbe (of… Leer más

Illustrated with engraved title border incorporating a bell, symbolizing Campanella's name; plus a few woodcut headpieces and initials. 4to. 19th- early 20th-century sheep, with blind ruled calf covers (presumably from the original binding) laid down on both boards; spine with raised bands and gilt-lettered black morocco label. Frankfurt: Egenolph Emmel for Gottfried Tampach, 1620. First Edition. Written when Campanella was imprisoned by the Inquisition. (Krivatsy 2088; Wellcome 1236; Graesse, Trésor, VII, pp.150-151; Thorndike, VII, 291; Caillet, I, 1984; cf. Ferguson I, 138, citing 1636 edition only.)In this work Campanella, a prominent Italian Renaissance philosopher, theologian, astrologer, poet, and political thinker, expounds his vision of the natural world as a sentient organism whose individual parts are invested with life and sensitivity. On this basis he discusses natural divination, natural magic, and occult marvels. He discusses the senses, the intellect, the soul, immortality,… Leer más

ILLUSTRATED WITH 66 POCHOIR WOODCUTSThe Fables of Aesop. Printed from the Veronese Edition of MCCCCLXXIX in Latin Verses and Italian Version by Accio Zucco, with the Woodcuts Newly Engraved and Coloured After a Copy in The British Museum. (With) The First Three Books of Caxton's Aesop containing the Fables Illustrated in the Verona Aesopus of MCCCCLXXIX.Epilogue by Giovanni Mardersteig. Illustrated with 66 full-page woodcuts by Anna Bramanti. Woodcuts are pochoir colored by Daniel Jacomet to recreate the illuminated miniature effect of the British Library copy of the Veronese Aesop of 1479 (upon which the present edition is based). The fleurons, first adopted in 1479, were engraved by Charles Malin. 8vo. Publisher's ¼-green morocco; decorated boards; top edges gilt; acetate dust wrappers; enclosed in morocco-tipped slipcase.Officina Bodoni, Verona, 1973. Limited to 160 numbered copies set in Centaur types, printed on Magnani mould made paper with goose watermark. 2 volumes. Volume I contains the… Leer más

Hardcover. Fine. 4to. Bound in 20th-century 1/4-vellum over marbled boards. Strasbourg: Matthias Schürer, July 1510. Second Strasbourg edition of Erasmus heavily annotated collection of Greek and Latin proverbs. Printed in Roman and Greek types. This is the original version, containing 818 adages, which is considerably shorter than the later expanded versions published under the title Adagiorum chiliades. (Adams E-420; Bezzel, Erasmusdrucke, 50; Van der Haeghen, Bibliotheca Erasmiana, p.25-6; Bibl. Belgica II, 276: no. E.61; Muller, Strasbourg II, p. 179, no. 45.) The Adagia could only have been possible in the new world of European education, in which careful attention to a broader range of classical texts produced a much fuller picture of the literature of antiquity. Its impact has been long lasting. Such popular expressions such as one step at a time, between a rock and a hard place, break the ice, an iron in the fire, looking a gift horse in the mouth, and many other sayings can trace their… Leer más

Joseph Von Paltz. Coelifodina Absconditos. Scripurae Thesauros Pandens . . . Bound with Supplementum coelifodinae . . . Two volumes bound in one. Text in Latin. Illustrated with 2 full-page woodcut title pages and 2 woodcut printer's device. Thick 4to. Bound in early 16th-century blind-stamped pigskin over wooden boards (without the original clasps and metal bosses). Printed in Leipzig by Martin Landsberg, 1511 (Coelifodina) and 1510 (Supplementum coelifodinae). Third Edition of the Coelifodina (first printed in 1502). Second Edition of the Supplementum coelifodinae (first printed in 1504). Johann Von Paltz was a prominent German Augustinian theologian and one of Martin Luther's teachers at Erfurt. He played an important role in forming Luther's theological views. "Luther began by teaching a spirituality that contrasted sharply with Paltz's, but . . . as the indulgence controversy unfolded, Luther swerved onto a track much closer to Paltz, as he emphasized the power of absolution. . . Luther, formed… Leer más

JUSTIFICATION FOR RALEIGH'S EXECUTIONBACON, SIR FRANCIS and King James I. A Declaration of the Demeanor and Cariage of Sir Walter Raleigh, Knight, as well in his Voyage, as in, and sithence his Returne; And of the true motives and inducements which occasioned His Maiestie to Proceed in doing Iustice upon him, as hath bene done.Extra illustrated with full-page frontispiece portrait of Raleigh. 8vo. Bound in full modern calf, gilt lettering on spine. London, Printed by Bonham Norton, and John Bill, 1618. First Edition. First Issue. With an early 17th-century inscription on the title page: "From his very much esteemed friend Raleigh." It is thought that this might be an inscription by Raleigh's cousin George. The inscription is slightly faded from having been lightly washed. This is the official apologia for Raleigh's execution at the order of King James I. It was composed largely by Francis Bacon but also by the other commissioners who tried Raleigh and with additions by King James himself. It was… Leer más

FIRST EDITION, FIRST ISSUEIn Six Volumes. 12mo. Bound in modern leather reminiscent of the style of the period. London: Printed for A. Millar, 1749. First Edition. First Issue. The first edition consisted of 2000 copies, which were virtually all spoken for prior to the formal day of publication. The copies of the first edition are distinguished by the presence of the Errata Page after the Table of Contents in Volume I. The errata were corrected and the page taken over by the enlargement of the contents in the unmarked second edition of 1500 copies. The second edition was ordered after the first edition was exhausted. Both editions were in circulation on the formal publication day of 28 February. This set exhibits the usual cancels, with the rare cancel B5 unsigned in Volume VI. (Cross III: 317; Rothschild 850-1; Grolier English Hundred 48. ESTC T1947.)Tom Jones is regarded as one of the first and most influential English novels. Coleridge acknowledged it as having one of the three great plots of all… Leer más

With an original holograph double-sided, fold-out manuscript leaf written in ink by Emerson bound into Volume I. The leaf, measuring approximately 8 by 10 inches on blue paper, is from Emerson's 1856 essay "English Traits." It begins "French have no . . . romances have no comedy since Moliere because they have no manners which only free peoples can have." Emerson has drawn a line through three lines of manuscript, and placed a vertical line down the center of each page, possible because he transcribed it onto a fair copy.Frontispieces. Illustrated with 56 engravings and photogravures. Large 8vo. ¾-green leather; spines with gilt letters and gilt decoration, 5 raised bands; gilt tooling to the front and rear panels; top edge gilt; marbled end papers and boards. Cambridge, Printed at the Riverside Press, 1903-4. First Edition. 12 volumes. Limited to 600 numbered sets, signed in Volume I by "Houghton Mifflin Co." This is set #197. This edition includes all of Emerson's poems, lectures, biographical… Leer más